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Color name
HEX #A4F114

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4F114 it is the complementary color #5B0EEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4F114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4F114 shade: #A9F10F, #BAFF22, #CBFF35, #DCFF48 and #EDFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4F114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4F114 shade: #A4F114, #93DF01, #82CD00, #71BB00 and #60A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4F114 shade: #A4F113, #E0F113, #F1C713, #F18B13 and #F14F13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4F114 shade: #A4F113, #68F113, #2CF113, #13F136 and #13F172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4F114 shade matches the following richer shades: #A4F113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4F114 shade: #A4F113, #9EDD27, #98C93B, #91B54F and #8BA064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4F114 shade: #F1C513, #E2F113, #A7F113, #6CF113 and #30F113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4F114 shade: #71A80A, #8BCF0C, #A4F113, #B3F43A and #C2F661

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4F114 shade: #A4F114, #13F189 and #E213F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4F114 shade: #A4F114, #13A7F1 and #F113A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4F114 shade: #A4F114, #13F189, #5D13F1 and #F1137B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4F114 shade: #A4F114, #13F1CC, #5D13F1 and #F11338

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 92 / 5

HEX #A4F114

RGB 164 241 20

HSL 80.9, 0.89%, 0.51%

LAB 87.41, -50.67, 82.77

 

Complementary color

CMYK 61 / 94 / 0 / 8

HEX #5B0EEB

RGB 91 14 235

HSL 260.9, 0.89%, 0.49%

LAB 35.08, 74.57, -91.82

 

CMYK 30 / 0 / 94 / 5

HEX #A9F10F

RGB 169 241 15

HSL 79.12, 0.89%, 0.5%

LAB 87.67, -48.94, 83.64

 

CMYK 27 / 0 / 87 / 0

HEX #BAFF22

RGB 186 255 34

HSL 78.73, 1%, 0.57%

LAB 92.61, -48.23, 85.39

 

CMYK 20 / 0 / 79 / 0

HEX #CBFF35

RGB 203 255 53

HSL 75.45, 1%, 0.6%

LAB 93.66, -41.29, 82.53

 

CMYK 14 / 0 / 72 / 0

HEX #DCFF48

RGB 220 255 72

HSL 71.48, 1%, 0.64%

LAB 94.82, -33.94, 78.42

 

CMYK 7 / 0 / 64 / 0

HEX #EDFF5B

RGB 237 255 91

HSL 66.59, 1%, 0.68%

LAB 96.11, -26.24, 73.33

 

CMYK 32 / 0 / 92 / 5

HEX #A4F114

RGB 164 241 20

HSL 80.9, 0.89%, 0.51%

LAB 87.41, -50.67, 82.77

 

CMYK 34 / 0 / 100 / 13

HEX #93DF01

RGB 147 223 1

HSL 80.54, 0.99%, 0.44%

LAB 81.28, -49.6, 79.37

 

CMYK 37 / 0 / 100 / 20

HEX #82CD00

RGB 130 205 0

HSL 81.95, 1%, 0.4%

LAB 75.08, -48.28, 74.3

 

CMYK 40 / 0 / 100 / 27

HEX #71BB00

RGB 113 187 0

HSL 83.74, 1%, 0.37%

LAB 68.79, -46.91, 69.07

 

CMYK 43 / 0 / 100 / 34

HEX #60A900

RGB 96 169 0

HSL 85.92, 1%, 0.33%

LAB 62.39, -45.48, 63.75

 

CMYK 32 / 0 / 92 / 5

HEX #A4F113

RGB 164 241 19

HSL 80.81, 0.89%, 0.51%

LAB 87.41, -50.68, 82.89

 

CMYK 7 / 0 / 92 / 5

HEX #E0F113

RGB 224 241 19

HSL 64.59, 0.89%, 0.51%

LAB 91.15, -27.47, 87.42

 

CMYK 0 / 17 / 92 / 5

HEX #F1C713

RGB 241 199 19

HSL 48.65, 0.89%, 0.51%

LAB 81.62, 0.43, 80.78

 

CMYK 0 / 42 / 92 / 5

HEX #F18B13

RGB 241 139 19

HSL 32.43, 0.89%, 0.51%

LAB 67.44, 31.86, 70.4

 

CMYK 0 / 67 / 92 / 5

HEX #F14F13

RGB 241 79 19

HSL 16.22, 0.89%, 0.51%

LAB 56.43, 59.96, 62.84

 

CMYK 32 / 0 / 92 / 5

HEX #A4F113

RGB 164 241 19

HSL 80.81, 0.89%, 0.51%

LAB 87.41, -50.68, 82.89

 

CMYK 57 / 0 / 92 / 5

HEX #68F113

RGB 104 241 19

HSL 97.03, 0.89%, 0.51%

LAB 84.95, -69.1, 79.86

 

CMYK 82 / 0 / 92 / 5

HEX #2CF113

RGB 44 241 19

HSL 113.24, 0.89%, 0.51%

LAB 83.7, -79.71, 78.32

 

CMYK 92 / 0 / 78 / 5

HEX #13F136

RGB 19 241 54

HSL 129.46, 0.89%, 0.51%

LAB 83.61, -80.1, 70.78

 

CMYK 92 / 0 / 53 / 5

HEX #13F172

RGB 19 241 114

HSL 145.68, 0.89%, 0.51%

LAB 84.1, -73.91, 47.73

 

CMYK 32 / 0 / 92 / 5

HEX #A4F113

RGB 164 241 19

HSL 80.81, 0.89%, 0.51%

LAB 87.41, -50.68, 82.89

 

