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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D002F3 it is the complementary color #2FFD0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D002F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D002F3 shade: #D502EE, #E614FF, #F726FF, #FF38FF and #FF4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D002F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D002F3 shade: #D002F3, #BF00E0, #AE00CD, #9D00BA and #8C00A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D002F3 shade: #D002F2, #F202D4, #F20294, #F20253 and #F20212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D002F3 shade: #D002F2, #8F02F2, #4E02F2, #0D02F2 and #0202F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D002F3 shade matches the following richer shades: #D002F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D002F3 shade: #D002F2, #C116DF, #B32ACB, #A53EB7 and #9752A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D002F3 shade: #4E02F2, #8E02F2, #CE02F2, #F202D6 and #F20296

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D002F3 shade: #8A02A1, #AD02CA, #D002F2, #DD21FD and #E34AFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D002F3 shade: #D002F3, #F20E02 and #02F26E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D002F3 shade: #D002F3, #F2CE02 and #02F2CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D002F3 shade: #D002F3, #F20E02, #26F202 and #02E6F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D002F3 shade: #D002F3, #F25602, #26F202 and #029EF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 99 / 0 / 5

HEX #D002F3

RGB 208 2 243

HSL 291.29, 0.98%, 0.48%

LAB 51.75, 89.44, -68.36

 

Complementary color

CMYK 81 / 0 / 95 / 1

HEX #2FFD0C

RGB 47 253 12

HSL 111.29, 0.98%, 0.52%

LAB 87.43, -82.83, 82.13

 

CMYK 11 / 99 / 0 / 7

HEX #D502EE

RGB 213 2 238

HSL 293.64, 0.98%, 0.47%

LAB 52.24, 89.37, -64.71

 

CMYK 10 / 92 / 0 / 0

HEX #E614FF

RGB 230 20 255

HSL 293.62, 1%, 0.54%

LAB 56.63, 93.07, -67

 

CMYK 3 / 85 / 0 / 0

HEX #F726FF

RGB 247 38 255

HSL 297.79, 1%, 0.57%

LAB 60.23, 93.31, -61.06

 

CMYK 0 / 78 / 0 / 0

HEX #FF38FF

RGB 255 56 255

HSL 300, 1%, 0.61%

LAB 62.77, 91.08, -56.94

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 14 / 99 / 0 / 5

HEX #D002F3

RGB 208 2 243

HSL 291.29, 0.98%, 0.48%

LAB 51.75, 89.44, -68.36

 

CMYK 15 / 100 / 0 / 12

HEX #BF00E0

RGB 191 0 224

HSL 291.16, 1%, 0.44%

LAB 47.57, 84.17, -64.52

 

CMYK 15 / 100 / 0 / 20

HEX #AE00CD

RGB 174 0 205

HSL 290.93, 1%, 0.4%

LAB 43.37, 78.66, -60.55

 

CMYK 16 / 100 / 0 / 27

HEX #9D00BA

RGB 157 0 186

HSL 290.65, 1%, 0.36%

LAB 39.09, 73.05, -56.51

 

CMYK 16 / 100 / 0 / 35

HEX #8C00A7

RGB 140 0 167

HSL 290.3, 1%, 0.33%

LAB 34.73, 67.34, -52.39

 

CMYK 14 / 99 / 0 / 5

HEX #D002F2

RGB 208 2 242

HSL 291.5, 0.98%, 0.48%

LAB 51.68, 89.28, -67.91

 

CMYK 0 / 99 / 12 / 5

HEX #F202D4

RGB 242 2 212

HSL 307.5, 0.98%, 0.48%

LAB 55.76, 90.3, -44.07

 

CMYK 0 / 99 / 39 / 5

HEX #F20294

RGB 242 2 148

HSL 323.5, 0.98%, 0.48%

LAB 53.01, 83.32, -10.96

 

CMYK 0 / 99 / 66 / 5

HEX #F20253

RGB 242 2 83

HSL 339.75, 0.98%, 0.48%

LAB 51.32, 78.82, 26

 

CMYK 0 / 99 / 93 / 5

HEX #F20212

RGB 242 2 18

HSL 356, 0.98%, 0.48%

LAB 50.65, 76.99, 59.65

 

CMYK 14 / 99 / 0 / 5

HEX #D002F2

RGB 208 2 242

HSL 291.5, 0.98%, 0.48%

LAB 51.68, 89.28, -67.91

 

CMYK 41 / 99 / 0 / 5

HEX #8F02F2

RGB 143 2 242

HSL 275.25, 0.98%, 0.48%

LAB 41.68, 81.59, -84.66

 

CMYK 68 / 99 / 0 / 5

HEX #4E02F2

RGB 78 2 242

HSL 259, 0.98%, 0.48%

LAB 34.14, 77.22, -97.39

 

CMYK 95 / 99 / 0 / 5

HEX #0D02F2

RGB 13 2 242

HSL 242.75, 0.98%, 0.48%

LAB 30.74, 75.86, -103.15

 

CMYK 99 / 99 / 0 / 5

HEX #0202F2

RGB 2 2 242

HSL 240, 0.98%, 0.48%

LAB 30.56, 75.8, -103.45

 

CMYK 14 / 99 / 0 / 5

HEX #D002F2

RGB 208 2 242

HSL 291.5, 0.98%, 0.48%

LAB 51.68, 89.28, -67.91

 

CMYK 14 / 99 / 0 / 5

HEX #D002F2

RGB 208 2 242

HSL 291.5, 0.98%, 0.48%

LAB 51.68, 89.28, -67.91

 

