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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A63DB8 it is the complementary color #59C247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A63DB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A63DB8 shade: #AB3DB3, #BC4FC6, #CD61D9, #DE73EC and #EF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A63DB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A63DB8 shade: #A63DB8, #952BA5, #841992, #73077F and #62006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A63DB8 shade: #A63DB8, #B83DA9, #B83D87, #B83D66 and #B83D45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A63DB8 shade: #A63DB8, #853DB8, #643DB8, #433DB8 and #3D3DB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A63DB8 shade matches the following richer shades: #A63DB8, #B429CB, #C216DF and #D002F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A63DB8 shade: #A63DB8, #9851A4, #8A6590, #7C797C and #6E8C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A63DB8 shade: #643DB8, #853DB8, #A53DB8, #B83DA9 and #B83D89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A63DB8 shade: #6E297A, #8A3399, #A63DB8, #B757C7 and #C476D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A63DB8 shade: #A63DB8, #B8433D and #3DB874

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A63DB8 shade: #A63DB8, #B8A53D and #3DB8A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A63DB8 shade: #A63DB8, #B8433D, #50B83D and #3DB1B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A63DB8 shade: #A63DB8, #B8683D, #50B83D and #3D8DB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 67 / 0 / 28

HEX #A63DB8

RGB 166 61 184

HSL 291.22, 0.5%, 0.48%

LAB 45.5, 59.66, -44.95

 

Complementary color

CMYK 54 / 0 / 63 / 24

HEX #59C247

RGB 89 194 71

HSL 111.22, 0.5%, 0.52%

LAB 70.29, -53.52, 51.28

 

CMYK 4 / 66 / 0 / 30

HEX #AB3DB3

RGB 171 61 179

HSL 295.93, 0.49%, 0.47%

LAB 45.97, 59.92, -41.22

 

CMYK 5 / 60 / 0 / 22

HEX #BC4FC6

RGB 188 79 198

HSL 294.96, 0.51%, 0.54%

LAB 52.24, 59.84, -42.18

 

CMYK 6 / 55 / 0 / 15

HEX #CD61D9

RGB 205 97 217

HSL 294, 0.61%, 0.62%

LAB 58.54, 59.45, -42.89

 

CMYK 6 / 51 / 0 / 7

HEX #DE73EC

RGB 222 115 236

HSL 293.06, 0.76%, 0.69%

LAB 64.84, 58.89, -43.45

 

CMYK 6 / 48 / 0 / 0

HEX #EF85FF

RGB 239 133 255

HSL 292.13, 1%, 0.76%

LAB 71.11, 58.24, -43.9

 

CMYK 10 / 67 / 0 / 28

HEX #A63DB8

RGB 166 61 184

HSL 291.22, 0.5%, 0.48%

LAB 45.5, 59.66, -44.95

 

CMYK 10 / 74 / 0 / 35

HEX #952BA5

RGB 149 43 165

HSL 292.13, 0.59%, 0.41%

LAB 39.3, 59.28, -43.76

 

CMYK 10 / 83 / 0 / 43

HEX #841992

RGB 132 25 146

HSL 293.06, 0.71%, 0.34%

LAB 33.3, 58.02, -42.01

 

CMYK 9 / 94 / 0 / 50

HEX #73077F

RGB 115 7 127

HSL 294, 0.9%, 0.26%

LAB 27.65, 55.33, -39.42

 

CMYK 9 / 100 / 0 / 58

HEX #62006C

RGB 98 0 108

HSL 294.44, 1%, 0.21%

LAB 22.58, 50.46, -35.59

 

CMYK 10 / 67 / 0 / 28

HEX #A63DB8

RGB 166 61 184

HSL 291.22, 0.5%, 0.48%

LAB 45.5, 59.66, -44.95

 

CMYK 0 / 67 / 8 / 28

HEX #B83DA9

RGB 184 61 169

HSL 307.32, 0.5%, 0.48%

LAB 47.49, 61.4, -32.81

 

