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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5575F it is the complementary color #5AA8A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5575F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A5575F: #AA575A, #BB696D, #CC7B80, #DD8D93 and #EE9FA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5575F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A5575F: #A5575F, #94454C, #833339, #722126 and #610F13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 42 / 35

HEX #A5575F

RGB 165 87 95

HSL 353.85, 0.31%, 0.49%

LAB 46.5, 32.83, 9.94

 

Complementary color

CMYK 46 / 0 / 5 / 34

HEX #5AA8A0

RGB 90 168 160

HSL 173.85, 0.31%, 0.51%

LAB 63.93, -26.04, -3.34

 

CMYK 0 / 49 / 47 / 33

HEX #AA575A

RGB 170 87 90

HSL 357.83, 0.33%, 0.5%

LAB 47.11, 34.2, 13.91

 

CMYK 0 / 44 / 42 / 27

HEX #BB696D

RGB 187 105 109

HSL 357.07, 0.38%, 0.57%

LAB 53.78, 33.1, 12.25

 

CMYK 0 / 40 / 37 / 20

HEX #CC7B80

RGB 204 123 128

HSL 356.3, 0.44%, 0.64%

LAB 60.39, 32.08, 10.83

 

CMYK 0 / 36 / 33 / 13

HEX #DD8D93

RGB 221 141 147

HSL 355.5, 0.54%, 0.71%

LAB 66.92, 31.15, 9.58

 

CMYK 0 / 33 / 30 / 7

HEX #EE9FA6

RGB 238 159 166

HSL 354.68, 0.7%, 0.78%

LAB 73.37, 30.29, 8.46

 

CMYK 0 / 47 / 42 / 35

HEX #A5575F

RGB 165 87 95

HSL 353.85, 0.31%, 0.49%

LAB 46.5, 32.83, 9.94

 

CMYK 0 / 53 / 49 / 42

HEX #94454C

RGB 148 69 76

HSL 354.68, 0.36%, 0.43%

LAB 39.7, 33.92, 11.75

 

CMYK 0 / 61 / 56 / 49

HEX #833339

RGB 131 51 57

HSL 355.5, 0.44%, 0.36%

LAB 32.89, 34.98, 14.03

 

CMYK 0 / 71 / 67 / 55

HEX #722126

RGB 114 33 38

HSL 356.3, 0.55%, 0.29%

LAB 26.17, 35.81, 17.04

 

CMYK 0 / 85 / 80 / 62

HEX #610F13

RGB 97 15 19

HSL 357.07, 0.73%, 0.22%

LAB 19.76, 35.89, 21.1

 

CMYK 0 / 47 / 42 / 35

HEX #A5575F

RGB 165 87 95

HSL 353.85, 0.31%, 0.49%

LAB 46.5, 32.83, 9.94

 

CMYK 0 / 45 / 47 / 36

HEX #A35A56

RGB 163 90 86

HSL 3.12, 0.31%, 0.49%

LAB 46.67, 29.42, 15.56

 

CMYK 0 / 37 / 47 / 36

HEX #A36756

RGB 163 103 86

HSL 13.25, 0.31%, 0.49%

LAB 49.69, 22.15, 19.63

 

CMYK 0 / 29 / 47 / 36

HEX #A37356

RGB 163 115 86

HSL 22.6, 0.31%, 0.49%

LAB 52.64, 15.32, 23.55

 

CMYK 0 / 21 / 47 / 36

HEX #A38056

RGB 163 128 86

HSL 32.73, 0.31%, 0.49%

LAB 55.98, 7.95, 27.89

 

CMYK 0 / 47 / 42 / 35

HEX #A5575F

RGB 165 87 95

HSL 353.85, 0.31%, 0.49%

LAB 46.5, 32.83, 9.94

 

CMYK 0 / 47 / 43 / 15

HEX #D8727C

RGB 216 114 124

HSL 354.12, 0.57%, 0.65%

LAB 59.97, 40.81, 12.76

 

CMYK 0 / 50 / 42 / 95

HEX #0C0607

RGB 12 6 7

HSL 350, 0.33%, 0.04%

LAB 2.02, 1.74, 0.18

 

CMYK 0 / 48 / 43 / 75

HEX #3F2124

RGB 63 33 36

HSL 354, 0.31%, 0.19%

LAB 16.85, 14.85, 4.28

 

CMYK 0 / 47 / 42 / 55

HEX #723C42

RGB 114 60 66

HSL 353.33, 0.31%, 0.34%

LAB 32.26, 24.32, 6.93

 

CMYK 0 / 47 / 42 / 35

HEX #A5575F

RGB 165 87 95

HSL 353.85, 0.31%, 0.49%

LAB 46.5, 32.83, 9.94

 

CMYK 4 / 0 / 47 / 36

HEX #9DA356

RGB 157 163 86

HSL 64.68, 0.31%, 0.49%

LAB 64.99, -13.72, 39.03

 

CMYK 47 / 23 / 0 / 36

HEX #567EA3

RGB 86 126 163

HSL 208.83, 0.31%, 0.49%

LAB 51.32, -3.52, -24.1

 

CMYK 0 / 47 / 42 / 35

HEX #A5575F

RGB 165 87 95

HSL 353.85, 0.31%, 0.49%

LAB 46.5, 32.83, 9.94

 

CMYK 42 / 0 / 47 / 36

HEX #5FA356

RGB 95 163 86

HSL 112.99, 0.31%, 0.49%

LAB 61.04, -37.21, 33.27

 

CMYK 47 / 42 / 0 / 36

HEX #565FA3

RGB 86 95 163

HSL 232.99, 0.31%, 0.49%

LAB 42.47, 15.38, -37.94

 

CMYK 0 / 47 / 42 / 35

HEX #A5575F

RGB 165 87 95

HSL 353.85, 0.31%, 0.49%

LAB 46.5, 32.83, 9.94

 

CMYK 4 / 0 / 47 / 36

HEX #9DA356

RGB 157 163 86

HSL 64.68, 0.31%, 0.49%

LAB 64.99, -13.72, 39.03

 

CMYK 47 / 0 / 6 / 36

HEX #56A39A

RGB 86 163 154

HSL 172.99, 0.31%, 0.49%

LAB 62.09, -26.06, -2.71

 

CMYK 44 / 47 / 0 / 36

HEX #5C56A3

RGB 92 86 163

HSL 244.68, 0.31%, 0.49%

LAB 40.53, 22.58, -40.99

 

CMYK 0 / 47 / 42 / 35

HEX #A5575F

RGB 165 87 95

HSL 353.85, 0.31%, 0.49%

LAB 46.5, 32.83, 9.94

 

CMYK 18 / 0 / 47 / 36

HEX #85A356

RGB 133 163 86

HSL 83.38, 0.31%, 0.49%

LAB 63.22, -23.48, 36.46

 

CMYK 47 / 0 / 6 / 36

HEX #56A39A

RGB 86 163 154

HSL 172.99, 0.31%, 0.49%

LAB 62.09, -26.06, -2.71

 

CMYK 29 / 47 / 0 / 36

HEX #7356A3

RGB 115 86 163

HSL 262.6, 0.31%, 0.49%

LAB 42.68, 28.83, -37.45

 

Description

Color code: HEX #A5575F | qconv.com Color code: HEX #A5575F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 87 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 87 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 42 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 42% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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