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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5833F it is the complementary color #5A7CC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5833F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A5833F: #AA833A, #BB954D, #CCA760, #DDB973 and #EECB86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5833F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A5833F: #A5833F, #94712C, #835F19, #724D06 and #613B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 62 / 35

HEX #A5833F

RGB 165 131 63

HSL 40, 0.45%, 0.45%

LAB 56.67, 5.09, 40.99

 

Complementary color

CMYK 53 / 35 / 0 / 25

HEX #5A7CC0

RGB 90 124 192

HSL 220, 0.45%, 0.55%

LAB 52.28, 7.66, -39.31

 

CMYK 0 / 23 / 66 / 33

HEX #AA833A

RGB 170 131 58

HSL 39.11, 0.49%, 0.45%

LAB 57.16, 6.97, 44.14

 

CMYK 0 / 20 / 59 / 27

HEX #BB954D

RGB 187 149 77

HSL 39.27, 0.45%, 0.52%

LAB 63.83, 5.82, 42.84

 

CMYK 0 / 18 / 53 / 20

HEX #CCA760

RGB 204 167 96

HSL 39.44, 0.51%, 0.59%

LAB 70.4, 4.86, 41.5

 

CMYK 0 / 16 / 48 / 13

HEX #DDB973

RGB 221 185 115

HSL 39.62, 0.61%, 0.66%

LAB 76.87, 4.05, 40.19

 

CMYK 0 / 15 / 44 / 7

HEX #EECB86

RGB 238 203 134

HSL 39.81, 0.75%, 0.73%

LAB 83.24, 3.35, 38.92

 

CMYK 0 / 21 / 62 / 35

HEX #A5833F

RGB 165 131 63

HSL 40, 0.45%, 0.45%

LAB 56.67, 5.09, 40.99

 

CMYK 0 / 24 / 70 / 42

HEX #94712C

RGB 148 113 44

HSL 39.81, 0.54%, 0.38%

LAB 49.84, 6.34, 42.22

 

CMYK 0 / 27 / 81 / 49

HEX #835F19

RGB 131 95 25

HSL 39.62, 0.68%, 0.31%

LAB 42.88, 7.89, 43.01

 

CMYK 0 / 32 / 95 / 55

HEX #724D06

RGB 114 77 6

HSL 39.44, 0.9%, 0.24%

LAB 35.79, 9.84, 42.63

 

CMYK 0 / 39 / 100 / 62

HEX #613B00

RGB 97 59 0

HSL 36.49, 1%, 0.19%

LAB 28.56, 12.32, 38.49

 

CMYK 0 / 21 / 62 / 35

HEX #A5833F

RGB 165 131 63

HSL 40, 0.45%, 0.45%

LAB 56.67, 5.09, 40.99

 

CMYK 0 / 10 / 62 / 35

HEX #A6953F

RGB 166 149 63

HSL 50.1, 0.45%, 0.45%

LAB 61.62, -4.39, 46.57

 

CMYK 0 / 0 / 62 / 35

HEX #A6A63F

RGB 166 166 63

HSL 60, 0.45%, 0.45%

LAB 66.32, -13.41, 51.68

 

CMYK 10 / 0 / 62 / 35

HEX #95A63F

RGB 149 166 63

HSL 69.9, 0.45%, 0.45%

LAB 64.98, -20.66, 49.84

 

CMYK 21 / 0 / 62 / 35

HEX #83A63F

RGB 131 166 63

HSL 80.39, 0.45%, 0.45%

LAB 63.72, -28.05, 48.1

 

CMYK 0 / 21 / 62 / 35

HEX #A5833F

RGB 165 131 63

HSL 40, 0.45%, 0.45%

LAB 56.67, 5.09, 40.99

 

CMYK 0 / 21 / 62 / 15

HEX #D8AB52

RGB 216 171 82

HSL 39.85, 0.63%, 0.58%

LAB 72.45, 6.72, 51.08

 

CMYK 0 / 17 / 58 / 95

HEX #0C0A05

RGB 12 10 5

HSL 42.86, 0.41%, 0.03%

LAB 2.77, -0.14, 2.09

 

CMYK 0 / 21 / 62 / 75

HEX #3F3218

RGB 63 50 24

HSL 40, 0.45%, 0.17%

LAB 21.59, 1.98, 18.59

 

CMYK 0 / 20 / 61 / 55

HEX #725B2C

RGB 114 91 44

HSL 40.29, 0.44%, 0.31%

LAB 39.98, 3.34, 30.23

 

CMYK 0 / 21 / 62 / 35

HEX #A5833F

RGB 165 131 63

HSL 40, 0.45%, 0.45%

LAB 56.67, 5.09, 40.99

 

CMYK 54 / 0 / 62 / 35

HEX #4CA63F

RGB 76 166 63

HSL 112.43, 0.45%, 0.45%

LAB 60.93, -47.07, 44.21

 

CMYK 46 / 62 / 0 / 35

HEX #5A3FA6

RGB 90 63 166

HSL 255.73, 0.45%, 0.45%

LAB 34.97, 37.11, -51.74

 

CMYK 0 / 21 / 62 / 35

HEX #A5833F

RGB 165 131 63

HSL 40, 0.45%, 0.45%

LAB 56.67, 5.09, 40.99

 

CMYK 62 / 0 / 21 / 35

HEX #3FA683

RGB 63 166 131

HSL 159.61, 0.45%, 0.45%

LAB 61.63, -38.28, 9.42

 

CMYK 21 / 62 / 0 / 35

HEX #833FA6

RGB 131 63 166

HSL 279.61, 0.45%, 0.45%

LAB 39.8, 46.7, -43.7

 

CMYK 0 / 21 / 62 / 35

HEX #A5833F

RGB 165 131 63

HSL 40, 0.45%, 0.45%

LAB 56.67, 5.09, 40.99

 

CMYK 54 / 0 / 62 / 35

HEX #4CA63F

RGB 76 166 63

HSL 112.43, 0.45%, 0.45%

LAB 60.93, -47.07, 44.21

 

CMYK 62 / 42 / 0 / 35

HEX #3F61A6

RGB 63 97 166

HSL 220.19, 0.45%, 0.45%

LAB 41.78, 9.92, -40.9

 

CMYK 8 / 62 / 0 / 35

HEX #983FA6

RGB 152 63 166

HSL 291.84, 0.45%, 0.45%

LAB 42.74, 51.98, -38.85

 

CMYK 0 / 21 / 62 / 35

HEX #A5833F

RGB 165 131 63

HSL 40, 0.45%, 0.45%

LAB 56.67, 5.09, 40.99

 

CMYK 62 / 0 / 52 / 35

HEX #3FA650

RGB 63 166 80

HSL 129.9, 0.45%, 0.45%

LAB 60.7, -48.15, 35.65

 

CMYK 62 / 42 / 0 / 35

HEX #3F61A6

RGB 63 97 166

HSL 220.19, 0.45%, 0.45%

LAB 41.78, 9.92, -40.9

 

CMYK 0 / 62 / 10 / 35

HEX #A63F95

RGB 166 63 149

HSL 309.9, 0.45%, 0.45%

LAB 43.99, 52.67, -26.56

 

Description

Color code: HEX #A5833F | qconv.com Color code: HEX #A5833F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 131 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 131 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 62 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 62% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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