CMYK 0 / 67 / 27 / 28

HEX #B83D87

RGB 184 61 135

HSL 323.9, 0.5%, 0.48%

LAB 46.01, 56.49, -14.75

 

CMYK 0 / 67 / 45 / 28

HEX #B83D66

RGB 184 61 102

HSL 340, 0.5%, 0.48%

LAB 44.92, 52.7, 3.83

 

CMYK 0 / 67 / 63 / 28

HEX #B83D45

RGB 184 61 69

HSL 356.1, 0.5%, 0.48%

LAB 44.17, 49.99, 23.1

 

CMYK 10 / 67 / 0 / 28

HEX #A63DB8

RGB 166 61 184

HSL 291.22, 0.5%, 0.48%

LAB 45.5, 59.66, -44.95

 

CMYK 28 / 67 / 0 / 28

HEX #853DB8

RGB 133 61 184

HSL 275.12, 0.5%, 0.48%

LAB 40.87, 52.22, -52.63

 

CMYK 46 / 67 / 0 / 28

HEX #643DB8

RGB 100 61 184

HSL 259.02, 0.5%, 0.48%

LAB 36.94, 45.41, -59.18

 

CMYK 64 / 67 / 0 / 28

HEX #433DB8

RGB 67 61 184

HSL 242.93, 0.5%, 0.48%

LAB 33.97, 39.82, -64.17

 

CMYK 67 / 67 / 0 / 28

HEX #3D3DB8

RGB 61 61 184

HSL 240, 0.5%, 0.48%

LAB 33.54, 38.98, -64.88

 

CMYK 10 / 67 / 0 / 28

HEX #A63DB8

RGB 166 61 184

HSL 291.22, 0.5%, 0.48%

LAB 45.5, 59.66, -44.95

 

CMYK 11 / 80 / 0 / 20

HEX #B429CB

RGB 180 41 203

HSL 291.48, 0.66%, 0.48%

LAB 46.45, 72.75, -54.37

 

CMYK 13 / 90 / 0 / 13

HEX #C216DF

RGB 194 22 223

HSL 291.34, 0.82%, 0.48%

LAB 48.72, 82.29, -62.06

 

CMYK 14 / 99 / 0 / 5

HEX #D002F3

RGB 208 2 243

HSL 291.29, 0.98%, 0.48%

LAB 51.75, 89.44, -68.36

 

CMYK 10 / 67 / 0 / 28

HEX #A63DB8

RGB 166 61 184

HSL 291.22, 0.5%, 0.48%

LAB 45.5, 59.66, -44.95

 

CMYK 7 / 51 / 0 / 36

HEX #9851A4

RGB 152 81 164

HSL 291.33, 0.34%, 0.48%

LAB 45.96, 42.65, -32.57

 

CMYK 4 / 30 / 0 / 44

HEX #8A6590

RGB 138 101 144

HSL 291.63, 0.18%, 0.48%

LAB 47.91, 22.75, -17.82

 

CMYK 0 / 2 / 0 / 51

HEX #7C797C

RGB 124 121 124

HSL 300, 0.01%, 0.48%

LAB 51.17, 1.74, -1.24

 

CMYK 21 / 0 / 26 / 45

HEX #6E8C68

RGB 110 140 104

HSL 110, 0.15%, 0.48%

LAB 55.15, -17.9, 15.85

 

CMYK 46 / 67 / 0 / 28

HEX #643DB8

RGB 100 61 184

HSL 259.02, 0.5%, 0.48%

LAB 36.94, 45.41, -59.18

 

CMYK 28 / 67 / 0 / 28

HEX #853DB8

RGB 133 61 184

HSL 275.12, 0.5%, 0.48%

LAB 40.87, 52.22, -52.63

 

CMYK 10 / 67 / 0 / 28

HEX #A53DB8

RGB 165 61 184

HSL 290.73, 0.5%, 0.48%

LAB 45.36, 59.43, -45.2

 

CMYK 0 / 67 / 8 / 28

HEX #B83DA9

RGB 184 61 169

HSL 307.32, 0.5%, 0.48%

LAB 47.49, 61.4, -32.81

 

