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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EA5E5 it is the complementary color #715A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EA5E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EA5E5 shade: #93A5E0, #A4B7F3, #B5C9FF, #C6DBFF and #D7EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EA5E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EA5E5 shade: #8EA5E5, #7D93D2, #6C81BF, #5B6FAC and #4A5D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EA5E5 shade: #8EA5E5, #8F8EE5, #A68EE5, #BE8EE5 and #D58EE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EA5E5 shade: #8EA5E5 and #8E8EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EA5E5 shade matches the following richer shades: #8EA5E5, #83A0F0 and #789BFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EA5E5 shade: #8EA5E5, #99AADA, #A5B0CF, #B0B5C4 and #BBBAB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EA5E5 shade: #8ED4E5, #8EBDE5, #8EA5E5, #8E8EE5 and #A58EE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EA5E5 shade: #4B70D6, #6D8ADD, #8EA5E5, #B0C0ED and #D2DBF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EA5E5 shade: #8EA5E5, #DF8EE5 and #C8E58E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EA5E5 shade: #8EA5E5, #E58EA5 and #A5E58E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EA5E5 shade: #8EA5E5, #DF8EE5, #E5CE8E and #94E58E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EA5E5 shade: #8EA5E5, #E58ED1, #E5CE8E and #8EE5A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

Complementary color

CMYK 0 / 20 / 77 / 56

HEX #715A1A

RGB 113 90 26

HSL 44.14, 0.63%, 0.27%

LAB 39.41, 2.24, 38.54

 

CMYK 34 / 26 / 0 / 12

HEX #93A5E0

RGB 147 165 224

HSL 225.97, 0.55%, 0.73%

LAB 68.38, 7.64, -31.84

 

CMYK 33 / 25 / 0 / 5

HEX #A4B7F3

RGB 164 183 243

HSL 225.57, 0.77%, 0.8%

LAB 74.97, 7.22, -31.92

 

CMYK 29 / 21 / 0 / 0

HEX #B5C9FF

RGB 181 201 255

HSL 223.78, 1%, 0.85%

LAB 81.19, 5.15, -28.7

 

CMYK 22 / 14 / 0 / 0

HEX #C6DBFF

RGB 198 219 255

HSL 217.89, 1%, 0.89%

LAB 86.94, 0.54, -19.85

 

CMYK 16 / 7 / 0 / 0

HEX #D7EDFF

RGB 215 237 255

HSL 207, 1%, 0.92%

LAB 92.68, -3.63, -11.13

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 40 / 30 / 0 / 18

HEX #7D93D2

RGB 125 147 210

HSL 224.47, 0.49%, 0.66%

LAB 61.55, 8.13, -34.81

 

CMYK 43 / 32 / 0 / 25

HEX #6C81BF

RGB 108 129 191

HSL 224.82, 0.39%, 0.59%

LAB 54.71, 8.76, -34.84

 

CMYK 47 / 35 / 0 / 33

HEX #5B6FAC

RGB 91 111 172

HSL 225.19, 0.33%, 0.52%

LAB 47.72, 9.51, -34.93

 

CMYK 52 / 39 / 0 / 40

HEX #4A5D99

RGB 74 93 153

HSL 225.57, 0.35%, 0.45%

LAB 40.55, 10.45, -35.08

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 38 / 38 / 0 / 10

HEX #8F8EE5

RGB 143 142 229

HSL 240.69, 0.63%, 0.73%

LAB 62.37, 21.05, -44

 

CMYK 28 / 38 / 0 / 10

HEX #A68EE5

RGB 166 142 229

HSL 256.55, 0.63%, 0.73%

LAB 64.25, 27.35, -40.92

 

CMYK 17 / 38 / 0 / 10

HEX #BE8EE5

RGB 190 142 229

HSL 273.1, 0.63%, 0.73%

LAB 66.48, 34.32, -37.27

 

CMYK 7 / 38 / 0 / 10

HEX #D58EE5

RGB 213 142 229

HSL 288.97, 0.63%, 0.73%

LAB 68.86, 41.21, -33.39

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 38 / 38 / 0 / 10

HEX #8E8EE5

RGB 142 142 229

HSL 240, 0.63%, 0.73%

LAB 62.3, 20.79, -44.12

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 45 / 33 / 0 / 6

HEX #83A0F0

RGB 131 160 240

HSL 224.04, 0.78%, 0.73%

LAB 66.72, 10.7, -43.29

 

CMYK 52 / 38 / 0 / 2

HEX #789BFB

RGB 120 155 251

HSL 223.97, 0.94%, 0.73%

LAB 65.28, 14.34, -51.62

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 30 / 22 / 0 / 15

HEX #99AADA

RGB 153 170 218

HSL 224.31, 0.47%, 0.73%

LAB 69.88, 5.03, -26.21

 

