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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E58E it is the complementary color #5A1A71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E58E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E58E shade: #AAE589, #BBF79C, #CCFFAF, #DDFFC2 and #EEFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E58E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E58E shade: #A5E58E, #94D37B, #83C168, #72AF55 and #619D42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E58E shade: #A5E58E, #BDE58E, #D4E58E, #E5DF8E and #E5C78E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E58E shade: #A5E58E, #8EE58F, #8EE5A6, #8EE5BE and #8EE5D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E58E shade matches the following richer shades: #A5E58E, #A0F083 and #9BFB78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E58E shade: #A5E58E, #AADA99, #B0CFA5, #B5C4B0 and #BAB8BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E58E shade: #D4E58E, #BDE58E, #A5E58E, #8EE58E and #8EE5A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E58E shade: #70D64B, #8ADD6D, #A5E58E, #C0EDB0 and #DBF4D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E58E shade: #A5E58E, #8EE5DF and #E58EC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E58E shade: #A5E58E, #8EA5E5 and #E58EA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E58E shade: #A5E58E, #8EE5DF, #CE8EE5 and #E58E94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E58E shade: #A5E58E, #8ED1E5, #CE8EE5 and #E5A38E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

Complementary color

CMYK 20 / 77 / 0 / 56

HEX #5A1A71

RGB 90 26 113

HSL 284.14, 0.63%, 0.27%

LAB 24.01, 42.61, -36.58

 

CMYK 26 / 0 / 40 / 10

HEX #AAE589

RGB 170 229 137

HSL 98.48, 0.64%, 0.72%

LAB 85.2, -34.96, 38.93

 

CMYK 24 / 0 / 37 / 3

HEX #BBF79C

RGB 187 247 156

HSL 99.56, 0.85%, 0.79%

LAB 91.45, -34.83, 37.8

 

CMYK 20 / 0 / 31 / 0

HEX #CCFFAF

RGB 204 255 175

HSL 98.25, 1%, 0.84%

LAB 94.93, -30.08, 33.11

 

CMYK 13 / 0 / 24 / 0

HEX #DDFFC2

RGB 221 255 194

HSL 93.44, 1%, 0.88%

LAB 96.32, -21.46, 25.61

 

CMYK 7 / 0 / 16 / 0

HEX #EEFFD5

RGB 238 255 213

HSL 84.29, 1%, 0.92%

LAB 97.83, -12.69, 18.22

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 30 / 0 / 42 / 17

HEX #94D37B

RGB 148 211 123

HSL 102.95, 0.5%, 0.65%

LAB 78.64, -36.15, 37.28

 

CMYK 32 / 0 / 46 / 24

HEX #83C168

RGB 131 193 104

HSL 101.8, 0.42%, 0.58%

LAB 72.2, -36.28, 38.48

 

CMYK 35 / 0 / 51 / 31

HEX #72AF55

RGB 114 175 85

HSL 100.67, 0.36%, 0.51%

LAB 65.67, -36.38, 39.69

 

CMYK 38 / 0 / 58 / 38

HEX #619D42

RGB 97 157 66

HSL 99.56, 0.41%, 0.44%

LAB 59.02, -36.39, 40.86

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 17 / 0 / 38 / 10

HEX #BDE58E

RGB 189 229 142

HSL 87.59, 0.63%, 0.73%

LAB 86.41, -27.59, 38.23

 

CMYK 7 / 0 / 38 / 10

HEX #D4E58E

RGB 212 229 142

HSL 71.72, 0.63%, 0.73%

LAB 87.96, -19.07, 40.54

 

CMYK 0 / 3 / 38 / 10

HEX #E5DF8E

RGB 229 223 142

HSL 55.86, 0.63%, 0.73%

LAB 87.67, -9.57, 40.42

 

CMYK 0 / 13 / 38 / 10

HEX #E5C78E

RGB 229 199 142

HSL 39.31, 0.63%, 0.73%

LAB 81.54, 2.73, 32.45

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 38 / 0 / 38 / 10

HEX #8EE58F

RGB 142 229 143

HSL 120.69, 0.63%, 0.73%

LAB 83.85, -43.2, 33.89

 

CMYK 38 / 0 / 28 / 10

HEX #8EE5A6

RGB 142 229 166

HSL 136.55, 0.63%, 0.73%

LAB 84.25, -39.37, 22.65

 

CMYK 38 / 0 / 17 / 10

HEX #8EE5BE

RGB 142 229 190

HSL 153.1, 0.63%, 0.73%

LAB 84.74, -34.78, 10.82

 

