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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5B0A8 it is the complementary color #5A4F57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5B0A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A5B0A8: #AAB0A3, #BBC2B6, #CCD4C9, #DDE6DC and #EEF8EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5B0A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A5B0A8: #A5B0A8, #949E95, #838C82, #727A6F and #61685C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 5 / 31

HEX #A5B0A8

RGB 165 176 168

HSL 136.36, 0.07%, 0.67%

LAB 70.79, -5.38, 2.76

 

Complementary color

CMYK 0 / 12 / 3 / 65

HEX #5A4F57

RGB 90 79 87

HSL 316.36, 0.07%, 0.33%

LAB 34.91, 6.18, -3.02

 

CMYK 3 / 0 / 7 / 31

HEX #AAB0A3

RGB 170 176 163

HSL 87.69, 0.08%, 0.66%

LAB 71.04, -4.52, 5.92

 

CMYK 4 / 0 / 6 / 24

HEX #BBC2B6

RGB 187 194 182

HSL 95, 0.09%, 0.74%

LAB 77.59, -4.62, 5.19

 

CMYK 4 / 0 / 5 / 17

HEX #CCD4C9

RGB 204 212 201

HSL 103.64, 0.11%, 0.81%

LAB 84.04, -4.71, 4.49

 

CMYK 4 / 0 / 4 / 10

HEX #DDE6DC

RGB 221 230 220

HSL 114, 0.17%, 0.88%

LAB 90.38, -4.8, 3.81

 

CMYK 4 / 0 / 4 / 3

HEX #EEF8EF

RGB 238 248 239

HSL 126, 0.42%, 0.95%

LAB 96.63, -4.89, 3.16

 

CMYK 6 / 0 / 5 / 31

HEX #A5B0A8

RGB 165 176 168

HSL 136.36, 0.07%, 0.67%

LAB 70.79, -5.38, 2.76

 

CMYK 6 / 0 / 6 / 38

HEX #949E95

RGB 148 158 149

HSL 126, 0.05%, 0.6%

LAB 64.1, -5.32, 3.46

 

CMYK 6 / 0 / 7 / 45

HEX #838C82

RGB 131 140 130

HSL 114, 0.04%, 0.53%

LAB 57.26, -5.27, 4.2

 

CMYK 7 / 0 / 9 / 52

HEX #727A6F

RGB 114 122 111

HSL 103.64, 0.05%, 0.46%

LAB 50.27, -5.21, 4.99

 

CMYK 7 / 0 / 12 / 59

HEX #61685C

RGB 97 104 92

HSL 95, 0.06%, 0.38%

LAB 43.09, -5.16, 5.84

 

CMYK 6 / 0 / 5 / 31

HEX #A5B0A8

RGB 165 176 168

HSL 136.36, 0.07%, 0.67%

LAB 70.79, -5.38, 2.76

 

CMYK 7 / 0 / 3 / 31

HEX #A4B0AA

RGB 164 176 170

HSL 150, 0.07%, 0.67%

LAB 70.76, -5.35, 1.62

 

CMYK 7 / 0 / 2 / 31

HEX #A4B0AC

RGB 164 176 172

HSL 160, 0.07%, 0.67%

LAB 70.82, -4.96, 0.59

 

CMYK 7 / 0 / 2 / 31

HEX #A4B0AD

RGB 164 176 173

HSL 165, 0.07%, 0.67%

LAB 70.84, -4.77, 0.08

 

CMYK 7 / 0 / 1 / 31

HEX #A4B0AF

RGB 164 176 175

HSL 175, 0.07%, 0.67%

LAB 70.9, -4.37, -0.94

 

CMYK 6 / 0 / 5 / 31

HEX #A5B0A8

RGB 165 176 168

HSL 136.36, 0.07%, 0.67%

LAB 70.79, -5.38, 2.76

 

CMYK 6 / 0 / 4 / 11

HEX #D5E3D9

RGB 213 227 217

HSL 137.14, 0.2%, 0.86%

LAB 88.97, -6.5, 3.26

 

CMYK 4 / 0 / 4 / 91

HEX #161716

RGB 22 23 22

HSL 120, 0.02%, 0.09%

LAB 7.6, -0.72, 0.51

 

CMYK 7 / 0 / 4 / 71

HEX #454A47

RGB 69 74 71

HSL 144, 0.03%, 0.28%

LAB 30.92, -2.71, 1.08

 

CMYK 6 / 0 / 5 / 51

HEX #757D77

RGB 117 125 119

HSL 135, 0.03%, 0.47%

LAB 51.59, -4.2, 2.24

 

CMYK 6 / 0 / 5 / 31

HEX #A5B0A8

RGB 165 176 168

HSL 136.36, 0.07%, 0.67%

LAB 70.79, -5.38, 2.76

 

CMYK 7 / 3 / 0 / 31

HEX #A4ABB0

RGB 164 171 176

HSL 205, 0.07%, 0.67%

LAB 69.58, -1.47, -3.43

 

CMYK 0 / 7 / 6 / 31

HEX #B0A4A6

RGB 176 164 166

HSL 350, 0.07%, 0.67%

LAB 68.41, 4.7, 0.52

 

CMYK 6 / 0 / 5 / 31

HEX #A5B0A8

RGB 165 176 168

HSL 136.36, 0.07%, 0.67%

LAB 70.79, -5.38, 2.76

 

CMYK 5 / 7 / 0 / 31

HEX #A8A4B0

RGB 168 164 176

HSL 260, 0.07%, 0.67%

LAB 68.03, 3.75, -5.68

 

CMYK 0 / 5 / 7 / 31

HEX #B0A8A4

RGB 176 168 164

HSL 20, 0.07%, 0.67%

LAB 69.41, 2.15, 3.08

 

CMYK 6 / 0 / 5 / 31

HEX #A5B0A8

RGB 165 176 168

HSL 136.36, 0.07%, 0.67%

LAB 70.79, -5.38, 2.76

 

CMYK 7 / 3 / 0 / 31

HEX #A4ABB0

RGB 164 171 176

HSL 205, 0.07%, 0.67%

LAB 69.58, -1.47, -3.43

 

CMYK 0 / 7 / 2 / 31

HEX #B0A4AD

RGB 176 164 173

HSL 315, 0.07%, 0.67%

LAB 68.6, 5.99, -3.09

 

CMYK 0 / 3 / 7 / 31

HEX #B0AAA4

RGB 176 170 164

HSL 30, 0.07%, 0.67%

LAB 69.94, 1.06, 3.84

 

CMYK 6 / 0 / 5 / 31

HEX #A5B0A8

RGB 165 176 168

HSL 136.36, 0.07%, 0.67%

LAB 70.79, -5.38, 2.76

 

CMYK 7 / 5 / 0 / 31

HEX #A4A7B0

RGB 164 167 176

HSL 225, 0.07%, 0.67%

LAB 68.51, 0.71, -5.01

 

CMYK 0 / 7 / 2 / 31

HEX #B0A4AD

RGB 176 164 173

HSL 315, 0.07%, 0.67%

LAB 68.6, 5.99, -3.09

 

CMYK 0 / 2 / 7 / 31

HEX #B0ADA4

RGB 176 173 164

HSL 45, 0.07%, 0.67%

LAB 70.73, -0.56, 4.99

 

Description

Color code: HEX #A5B0A8 | qconv.com Color code: HEX #A5B0A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 176 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 176 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 5 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 5% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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