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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A51E8D it is the complementary color #5AE172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A51E8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A51E8D: #AA1E88, #BB309B, #CC42AE, #DD54C1 and #EE66D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A51E8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A51E8D: #A51E8D, #940C7A, #830067, #720054 and #610041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 15 / 35

HEX #A51E8D

RGB 165 30 141

HSL 310.67, 0.69%, 0.38%

LAB 39.33, 62.77, -29

 

Complementary color

CMYK 60 / 0 / 49 / 12

HEX #5AE172

RGB 90 225 114

HSL 130.67, 0.69%, 0.62%

LAB 80.31, -59.59, 43.32

 

CMYK 0 / 82 / 20 / 33

HEX #AA1E88

RGB 170 30 136

HSL 314.57, 0.7%, 0.39%

LAB 40, 63.2, -24.81

 

CMYK 0 / 74 / 17 / 27

HEX #BB309B

RGB 187 48 155

HSL 313.81, 0.59%, 0.46%

LAB 45.7, 64.64, -27.24

 

CMYK 0 / 68 / 15 / 20

HEX #CC42AE

RGB 204 66 174

HSL 313.04, 0.58%, 0.53%

LAB 51.6, 65.26, -29.09

 

CMYK 0 / 62 / 13 / 13

HEX #DD54C1

RGB 221 84 193

HSL 312.26, 0.67%, 0.6%

LAB 57.62, 65.36, -30.53

 

CMYK 0 / 57 / 11 / 7

HEX #EE66D4

RGB 238 102 212

HSL 311.47, 0.8%, 0.67%

LAB 63.7, 65.13, -31.69

 

CMYK 0 / 82 / 15 / 35

HEX #A51E8D

RGB 165 30 141

HSL 310.67, 0.69%, 0.38%

LAB 39.33, 62.77, -29

 

CMYK 0 / 92 / 18 / 42

HEX #940C7A

RGB 148 12 122

HSL 311.47, 0.85%, 0.31%

LAB 33.91, 60.13, -25.94

 

CMYK 0 / 100 / 21 / 49

HEX #830067

RGB 131 0 103

HSL 312.82, 1%, 0.26%

LAB 28.91, 55.89, -21.87

 

CMYK 0 / 100 / 26 / 55

HEX #720054

RGB 114 0 84

HSL 315.79, 1%, 0.22%

LAB 24.38, 49.9, -16.69

 

CMYK 0 / 100 / 33 / 62

HEX #610041

RGB 97 0 65

HSL 319.79, 1%, 0.19%

LAB 19.73, 43.77, -11.21

 

CMYK 0 / 82 / 15 / 35

HEX #A51E8D

RGB 165 30 141

HSL 310.67, 0.69%, 0.38%

LAB 39.33, 62.77, -29

 

CMYK 0 / 82 / 27 / 36

HEX #A31E77

RGB 163 30 119

HSL 319.85, 0.69%, 0.38%

LAB 37.93, 59.39, -17.59

 

CMYK 0 / 82 / 41 / 36

HEX #A31E60

RGB 163 30 96

HSL 330.23, 0.69%, 0.38%

LAB 37.04, 56.8, -4.39

 

CMYK 0 / 82 / 55 / 36

HEX #A31E4A

RGB 163 30 74

HSL 340.15, 0.69%, 0.38%

LAB 36.38, 54.83, 8.81

 

CMYK 0 / 82 / 68 / 36

HEX #A31E34

RGB 163 30 52

HSL 350.08, 0.69%, 0.38%

LAB 35.91, 53.39, 22.33

 

CMYK 0 / 82 / 15 / 35

HEX #A51E8D

RGB 165 30 141

HSL 310.67, 0.69%, 0.38%

LAB 39.33, 62.77, -29

 

CMYK 0 / 82 / 14 / 15

HEX #D827B9

RGB 216 39 185

HSL 310.51, 0.69%, 0.5%

LAB 51.33, 77.49, -35.79

 

CMYK 0 / 83 / 17 / 95

HEX #0C020A

RGB 12 2 10

HSL 312, 0.71%, 0.03%

LAB 1.3, 3.76, -2.1

 

CMYK 0 / 83 / 14 / 75

HEX #3F0B36

RGB 63 11 54

HSL 310.38, 0.7%, 0.15%

LAB 13, 30.07, -14.44

 

CMYK 0 / 82 / 15 / 55

HEX #721561

RGB 114 21 97

HSL 310.97, 0.69%, 0.26%

LAB 26.67, 47.02, -21.72

 

CMYK 0 / 82 / 15 / 35

HEX #A51E8D

RGB 165 30 141

HSL 310.67, 0.69%, 0.38%

LAB 39.33, 62.77, -29

 

CMYK 0 / 52 / 82 / 36

HEX #A34F1E

RGB 163 79 30

HSL 22.11, 0.69%, 0.38%

LAB 43.47, 31.53, 42.99

 

CMYK 82 / 0 / 19 / 36

HEX #1EA384

RGB 30 163 132

HSL 166.02, 0.69%, 0.38%

LAB 60.01, -41.59, 6.46

 

CMYK 0 / 82 / 15 / 35

HEX #A51E8D

RGB 165 30 141

HSL 310.67, 0.69%, 0.38%

LAB 39.33, 62.77, -29

 

CMYK 13 / 0 / 82 / 36

HEX #8DA31E

RGB 141 163 30

HSL 69.92, 0.69%, 0.38%

LAB 63.3, -24.41, 60.14

 

CMYK 82 / 13 / 0 / 36

HEX #1E8DA3

RGB 30 141 163

HSL 189.92, 0.69%, 0.38%

LAB 54, -21.82, -20.15

 

CMYK 0 / 82 / 15 / 35

HEX #A51E8D

RGB 165 30 141

HSL 310.67, 0.69%, 0.38%

LAB 39.33, 62.77, -29

 

CMYK 0 / 52 / 82 / 36

HEX #A34F1E

RGB 163 79 30

HSL 22.11, 0.69%, 0.38%

LAB 43.47, 31.53, 42.99

 

CMYK 82 / 0 / 68 / 36

HEX #1EA334

RGB 30 163 52

HSL 129.92, 0.69%, 0.38%

LAB 58.71, -56.4, 46.27

 

CMYK 82 / 30 / 0 / 36

HEX #1E72A3

RGB 30 114 163

HSL 202.11, 0.69%, 0.38%

LAB 45.57, -6.71, -33.21

 

CMYK 0 / 82 / 15 / 35

HEX #A51E8D

RGB 165 30 141

HSL 310.67, 0.69%, 0.38%

LAB 39.33, 62.77, -29

 

CMYK 0 / 27 / 82 / 36

HEX #A3771E

RGB 163 119 30

HSL 40.15, 0.69%, 0.38%

LAB 53.03, 9.15, 51.77

 

CMYK 82 / 0 / 68 / 36

HEX #1EA334

RGB 30 163 52

HSL 129.92, 0.69%, 0.38%

LAB 58.71, -56.4, 46.27

 

CMYK 82 / 55 / 0 / 36

HEX #1E4AA3

RGB 30 74 163

HSL 220.15, 0.69%, 0.38%

LAB 33.6, 19.02, -52.33

 

Description

Color code: HEX #A51E8D | qconv.com Color code: HEX #A51E8D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 30 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 30 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 15 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 15% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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