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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A54F76 it is the complementary color #5AB089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A54F76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A54F76: #AA4F71, #BB6184, #CC7397, #DD85AA and #EE97BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A54F76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A54F76: #A54F76, #943D63, #832B50, #72193D and #61072A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 28 / 35

HEX #A54F76

RGB 165 79 118

HSL 332.79, 0.35%, 0.48%

LAB 45.5, 39.97, -5.49

 

Complementary color

CMYK 49 / 0 / 22 / 31

HEX #5AB089

RGB 90 176 137

HSL 152.79, 0.35%, 0.52%

LAB 65.77, -35.31, 12.09

 

CMYK 0 / 54 / 34 / 33

HEX #AA4F71

RGB 170 79 113

HSL 337.58, 0.37%, 0.49%

LAB 46.08, 41.03, -1.5

 

CMYK 0 / 48 / 29 / 27

HEX #BB6184

RGB 187 97 132

HSL 336.67, 0.4%, 0.56%

LAB 52.71, 40.19, -2.88

 

CMYK 0 / 44 / 26 / 20

HEX #CC7397

RGB 204 115 151

HSL 335.73, 0.47%, 0.63%

LAB 59.28, 39.33, -4.04

 

CMYK 0 / 40 / 23 / 13

HEX #DD85AA

RGB 221 133 170

HSL 334.77, 0.56%, 0.69%

LAB 65.79, 38.5, -5.04

 

CMYK 0 / 37 / 21 / 7

HEX #EE97BD

RGB 238 151 189

HSL 333.79, 0.72%, 0.76%

LAB 72.22, 37.69, -5.92

 

CMYK 0 / 52 / 28 / 35

HEX #A54F76

RGB 165 79 118

HSL 332.79, 0.35%, 0.48%

LAB 45.5, 39.97, -5.49

 

CMYK 0 / 59 / 33 / 42

HEX #943D63

RGB 148 61 99

HSL 333.79, 0.42%, 0.41%

LAB 38.78, 40.7, -3.99

 

CMYK 0 / 67 / 39 / 49

HEX #832B50

RGB 131 43 80

HSL 334.77, 0.51%, 0.34%

LAB 32.11, 41.17, -2.03

 

CMYK 0 / 78 / 46 / 55

HEX #72193D

RGB 114 25 61

HSL 335.73, 0.64%, 0.27%

LAB 25.59, 41.02, 0.69

 

CMYK 0 / 93 / 57 / 62

HEX #61072A

RGB 97 7 42

HSL 336.67, 0.87%, 0.2%

LAB 19.48, 39.58, 4.65

 

CMYK 0 / 52 / 28 / 35

HEX #A54F76

RGB 165 79 118

HSL 332.79, 0.35%, 0.48%

LAB 45.5, 39.97, -5.49

 

CMYK 0 / 52 / 36 / 35

HEX #A54F69

RGB 165 79 105

HSL 341.86, 0.35%, 0.48%

LAB 45.1, 38.26, 1.85

 

CMYK 0 / 52 / 45 / 35

HEX #A54F5A

RGB 165 79 90

HSL 352.33, 0.35%, 0.48%

LAB 44.7, 36.53, 10.46

 

CMYK 0 / 50 / 52 / 35

HEX #A5524F

RGB 165 82 79

HSL 2.09, 0.35%, 0.48%

LAB 45.08, 33.85, 17.66

 

CMYK 0 / 42 / 52 / 35

HEX #A5604F

RGB 165 96 79

HSL 11.86, 0.35%, 0.48%

LAB 48.17, 26.2, 21.77

 

CMYK 0 / 52 / 28 / 35

HEX #A54F76

RGB 165 79 118

HSL 332.79, 0.35%, 0.48%

LAB 45.5, 39.97, -5.49

 

CMYK 0 / 52 / 29 / 15

HEX #D8679A

RGB 216 103 154

HSL 332.92, 0.59%, 0.63%

LAB 58.63, 49.86, -6.55

 

CMYK 0 / 50 / 25 / 95

HEX #0C0609

RGB 12 6 9

HSL 330, 0.33%, 0.04%

LAB 2.06, 2.02, -0.57

 

CMYK 0 / 52 / 29 / 75

HEX #3F1E2D

RGB 63 30 45

HSL 332.73, 0.35%, 0.18%

LAB 16.38, 18.24, -2.82

 

CMYK 0 / 52 / 28 / 55

HEX #723752

RGB 114 55 82

HSL 332.54, 0.35%, 0.33%

LAB 31.62, 29.42, -4.36

 

CMYK 0 / 52 / 28 / 35

HEX #A54F76

RGB 165 79 118

HSL 332.79, 0.35%, 0.48%

LAB 45.5, 39.97, -5.49

 

CMYK 0 / 14 / 52 / 35

HEX #A58E4F

RGB 165 142 79

HSL 43.95, 0.35%, 0.48%

LAB 59.81, 0.3, 36.49

 

CMYK 52 / 7 / 0 / 35

HEX #4F99A5

RGB 79 153 165

HSL 188.37, 0.35%, 0.48%

LAB 59.12, -19.59, -13.37

 

CMYK 0 / 52 / 28 / 35

HEX #A54F76

RGB 165 79 118

HSL 332.79, 0.35%, 0.48%

LAB 45.5, 39.97, -5.49

 

CMYK 28 / 0 / 52 / 35

HEX #77A54F

RGB 119 165 79

HSL 92.09, 0.35%, 0.48%

LAB 62.84, -30.65, 39.32

 

CMYK 52 / 28 / 0 / 35

HEX #4F77A5

RGB 79 119 165

HSL 212.09, 0.35%, 0.48%

LAB 48.97, -0.5, -28.93

 

CMYK 0 / 52 / 28 / 35

HEX #A54F76

RGB 165 79 118

HSL 332.79, 0.35%, 0.48%

LAB 45.5, 39.97, -5.49

 

CMYK 0 / 14 / 52 / 35

HEX #A58E4F

RGB 165 142 79

HSL 43.95, 0.35%, 0.48%

LAB 59.81, 0.3, 36.49

 

CMYK 52 / 0 / 24 / 35

HEX #4FA57D

RGB 79 165 125

HSL 152.09, 0.35%, 0.48%

LAB 61.7, -35.64, 12.94

 

CMYK 52 / 38 / 0 / 35

HEX #4F66A5

RGB 79 102 165

HSL 223.95, 0.35%, 0.48%

LAB 44.06, 9.91, -36.63

 

CMYK 0 / 52 / 28 / 35

HEX #A54F76

RGB 165 79 118

HSL 332.79, 0.35%, 0.48%

LAB 45.5, 39.97, -5.49

 

CMYK 2 / 0 / 52 / 35

HEX #A2A54F

RGB 162 165 79

HSL 62.09, 0.35%, 0.48%

LAB 65.87, -13.34, 43.66

 

CMYK 52 / 0 / 24 / 35

HEX #4FA57D

RGB 79 165 125

HSL 152.09, 0.35%, 0.48%

LAB 61.7, -35.64, 12.94

 

CMYK 50 / 52 / 0 / 35

HEX #524FA5

RGB 82 79 165

HSL 242.09, 0.35%, 0.48%

LAB 38.03, 25.19, -46.24

 

Description

Color code: HEX #A54F76 | qconv.com Color code: HEX #A54F76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 79 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 79 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 28 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 28% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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