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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A55924 it is the complementary color #5AA6DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A55924. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A55924: #AA591F, #BB6B32, #CC7D45, #DD8F58 and #EEA16B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A55924. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A55924: #A55924, #944711, #833500, #722300 and #611100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 78 / 35

HEX #A55924

RGB 165 89 36

HSL 24.65, 0.64%, 0.39%

LAB 46, 27.17, 42.75

 

Complementary color

CMYK 59 / 24 / 0 / 14

HEX #5AA6DB

RGB 90 166 219

HSL 204.65, 0.64%, 0.61%

LAB 65.41, -8.05, -33.95

 

CMYK 0 / 48 / 82 / 33

HEX #AA591F

RGB 170 89 31

HSL 25.04, 0.69%, 0.39%

LAB 46.7, 29.1, 45.94

 

CMYK 0 / 43 / 73 / 27

HEX #BB6B32

RGB 187 107 50

HSL 24.96, 0.58%, 0.46%

LAB 53.29, 27.28, 44.45

 

CMYK 0 / 39 / 66 / 20

HEX #CC7D45

RGB 204 125 69

HSL 24.89, 0.57%, 0.54%

LAB 59.83, 25.67, 42.77

 

CMYK 0 / 35 / 60 / 13

HEX #DD8F58

RGB 221 143 88

HSL 24.81, 0.66%, 0.61%

LAB 66.31, 24.25, 41.09

 

CMYK 0 / 32 / 55 / 7

HEX #EEA16B

RGB 238 161 107

HSL 24.73, 0.79%, 0.68%

LAB 72.71, 23.01, 39.5

 

CMYK 0 / 46 / 78 / 35

HEX #A55924

RGB 165 89 36

HSL 24.65, 0.64%, 0.39%

LAB 46, 27.17, 42.75

 

CMYK 0 / 52 / 89 / 42

HEX #944711

RGB 148 71 17

HSL 24.73, 0.79%, 0.32%

LAB 39.31, 29.15, 43.9

 

CMYK 0 / 60 / 100 / 49

HEX #833500

RGB 131 53 0

HSL 24.27, 1%, 0.26%

LAB 32.64, 31.28, 43.94

 

CMYK 0 / 69 / 100 / 55

HEX #722300

RGB 114 35 0

HSL 18.42, 1%, 0.22%

LAB 26.1, 33.39, 37.48

 

CMYK 0 / 82 / 100 / 62

HEX #611100

RGB 97 17 0

HSL 10.52, 1%, 0.19%

LAB 19.81, 34.6, 29.9

 

CMYK 0 / 46 / 78 / 35

HEX #A55924

RGB 165 89 36

HSL 24.65, 0.64%, 0.39%

LAB 46, 27.17, 42.75

 

CMYK 0 / 34 / 79 / 36

HEX #A36B23

RGB 163 107 35

HSL 33.75, 0.65%, 0.39%

LAB 50.01, 16.15, 47

 

CMYK 0 / 21 / 79 / 36

HEX #A38123

RGB 163 129 35

HSL 44.06, 0.65%, 0.39%

LAB 55.69, 3.71, 52.37

 

CMYK 0 / 8 / 79 / 36

HEX #A39623

RGB 163 150 35

HSL 53.91, 0.65%, 0.39%

LAB 61.41, -7.8, 57.62

 

CMYK 6 / 0 / 79 / 36

HEX #9AA323

RGB 154 163 35

HSL 64.22, 0.65%, 0.39%

LAB 64.31, -18.6, 59.95

 

CMYK 0 / 46 / 78 / 35

HEX #A55924

RGB 165 89 36

HSL 24.65, 0.64%, 0.39%

LAB 46, 27.17, 42.75

 

CMYK 0 / 46 / 78 / 15

HEX #D8752F

RGB 216 117 47

HSL 24.85, 0.68%, 0.52%

LAB 59.46, 33.79, 53.37

 

CMYK 0 / 50 / 75 / 95

HEX #0C0603

RGB 12 6 3

HSL 20, 0.6%, 0.03%

LAB 1.94, 1.18, 1.7

 

CMYK 0 / 46 / 78 / 75

HEX #3F220E

RGB 63 34 14

HSL 24.49, 0.64%, 0.15%

LAB 16.66, 11.8, 18.66

 

CMYK 0 / 46 / 78 / 55

HEX #723D19

RGB 114 61 25

HSL 24.27, 0.64%, 0.27%

LAB 31.77, 20.14, 31.37

 

CMYK 0 / 46 / 78 / 35

HEX #A55924

RGB 165 89 36

HSL 24.65, 0.64%, 0.39%

LAB 46, 27.17, 42.75

 

CMYK 47 / 0 / 79 / 36

HEX #56A323

RGB 86 163 35

HSL 96.09, 0.65%, 0.39%

LAB 60.15, -45.22, 54.59

 

CMYK 79 / 79 / 0 / 36

HEX #2323A3

RGB 35 35 163

HSL 240, 0.65%, 0.39%

LAB 24.33, 44.4, -67.52

 

CMYK 0 / 46 / 78 / 35

HEX #A55924

RGB 165 89 36

HSL 24.65, 0.64%, 0.39%

LAB 46, 27.17, 42.75

 

CMYK 79 / 0 / 47 / 36

HEX #23A356

RGB 35 163 86

HSL 143.91, 0.65%, 0.39%

LAB 59.18, -51.06, 30.53

 

CMYK 47 / 79 / 0 / 36

HEX #5623A3

RGB 86 35 163

HSL 263.91, 0.65%, 0.39%

LAB 28.97, 50.21, -59.73

 

CMYK 0 / 46 / 78 / 35

HEX #A55924

RGB 165 89 36

HSL 24.65, 0.64%, 0.39%

LAB 46, 27.17, 42.75

 

CMYK 47 / 0 / 79 / 36

HEX #56A323

RGB 86 163 35

HSL 96.09, 0.65%, 0.39%

LAB 60.15, -45.22, 54.59

 

CMYK 79 / 31 / 0 / 36

HEX #2370A3

RGB 35 112 163

HSL 203.91, 0.65%, 0.39%

LAB 45.07, -4.96, -33.99

 

CMYK 31 / 79 / 0 / 36

HEX #7023A3

RGB 112 35 163

HSL 276.09, 0.65%, 0.39%

LAB 32.46, 54.51, -53.87

 

CMYK 0 / 46 / 78 / 35

HEX #A55924

RGB 165 89 36

HSL 24.65, 0.64%, 0.39%

LAB 46, 27.17, 42.75

 

CMYK 71 / 0 / 79 / 36

HEX #30A323

RGB 48 163 35

HSL 113.91, 0.65%, 0.39%

LAB 58.92, -55.05, 52.98

 

CMYK 79 / 31 / 0 / 36

HEX #2370A3

RGB 35 112 163

HSL 203.91, 0.65%, 0.39%

LAB 45.07, -4.96, -33.99

 

CMYK 8 / 79 / 0 / 36

HEX #9623A3

RGB 150 35 163

HSL 293.91, 0.65%, 0.39%

LAB 38.43, 61.74, -43.94

 

Description

Color code: HEX #A55924 | qconv.com Color code: HEX #A55924 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 89 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 89 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 78 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 78% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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