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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A54EEC it is the complementary color #5AB113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A54EEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A54EEC: #AA4EE7, #BB60FA, #CC72FF, #DD84FF and #EE96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A54EEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A54EEC: #A54EEC, #943CD9, #832AC6, #7218B3 and #6106A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 67 / 0 / 7

HEX #A54EEC

RGB 165 78 236

HSL 273.04, 0.81%, 0.62%

LAB 51.27, 62.81, -65.5

 

Complementary color

CMYK 49 / 0 / 89 / 31

HEX #5AB113

RGB 90 177 19

HSL 93.04, 0.81%, 0.38%

LAB 64.7, -50.15, 62.78

 

CMYK 26 / 66 / 0 / 9

HEX #AA4EE7

RGB 170 78 231

HSL 276.08, 0.76%, 0.61%

LAB 51.57, 62.73, -62.18

 

CMYK 25 / 62 / 0 / 2

HEX #BB60FA

RGB 187 96 250

HSL 275.45, 0.94%, 0.68%

LAB 57.88, 62.19, -62.53

 

CMYK 20 / 55 / 0 / 0

HEX #CC72FF

RGB 204 114 255

HSL 278.3, 1%, 0.72%

LAB 63.42, 58.51, -56.32

 

CMYK 13 / 48 / 0 / 0

HEX #DD84FF

RGB 221 132 255

HSL 283.41, 1%, 0.76%

LAB 68.82, 53.86, -47.64

 

CMYK 7 / 41 / 0 / 0

HEX #EE96FF

RGB 238 150 255

HSL 290.29, 1%, 0.79%

LAB 74.32, 49.41, -38.89

 

CMYK 30 / 67 / 0 / 7

HEX #A54EEC

RGB 165 78 236

HSL 273.04, 0.81%, 0.62%

LAB 51.27, 62.81, -65.5

 

CMYK 32 / 72 / 0 / 15

HEX #943CD9

RGB 148 60 217

HSL 273.63, 0.67%, 0.54%

LAB 44.99, 63.13, -65

 

CMYK 34 / 79 / 0 / 22

HEX #832AC6

RGB 131 42 198

HSL 274.23, 0.65%, 0.47%

LAB 38.83, 62.95, -64.16

 

CMYK 36 / 87 / 0 / 30

HEX #7218B3

RGB 114 24 179

HSL 274.84, 0.76%, 0.4%

LAB 32.89, 61.88, -62.77

 

CMYK 39 / 96 / 0 / 37

HEX #6106A0

RGB 97 6 160

HSL 275.45, 0.93%, 0.33%

LAB 27.32, 59.41, -60.54

 

CMYK 30 / 67 / 0 / 7

HEX #A54EEC

RGB 165 78 236

HSL 273.04, 0.81%, 0.62%

LAB 51.27, 62.81, -65.5

 

CMYK 19 / 67 / 0 / 7

HEX #C04FEC

RGB 192 79 236

HSL 283.18, 0.81%, 0.62%

LAB 54.92, 67.98, -59.44

 

CMYK 8 / 67 / 0 / 7

HEX #DA4FEC

RGB 218 79 236

HSL 293.12, 0.81%, 0.62%

LAB 58.56, 73.59, -53.42

 

CMYK 0 / 67 / 3 / 7

HEX #EC4FE4

RGB 236 79 228

HSL 303.06, 0.81%, 0.62%

LAB 60.8, 76.28, -45.22

 

CMYK 0 / 67 / 14 / 7

HEX #EC4FCA

RGB 236 79 202

HSL 312.99, 0.81%, 0.62%

LAB 59.61, 72.42, -32.41

 

CMYK 30 / 67 / 0 / 7

HEX #A54EEC

RGB 165 78 236

HSL 273.04, 0.81%, 0.62%

LAB 51.27, 62.81, -65.5

 

CMYK 31 / 66 / 0 / 87

HEX #160B20

RGB 22 11 32

HSL 271.43, 0.49%, 0.08%

LAB 4.64, 9.12, -11.57

 

CMYK 30 / 67 / 0 / 67

HEX #3A1B53

RGB 58 27 83

HSL 273.21, 0.51%, 0.22%

LAB 17.03, 27.07, -28.31

 

CMYK 30 / 67 / 0 / 47

HEX #5E2C86

RGB 94 44 134

HSL 273.33, 0.51%, 0.35%

LAB 29.16, 39.94, -41.54

 

CMYK 30 / 67 / 0 / 27

HEX #813DB9

RGB 129 61 185

HSL 272.9, 0.5%, 0.48%

LAB 40.42, 51.59, -53.97

 

CMYK 30 / 67 / 0 / 7

HEX #A54EEC

RGB 165 78 236

HSL 273.04, 0.81%, 0.62%

LAB 51.27, 62.81, -65.5

 

CMYK 0 / 67 / 50 / 7

HEX #EC4F76

RGB 236 79 118

HSL 345.1, 0.81%, 0.62%

LAB 56.81, 62.88, 12.29

 

CMYK 67 / 0 / 56 / 7

HEX #4FEC67

RGB 79 236 103

HSL 129.17, 0.81%, 0.62%

LAB 83.25, -67.15, 51.94

 

CMYK 30 / 67 / 0 / 7

HEX #A54EEC

RGB 165 78 236

HSL 273.04, 0.81%, 0.62%

LAB 51.27, 62.81, -65.5

 

CMYK 0 / 30 / 67 / 7

HEX #ECA54F

RGB 236 165 79

HSL 32.87, 0.81%, 0.62%

LAB 73.09, 18.14, 53.79

 

CMYK 67 / 0 / 30 / 7

HEX #4FECA5

RGB 79 236 165

HSL 152.87, 0.81%, 0.62%

LAB 84.16, -56.99, 22.71

 

CMYK 30 / 67 / 0 / 7

HEX #A54EEC

RGB 165 78 236

HSL 273.04, 0.81%, 0.62%

LAB 51.27, 62.81, -65.5

 

CMYK 0 / 67 / 50 / 7

HEX #EC4F76

RGB 236 79 118

HSL 345.1, 0.81%, 0.62%

LAB 56.81, 62.88, 12.29

 

CMYK 36 / 0 / 67 / 7

HEX #96EC4F

RGB 150 236 79

HSL 92.87, 0.81%, 0.62%

LAB 85.52, -50.86, 65.24

 

CMYK 67 / 0 / 17 / 7

HEX #4FECC5

RGB 79 236 197

HSL 165.1, 0.81%, 0.62%

LAB 84.84, -49.91, 7

 

CMYK 30 / 67 / 0 / 7

HEX #A54EEC

RGB 165 78 236

HSL 273.04, 0.81%, 0.62%

LAB 51.27, 62.81, -65.5

 

CMYK 0 / 63 / 67 / 7

HEX #EC574F

RGB 236 87 79

HSL 3.06, 0.81%, 0.62%

LAB 57.28, 56.97, 35.56

 

CMYK 36 / 0 / 67 / 7

HEX #96EC4F

RGB 150 236 79

HSL 92.87, 0.81%, 0.62%

LAB 85.52, -50.86, 65.24

 

CMYK 67 / 3 / 0 / 7

HEX #4FE4EC

RGB 79 228 236

HSL 183.06, 0.81%, 0.62%

LAB 83.55, -36.22, -15.45

 

Description

Color code: HEX #A54EEC | qconv.com Color code: HEX #A54EEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 78 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 78 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 67 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 67% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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