CMYK 32 / 0 / 92 / 5

HEX #A4F113

RGB 164 241 19

HSL 80.81, 0.89%, 0.51%

LAB 87.41, -50.68, 82.89

 

CMYK 29 / 0 / 82 / 13

HEX #9EDD27

RGB 158 221 39

HSL 80.77, 0.73%, 0.51%

LAB 81.36, -43.96, 74.14

 

CMYK 24 / 0 / 71 / 21

HEX #98C93B

RGB 152 201 59

HSL 80.7, 0.57%, 0.51%

LAB 75.3, -36.46, 62.27

 

CMYK 20 / 0 / 56 / 29

HEX #91B54F

RGB 145 181 79

HSL 81.18, 0.41%, 0.51%

LAB 69.21, -28.31, 47.21

 

CMYK 13 / 0 / 38 / 37

HEX #8BA064

RGB 139 160 100

HSL 81, 0.24%, 0.51%

LAB 62.97, -17.83, 28.88

 

CMYK 0 / 18 / 92 / 5

HEX #F1C513

RGB 241 197 19

HSL 48.11, 0.89%, 0.51%

LAB 81.12, 1.46, 80.41

 

CMYK 6 / 0 / 92 / 5

HEX #E2F113

RGB 226 241 19

HSL 64.05, 0.89%, 0.51%

LAB 91.29, -26.66, 87.6

 

CMYK 31 / 0 / 92 / 5

HEX #A7F113

RGB 167 241 19

HSL 80, 0.89%, 0.51%

LAB 87.57, -49.61, 83.08

 

CMYK 55 / 0 / 92 / 5

HEX #6CF113

RGB 108 241 19

HSL 95.95, 0.89%, 0.51%

LAB 85.07, -68.09, 80.01

 

CMYK 80 / 0 / 92 / 5

HEX #30F113

RGB 48 241 19

HSL 112.16, 0.89%, 0.51%

LAB 83.75, -79.27, 78.38

 

CMYK 33 / 0 / 94 / 34

HEX #71A80A

RGB 113 168 10

HSL 80.89, 0.89%, 0.35%

LAB 62.96, -38.71, 63.23

 

CMYK 33 / 0 / 94 / 19

HEX #8BCF0C

RGB 139 207 12

HSL 80.92, 0.89%, 0.43%

LAB 76.16, -45.71, 74.14

 

CMYK 32 / 0 / 92 / 5

HEX #A4F113

RGB 164 241 19

HSL 80.81, 0.89%, 0.51%

LAB 87.41, -50.68, 82.89

 

CMYK 27 / 0 / 76 / 4

HEX #B3F43A

RGB 179 244 58

HSL 80.97, 0.89%, 0.59%

LAB 89.2, -45.29, 76.56

 

CMYK 21 / 0 / 61 / 4

HEX #C2F661

RGB 194 246 97

HSL 80.94, 0.89%, 0.67%

LAB 90.89, -38.2, 64.52

 

CMYK 32 / 0 / 92 / 5

HEX #A4F114

RGB 164 241 20

HSL 80.9, 0.89%, 0.51%

LAB 87.41, -50.67, 82.77

 

CMYK 92 / 0 / 43 / 5

HEX #13F189

RGB 19 241 137

HSL 151.89, 0.89%, 0.51%

LAB 84.41, -70.23, 37.07

 

CMYK 6 / 92 / 0 / 5

HEX #E213F1

RGB 226 19 241

HSL 295.95, 0.89%, 0.51%

LAB 55.06, 90.43, -61.75

 

CMYK 32 / 0 / 92 / 5

HEX #A4F114

RGB 164 241 20

HSL 80.9, 0.89%, 0.51%

LAB 87.41, -50.67, 82.77

 

CMYK 92 / 31 / 0 / 5

HEX #13A7F1

RGB 19 167 241

HSL 200, 0.89%, 0.51%

LAB 65.06, -9.11, -46.69

 

CMYK 0 / 92 / 31 / 5

HEX #F113A7

RGB 241 19 167

HSL 320, 0.89%, 0.51%

LAB 53.98, 83.63, -20.78

 

CMYK 32 / 0 / 92 / 5

HEX #A4F114

RGB 164 241 20

HSL 80.9, 0.89%, 0.51%

LAB 87.41, -50.67, 82.77

 

CMYK 92 / 0 / 43 / 5

HEX #13F189

RGB 19 241 137

HSL 151.89, 0.89%, 0.51%

LAB 84.41, -70.23, 37.07

 

CMYK 61 / 92 / 0 / 5

HEX #5D13F1

RGB 93 19 241

HSL 260, 0.89%, 0.51%

LAB 36.26, 75.2, -93.25

 

CMYK 0 / 92 / 49 / 5

HEX #F1137B

RGB 241 19 123

HSL 331.89, 0.89%, 0.51%

LAB 52.51, 79.67, 3.29

 

CMYK 32 / 0 / 92 / 5

HEX #A4F114

RGB 164 241 20

HSL 80.9, 0.89%, 0.51%

LAB 87.41, -50.67, 82.77

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 61 / 92 / 0 / 5

HEX #5D13F1

RGB 93 19 241

HSL 260, 0.89%, 0.51%

LAB 36.26, 75.2, -93.25

 

CMYK 0 / 92 / 77 / 5

HEX #F11338

RGB 241 19 56

HSL 350, 0.89%, 0.51%

LAB 51.21, 76.11, 41.8

 

Description

Color code: HEX #A4F114 | qconv.com Color code: HEX #A4F114 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 241 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 241 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 92 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 92% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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