CMYK 0 / 67 / 26 / 28

HEX #B83D89

RGB 184 61 137

HSL 322.93, 0.5%, 0.48%

LAB 46.09, 56.75, -15.84

 

CMYK 10 / 66 / 0 / 52

HEX #6E297A

RGB 110 41 122

HSL 291.11, 0.5%, 0.32%

LAB 30.17, 42.68, -32.28

 

CMYK 10 / 67 / 0 / 40

HEX #8A3399

RGB 138 51 153

HSL 291.18, 0.5%, 0.4%

LAB 37.97, 51.36, -38.75

 

CMYK 10 / 67 / 0 / 28

HEX #A63DB8

RGB 166 61 184

HSL 291.22, 0.5%, 0.48%

LAB 45.5, 59.66, -44.95

 

CMYK 8 / 56 / 0 / 22

HEX #B757C7

RGB 183 87 199

HSL 291.43, 0.5%, 0.56%

LAB 52.96, 55.06, -41.67

 

CMYK 6 / 44 / 0 / 18

HEX #C476D1

RGB 196 118 209

HSL 291.43, 0.5%, 0.64%

LAB 61.04, 44.95, -34.55

 

CMYK 10 / 67 / 0 / 28

HEX #A63DB8

RGB 166 61 184

HSL 291.22, 0.5%, 0.48%

LAB 45.5, 59.66, -44.95

 

CMYK 0 / 64 / 67 / 28

HEX #B8433D

RGB 184 67 61

HSL 2.93, 0.5%, 0.48%

LAB 45, 46.91, 28.94

 

CMYK 67 / 0 / 37 / 28

HEX #3DB874

RGB 61 184 116

HSL 146.83, 0.5%, 0.48%

LAB 66.93, -49.44, 24.9

 

CMYK 10 / 67 / 0 / 28

HEX #A63DB8

RGB 166 61 184

HSL 291.22, 0.5%, 0.48%

LAB 45.5, 59.66, -44.95

 

CMYK 0 / 10 / 67 / 28

HEX #B8A53D

RGB 184 165 61

HSL 50.73, 0.5%, 0.48%

LAB 67.6, -5.2, 54.38

 

CMYK 67 / 0 / 10 / 28

HEX #3DB8A5

RGB 61 184 165

HSL 170.73, 0.5%, 0.48%

LAB 68.01, -38.15, -0.24

 

CMYK 10 / 67 / 0 / 28

HEX #A63DB8

RGB 166 61 184

HSL 291.22, 0.5%, 0.48%

LAB 45.5, 59.66, -44.95

 

CMYK 0 / 64 / 67 / 28

HEX #B8433D

RGB 184 67 61

HSL 2.93, 0.5%, 0.48%

LAB 45, 46.91, 28.94

 

CMYK 57 / 0 / 67 / 28

HEX #50B83D

RGB 80 184 61

HSL 110.73, 0.5%, 0.48%

LAB 66.77, -53.09, 51.56

 

CMYK 67 / 4 / 0 / 28

HEX #3DB1B8

RGB 61 177 184

HSL 183.41, 0.5%, 0.48%

LAB 66.44, -29.54, -13.07

 

CMYK 10 / 67 / 0 / 28

HEX #A63DB8

RGB 166 61 184

HSL 291.22, 0.5%, 0.48%

LAB 45.5, 59.66, -44.95

 

CMYK 0 / 43 / 67 / 28

HEX #B8683D

RGB 184 104 61

HSL 20.98, 0.5%, 0.48%

LAB 52.32, 28.26, 37.63

 

CMYK 57 / 0 / 67 / 28

HEX #50B83D

RGB 80 184 61

HSL 110.73, 0.5%, 0.48%

LAB 66.77, -53.09, 51.56

 

CMYK 67 / 23 / 0 / 28

HEX #3D8DB8

RGB 61 141 184

HSL 200.98, 0.5%, 0.48%

LAB 55.59, -10.67, -29.66

 

Description

Color code: HEX #A63DB8 | qconv.com Color code: HEX #A63DB8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 61 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 61 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 67 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 67% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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