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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 241 204 it is the complementary color RGB 236 14 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 241 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 241 204 shade: RGB 24 241 199, RGB 41 255 218, RGB 58 255 237, RGB 75 255 255 and RGB 92 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 241 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 241 204 shade: RGB 19 241 204, RGB 2 223 185, RGB 0 205 166, RGB 0 187 147 and RGB 0 169 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 241 204 shade: RGB 19 241 204, RGB 19 241 144, RGB 19 241 84, RGB 19 241 24 and RGB 73 241 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 241 204 shade: RGB 19 241 204, RGB 19 218 241, RGB 19 158 241, RGB 19 98 241 and RGB 19 38 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 241 204 shade matches the following richer shades: RGB 19 241 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 241 204 shade: RGB 19 241 204, RGB 39 221 191, RGB 59 201 177, RGB 79 181 164 and RGB 100 160 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 241 204 shade: RGB 19 241 86, RGB 19 241 145, RGB 19 241 204, RGB 19 219 241 and RGB 19 160 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 241 204 shade: RGB 10 168 141, RGB 12 207 174, RGB 19 241 204, RGB 58 244 213 and RGB 97 246 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 241 204 shade: RGB 19 241 204, RGB 26 19 241 and RGB 241 115 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 241 204 shade: RGB 19 241 204, RGB 204 19 241 and RGB 241 204 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 241 204 shade: RGB 19 241 204, RGB 26 19 241, RGB 241 19 56 and RGB 234 241 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 241 204 shade: RGB 19 241 204, RGB 93 19 241, RGB 241 19 56 and RGB 167 241 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

Complementary color

CMYK 0 / 94 / 78 / 7

HEX #EC0E33

RGB 236 14 51

HSL 350, 0.89%, 0.49%

LAB 49.96, 75.25, 42.99

 

CMYK 90 / 0 / 17 / 5

HEX #18F1C7

RGB 24 241 199

HSL 168.39, 0.89%, 0.52%

LAB 85.62, -56.75, 6.99

 

CMYK 84 / 0 / 15 / 0

HEX #29FFDA

RGB 41 255 218

HSL 169.63, 1%, 0.58%

LAB 90.35, -56.57, 3.94

 

CMYK 77 / 0 / 7 / 0

HEX #3AFFED

RGB 58 255 237

HSL 174.52, 1%, 0.61%

LAB 91.02, -50.3, -4.89

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 64 / 0 / 0 / 0

HEX #5CFFFF

RGB 92 255 255

HSL 180, 1%, 0.68%

LAB 92.14, -41.47, -12.5

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 99 / 0 / 17 / 13

HEX #02DFB9

RGB 2 223 185

HSL 169.68, 0.98%, 0.44%

LAB 79.78, -53.88, 5.94

 

CMYK 100 / 0 / 19 / 20

HEX #00CDA6

RGB 0 205 166

HSL 168.59, 1%, 0.4%

LAB 73.81, -51.63, 7.53

 

CMYK 100 / 0 / 21 / 27

HEX #00BB93

RGB 0 187 147

HSL 167.17, 1%, 0.37%

LAB 67.76, -49.29, 9.19

 

CMYK 100 / 0 / 24 / 34

HEX #00A980

RGB 0 169 128

HSL 165.44, 1%, 0.33%

LAB 61.6, -46.89, 10.92

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 92 / 0 / 40 / 5

HEX #13F190

RGB 19 241 144

HSL 153.78, 0.89%, 0.51%

LAB 84.52, -68.97, 33.73

 

CMYK 92 / 0 / 65 / 5

HEX #13F154

RGB 19 241 84

HSL 137.57, 0.89%, 0.51%

LAB 83.8, -77.62, 60.46

 

CMYK 92 / 0 / 90 / 5

HEX #13F118

RGB 19 241 24

HSL 121.35, 0.89%, 0.51%

LAB 83.5, -81.46, 77.39

 

CMYK 70 / 0 / 92 / 5

HEX #49F113

RGB 73 241 19

HSL 105.41, 0.89%, 0.51%

LAB 84.16, -75.68, 78.89

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 92 / 10 / 0 / 5

HEX #13DAF1

RGB 19 218 241

HSL 186.22, 0.89%, 0.51%

LAB 79.97, -35.22, -23.59

 

CMYK 92 / 34 / 0 / 5

HEX #139EF1

RGB 19 158 241

HSL 202.43, 0.89%, 0.51%

LAB 62.46, -4.03, -50.81

 

CMYK 92 / 59 / 0 / 5

HEX #1362F1

RGB 19 98 241

HSL 218.65, 0.89%, 0.51%

LAB 45.94, 32.93, -77.42

 