CMYK 13 / 90 / 0 / 13

HEX #C116DF

RGB 193 22 223

HSL 291.04, 0.82%, 0.48%

LAB 48.56, 82.14, -62.34

 

CMYK 12 / 79 / 0 / 20

HEX #B32ACB

RGB 179 42 203

HSL 291.06, 0.66%, 0.48%

LAB 46.38, 72.3, -54.49

 

CMYK 10 / 66 / 0 / 28

HEX #A53EB7

RGB 165 62 183

HSL 291.07, 0.49%, 0.48%

LAB 45.45, 58.83, -44.46

 

CMYK 7 / 50 / 0 / 36

HEX #9752A3

RGB 151 82 163

HSL 291.11, 0.33%, 0.48%

LAB 45.99, 41.62, -31.95

 

CMYK 68 / 99 / 0 / 5

HEX #4E02F2

RGB 78 2 242

HSL 259, 0.98%, 0.48%

LAB 34.14, 77.22, -97.39

 

CMYK 41 / 99 / 0 / 5

HEX #8E02F2

RGB 142 2 242

HSL 275, 0.98%, 0.48%

LAB 41.54, 81.49, -84.89

 

CMYK 15 / 99 / 0 / 5

HEX #CE02F2

RGB 206 2 242

HSL 291, 0.98%, 0.48%

LAB 51.35, 89.01, -68.46

 

CMYK 0 / 99 / 12 / 5

HEX #F202D6

RGB 242 2 214

HSL 307, 0.98%, 0.48%

LAB 55.86, 90.56, -45.05

 

CMYK 0 / 99 / 38 / 5

HEX #F20296

RGB 242 2 150

HSL 323, 0.98%, 0.48%

LAB 53.08, 83.5, -12.05

 

CMYK 14 / 99 / 0 / 37

HEX #8A02A1

RGB 138 2 161

HSL 291.32, 0.98%, 0.32%

LAB 34.02, 65.74, -49.93

 

CMYK 14 / 99 / 0 / 21

HEX #AD02CA

RGB 173 2 202

HSL 291.3, 0.98%, 0.4%

LAB 43.05, 77.83, -59.33

 

CMYK 14 / 99 / 0 / 5

HEX #D002F2

RGB 208 2 242

HSL 291.5, 0.98%, 0.48%

LAB 51.68, 89.28, -67.91

 

CMYK 13 / 87 / 0 / 1

HEX #DD21FD

RGB 221 33 253

HSL 291.27, 0.98%, 0.56%

LAB 55.64, 89.65, -67.56

 

CMYK 10 / 71 / 0 / 1

HEX #E34AFD

RGB 227 74 253

HSL 291.28, 0.98%, 0.64%

LAB 60.18, 80.21, -60.21

 

CMYK 14 / 99 / 0 / 5

HEX #D002F3

RGB 208 2 243

HSL 291.29, 0.98%, 0.48%

LAB 51.75, 89.44, -68.36

 

CMYK 0 / 94 / 99 / 5

HEX #F20E02

RGB 242 14 2

HSL 3, 0.98%, 0.48%

LAB 50.92, 75.95, 64.2

 

CMYK 99 / 0 / 55 / 5

HEX #02F26E

RGB 2 242 110

HSL 147, 0.98%, 0.48%

LAB 84.3, -75.34, 49.8

 

CMYK 14 / 99 / 0 / 5

HEX #D002F3

RGB 208 2 243

HSL 291.29, 0.98%, 0.48%

LAB 51.75, 89.44, -68.36

 

CMYK 0 / 15 / 99 / 5

HEX #F2CE02

RGB 242 206 2

HSL 51, 0.98%, 0.48%

LAB 83.46, -2.89, 83.94

 

CMYK 99 / 0 / 15 / 5

HEX #02F2CE

RGB 2 242 206

HSL 171, 0.98%, 0.48%

LAB 85.99, -56.03, 3.85

 

CMYK 14 / 99 / 0 / 5

HEX #D002F3

RGB 208 2 243

HSL 291.29, 0.98%, 0.48%

LAB 51.75, 89.44, -68.36

 

CMYK 0 / 94 / 99 / 5

HEX #F20E02

RGB 242 14 2

HSL 3, 0.98%, 0.48%

LAB 50.92, 75.95, 64.2

 

CMYK 84 / 0 / 99 / 5

HEX #26F202

RGB 38 242 2

HSL 111, 0.98%, 0.48%

LAB 83.92, -80.85, 80.05

 

CMYK 99 / 5 / 0 / 5

HEX #02E6F2

RGB 2 230 242

HSL 183, 0.98%, 0.48%

LAB 83.45, -40.86, -18.85

 

CMYK 14 / 99 / 0 / 5

HEX #D002F3

RGB 208 2 243

HSL 291.29, 0.98%, 0.48%

LAB 51.75, 89.44, -68.36

 

CMYK 0 / 64 / 99 / 5

HEX #F25602

RGB 242 86 2

HSL 21, 0.98%, 0.48%

LAB 57.6, 57.34, 67.29

 

CMYK 84 / 0 / 99 / 5

HEX #26F202

RGB 38 242 2

HSL 111, 0.98%, 0.48%

LAB 83.92, -80.85, 80.05

 

CMYK 99 / 35 / 0 / 5

HEX #029EF2

RGB 2 158 242

HSL 201, 0.98%, 0.48%

LAB 62.4, -4.15, -51.45

 

Description

Color code: HEX #D002F3 | qconv.com Color code: HEX #D002F3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 2 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 2 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 99 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 99% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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