CMYK 38 / 0 / 7 / 10

HEX #8EE5D5

RGB 142 229 213

HSL 168.97, 0.63%, 0.73%

LAB 85.3, -29.84, -0.48

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 33 / 0 / 45 / 6

HEX #A0F083

RGB 160 240 131

HSL 104.04, 0.78%, 0.73%

LAB 87.69, -44, 44.93

 

CMYK 38 / 0 / 52 / 2

HEX #9BFB78

RGB 155 251 120

HSL 103.97, 0.94%, 0.73%

LAB 90.47, -51.54, 53.45

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 22 / 0 / 30 / 15

HEX #AADA99

RGB 170 218 153

HSL 104.31, 0.47%, 0.73%

LAB 82.37, -27.52, 27.08

 

CMYK 15 / 0 / 20 / 19

HEX #B0CFA5

RGB 176 207 165

HSL 104.29, 0.3%, 0.73%

LAB 79.94, -18.12, 17.5

 

CMYK 8 / 0 / 10 / 23

HEX #B5C4B0

RGB 181 196 176

HSL 105, 0.14%, 0.73%

LAB 77.54, -8.84, 8.29

 

CMYK 1 / 2 / 0 / 27

HEX #BAB8BB

RGB 186 184 187

HSL 280, 0.02%, 0.73%

LAB 75.02, 1.26, -1.28

 

CMYK 7 / 0 / 38 / 10

HEX #D4E58E

RGB 212 229 142

HSL 71.72, 0.63%, 0.73%

LAB 87.96, -19.07, 40.54

 

CMYK 17 / 0 / 38 / 10

HEX #BDE58E

RGB 189 229 142

HSL 87.59, 0.63%, 0.73%

LAB 86.41, -27.59, 38.23

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 38 / 0 / 38 / 10

HEX #8EE58E

RGB 142 229 142

HSL 120, 0.63%, 0.73%

LAB 83.83, -43.35, 34.38

 

CMYK 38 / 0 / 28 / 10

HEX #8EE5A5

RGB 142 229 165

HSL 135.86, 0.63%, 0.73%

LAB 84.23, -39.55, 23.15

 

CMYK 48 / 0 / 65 / 16

HEX #70D64B

RGB 112 214 75

HSL 104.03, 0.63%, 0.57%

LAB 77.31, -54.36, 57.55

 

CMYK 38 / 0 / 51 / 13

HEX #8ADD6D

RGB 138 221 109

HSL 104.46, 0.62%, 0.65%

LAB 80.86, -45.65, 46.79

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 19 / 0 / 26 / 7

HEX #C0EDB0

RGB 192 237 176

HSL 104.26, 0.63%, 0.81%

LAB 89.35, -25.52, 24.93

 

CMYK 10 / 0 / 14 / 4

HEX #DBF4D2

RGB 219 244 210

HSL 104.12, 0.61%, 0.89%

LAB 93.63, -14.24, 13.65

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 38 / 0 / 3 / 10

HEX #8EE5DF

RGB 142 229 223

HSL 175.86, 0.63%, 0.73%

LAB 85.56, -27.54, -5.36

 

CMYK 0 / 38 / 13 / 10

HEX #E58EC8

RGB 229 142 200

HSL 320, 0.63%, 0.73%

LAB 69.59, 41.08, -16.06

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 0 / 38 / 28 / 10

HEX #E58EA5

RGB 229 142 165

HSL 344.14, 0.63%, 0.73%

LAB 68.55, 35.88, 1.94

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 38 / 0 / 3 / 10

HEX #8EE5DF

RGB 142 229 223

HSL 175.86, 0.63%, 0.73%

LAB 85.56, -27.54, -5.36

 

CMYK 10 / 38 / 0 / 10

HEX #CE8EE5

RGB 206 142 229

HSL 284.14, 0.63%, 0.73%

LAB 68.11, 39.1, -34.61

 

CMYK 0 / 38 / 35 / 10

HEX #E58E94

RGB 229 142 148

HSL 355.86, 0.63%, 0.73%

LAB 68.13, 33.71, 10.86

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 38 / 9 / 0 / 10

HEX #8ED1E5

RGB 142 209 229

HSL 193.79, 0.63%, 0.73%

LAB 80.18, -16.14, -16.57

 

CMYK 10 / 38 / 0 / 10

HEX #CE8EE5

RGB 206 142 229

HSL 284.14, 0.63%, 0.73%

LAB 68.11, 39.1, -34.61

 

CMYK 0 / 29 / 38 / 10

HEX #E5A38E

RGB 229 163 142

HSL 14.48, 0.63%, 0.73%

LAB 72.76, 21.81, 20.64

 

Description

Color code: HEX #A5E58E | qconv.com Color code: HEX #A5E58E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 229 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 229 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 38 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 38% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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