CMYK 20 / 15 / 0 / 19

HEX #A5B0CF

RGB 165 176 207

HSL 224.29, 0.3%, 0.73%

LAB 71.93, 2.75, -16.98

 

CMYK 10 / 8 / 0 / 23

HEX #B0B5C4

RGB 176 181 196

HSL 225, 0.14%, 0.73%

LAB 73.72, 1.23, -8.2

 

CMYK 0 / 1 / 2 / 27

HEX #BBBAB8

RGB 187 186 184

HSL 40, 0.02%, 0.73%

LAB 75.54, -0.01, 1.13

 

CMYK 38 / 7 / 0 / 10

HEX #8ED4E5

RGB 142 212 229

HSL 191.72, 0.63%, 0.73%

LAB 81.01, -17.67, -15.32

 

CMYK 38 / 17 / 0 / 10

HEX #8EBDE5

RGB 142 189 229

HSL 207.59, 0.63%, 0.73%

LAB 74.7, -5.64, -24.89

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 38 / 38 / 0 / 10

HEX #8E8EE5

RGB 142 142 229

HSL 240, 0.63%, 0.73%

LAB 62.3, 20.79, -44.12

 

CMYK 28 / 38 / 0 / 10

HEX #A58EE5

RGB 165 142 229

HSL 255.86, 0.63%, 0.73%

LAB 64.16, 27.07, -41.07

 

CMYK 65 / 48 / 0 / 16

HEX #4B70D6

RGB 75 112 214

HSL 224.03, 0.63%, 0.57%

LAB 49.42, 19.48, -56.45

 

CMYK 51 / 38 / 0 / 13

HEX #6D8ADD

RGB 109 138 221

HSL 224.46, 0.62%, 0.65%

LAB 58.65, 12.69, -45.58

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 26 / 19 / 0 / 7

HEX #B0C0ED

RGB 176 192 237

HSL 224.26, 0.63%, 0.81%

LAB 77.9, 4.3, -24.13

 

CMYK 14 / 10 / 0 / 4

HEX #D2DBF4

RGB 210 219 244

HSL 224.12, 0.61%, 0.89%

LAB 87.43, 1.88, -13.23

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 3 / 38 / 0 / 10

HEX #DF8EE5

RGB 223 142 229

HSL 295.86, 0.63%, 0.73%

LAB 69.96, 44.23, -31.6

 

CMYK 13 / 0 / 38 / 10

HEX #C8E58E

RGB 200 229 142

HSL 80, 0.63%, 0.73%

LAB 87.13, -23.57, 39.3

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 0 / 38 / 28 / 10

HEX #E58EA5

RGB 229 142 165

HSL 344.14, 0.63%, 0.73%

LAB 68.55, 35.88, 1.94

 

CMYK 28 / 0 / 38 / 10

HEX #A5E58E

RGB 165 229 142

HSL 104.14, 0.63%, 0.73%

LAB 84.99, -35.98, 36.11

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 3 / 38 / 0 / 10

HEX #DF8EE5

RGB 223 142 229

HSL 295.86, 0.63%, 0.73%

LAB 69.96, 44.23, -31.6

 

CMYK 0 / 10 / 38 / 10

HEX #E5CE8E

RGB 229 206 142

HSL 44.14, 0.63%, 0.73%

LAB 83.31, -0.91, 34.77

 

CMYK 35 / 0 / 38 / 10

HEX #94E58E

RGB 148 229 142

HSL 115.86, 0.63%, 0.73%

LAB 84.12, -41.5, 34.8

 

CMYK 38 / 28 / 0 / 10

HEX #8EA5E5

RGB 142 165 229

HSL 224.14, 0.63%, 0.73%

LAB 68.25, 7.59, -34.81

 

CMYK 0 / 38 / 9 / 10

HEX #E58ED1

RGB 229 142 209

HSL 313.79, 0.63%, 0.73%

LAB 69.9, 42.56, -20.59

 

CMYK 0 / 10 / 38 / 10

HEX #E5CE8E

RGB 229 206 142

HSL 44.14, 0.63%, 0.73%

LAB 83.31, -0.91, 34.77

 

CMYK 38 / 0 / 29 / 10

HEX #8EE5A3

RGB 142 229 163

HSL 134.48, 0.63%, 0.73%

LAB 84.19, -39.91, 24.13

 

Description

Color code: HEX #8EA5E5 | qconv.com Color code: HEX #8EA5E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 165 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 165 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 28 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 28% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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