CMYK 92 / 84 / 0 / 5

HEX #1326F1

RGB 19 38 241

HSL 234.86, 0.89%, 0.51%

LAB 33.72, 66.5, -97.59

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 82 / 0 / 14 / 13

HEX #27DDBF

RGB 39 221 191

HSL 170.11, 0.73%, 0.51%

LAB 79.56, -49.81, 2.47

 

CMYK 71 / 0 / 12 / 21

HEX #3BC9B1

RGB 59 201 177

HSL 169.86, 0.57%, 0.51%

LAB 73.47, -42.84, 1.16

 

CMYK 56 / 0 / 9 / 29

HEX #4FB5A4

RGB 79 181 164

HSL 170, 0.41%, 0.51%

LAB 67.57, -33.78, -0.27

 

CMYK 38 / 0 / 6 / 37

HEX #64A096

RGB 100 160 150

HSL 170, 0.24%, 0.51%

LAB 61.7, -21.85, -0.95

 

CMYK 92 / 0 / 64 / 5

HEX #13F156

RGB 19 241 86

HSL 138.11, 0.89%, 0.51%

LAB 83.82, -77.41, 59.67

 

CMYK 92 / 0 / 40 / 5

HEX #13F191

RGB 19 241 145

HSL 154.05, 0.89%, 0.51%

LAB 84.53, -68.79, 33.25

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 92 / 9 / 0 / 5

HEX #13DBF1

RGB 19 219 241

HSL 185.95, 0.89%, 0.51%

LAB 80.27, -35.68, -23.15

 

CMYK 92 / 34 / 0 / 5

HEX #13A0F1

RGB 19 160 241

HSL 201.89, 0.89%, 0.51%

LAB 63.04, -5.17, -49.89

 

CMYK 94 / 0 / 16 / 34

HEX #0AA88D

RGB 10 168 141

HSL 169.75, 0.89%, 0.35%

LAB 61.65, -42.67, 3.75

 

CMYK 94 / 0 / 16 / 19

HEX #0CCFAE

RGB 12 207 174

HSL 169.85, 0.89%, 0.43%

LAB 74.67, -50.01, 4.46

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 76 / 0 / 13 / 4

HEX #3AF4D5

RGB 58 244 213

HSL 170, 0.89%, 0.59%

LAB 87.2, -51.94, 1.99

 

CMYK 61 / 0 / 10 / 4

HEX #61F6DD

RGB 97 246 221

HSL 169.93, 0.89%, 0.67%

LAB 88.77, -45.45, 0.21

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 89 / 92 / 0 / 5

HEX #1A13F1

RGB 26 19 241

HSL 241.89, 0.89%, 0.51%

LAB 31.89, 72.71, -100.65

 

CMYK 0 / 52 / 92 / 5

HEX #F17313

RGB 241 115 19

HSL 25.95, 0.89%, 0.51%

LAB 62.52, 43.99, 66.95

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 15 / 92 / 0 / 5

HEX #CC13F1

RGB 204 19 241

HSL 290, 0.89%, 0.51%

LAB 51.44, 87.12, -67.76

 

CMYK 0 / 15 / 92 / 5

HEX #F1CC13

RGB 241 204 19

HSL 50, 0.89%, 0.51%

LAB 82.88, -2.13, 81.73

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 89 / 92 / 0 / 5

HEX #1A13F1

RGB 26 19 241

HSL 241.89, 0.89%, 0.51%

LAB 31.89, 72.71, -100.65

 

CMYK 0 / 92 / 77 / 5

HEX #F11338

RGB 241 19 56

HSL 350, 0.89%, 0.51%

LAB 51.21, 76.11, 41.8

 

CMYK 3 / 0 / 92 / 5

HEX #EAF113

RGB 234 241 19

HSL 61.89, 0.89%, 0.51%

LAB 91.89, -23.37, 88.31

 

CMYK 92 / 0 / 15 / 5

HEX #13F1CC

RGB 19 241 204

HSL 170, 0.89%, 0.51%

LAB 85.71, -55.69, 4.5

 

CMYK 61 / 92 / 0 / 5

HEX #5D13F1

RGB 93 19 241

HSL 260, 0.89%, 0.51%

LAB 36.26, 75.2, -93.25

 

CMYK 0 / 92 / 77 / 5

HEX #F11338

RGB 241 19 56

HSL 350, 0.89%, 0.51%

LAB 51.21, 76.11, 41.8

 

CMYK 31 / 0 / 92 / 5

HEX #A7F113

RGB 167 241 19

HSL 80, 0.89%, 0.51%

LAB 87.57, -49.61, 83.08

 

Description

Color code: RGB 19 241 204 | qconv.com Color code: RGB 19 241 204 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 241 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 241 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 15 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 15% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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