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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A451B2 it is the complementary color #5BAE4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A451B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A451B2: #A951AD, #BA63C0, #CB75D3, #DC87E6 and #ED99F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A451B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A451B2: #A451B2, #933F9F, #822D8C, #711B79 and #600966

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 54 / 0 / 30

HEX #A451B2

RGB 164 81 178

HSL 291.34, 0.39%, 0.51%

LAB 48.25, 48.83, -37.1

 

Complementary color

CMYK 48 / 0 / 56 / 32

HEX #5BAE4D

RGB 91 174 77

HSL 111.34, 0.39%, 0.49%

LAB 64.19, -44.37, 41.57

 

CMYK 2 / 53 / 0 / 32

HEX #A951AD

RGB 169 81 173

HSL 297.39, 0.36%, 0.5%

LAB 48.68, 49.26, -33.45

 

CMYK 3 / 48 / 0 / 25

HEX #BA63C0

RGB 186 99 192

HSL 296.13, 0.42%, 0.57%

LAB 55.25, 48.63, -34.03

 

CMYK 4 / 45 / 0 / 17

HEX #CB75D3

RGB 203 117 211

HSL 294.89, 0.52%, 0.64%

LAB 61.76, 47.91, -34.5

 

CMYK 4 / 41 / 0 / 10

HEX #DC87E6

RGB 220 135 230

HSL 293.68, 0.66%, 0.72%

LAB 68.21, 47.17, -34.89

 

CMYK 5 / 39 / 0 / 2

HEX #ED99F9

RGB 237 153 249

HSL 292.5, 0.89%, 0.79%

LAB 74.59, 46.44, -35.24

 

CMYK 8 / 54 / 0 / 30

HEX #A451B2

RGB 164 81 178

HSL 291.34, 0.39%, 0.51%

LAB 48.25, 48.83, -37.1

 

CMYK 8 / 60 / 0 / 38

HEX #933F9F

RGB 147 63 159

HSL 292.5, 0.43%, 0.44%

LAB 41.63, 49.33, -36.47

 

CMYK 7 / 68 / 0 / 45

HEX #822D8C

RGB 130 45 140

HSL 293.68, 0.51%, 0.36%

LAB 35.04, 49.49, -35.56

 

CMYK 7 / 78 / 0 / 53

HEX #711B79

RGB 113 27 121

HSL 294.89, 0.64%, 0.29%

LAB 28.58, 48.93, -34.16

 

CMYK 6 / 91 / 0 / 60

HEX #600966

RGB 96 9 102

HSL 296.13, 0.84%, 0.22%

LAB 22.45, 47, -31.91

 

CMYK 8 / 54 / 0 / 30

HEX #A451B2

RGB 164 81 178

HSL 291.34, 0.39%, 0.51%

LAB 48.25, 48.83, -37.1

 

CMYK 0 / 54 / 1 / 30

HEX #B251B1

RGB 178 81 177

HSL 300.62, 0.39%, 0.51%

LAB 50.13, 52.5, -33.44

 

CMYK 0 / 54 / 10 / 30

HEX #B251A0

RGB 178 81 160

HSL 311.13, 0.39%, 0.51%

LAB 49.36, 49.57, -24.64

 

CMYK 0 / 54 / 19 / 30

HEX #B25190

RGB 178 81 144

HSL 321.03, 0.39%, 0.51%

LAB 48.71, 47.03, -16.13

 

CMYK 0 / 54 / 28 / 30

HEX #B25180

RGB 178 81 128

HSL 330.93, 0.39%, 0.51%

LAB 48.14, 44.72, -7.4

 

CMYK 8 / 54 / 0 / 30

HEX #A451B2

RGB 164 81 178

HSL 291.34, 0.39%, 0.51%

LAB 48.25, 48.83, -37.1

 

CMYK 8 / 55 / 0 / 10

HEX #D368E5

RGB 211 104 229

HSL 291.36, 0.71%, 0.65%

LAB 61.14, 59.95, -45.48

 

CMYK 8 / 56 / 0 / 90

HEX #170B19

RGB 23 11 25

HSL 291.43, 0.39%, 0.07%

LAB 4.44, 7.42, -6.36

 

CMYK 8 / 54 / 0 / 70

HEX #46234C

RGB 70 35 76

HSL 291.22, 0.37%, 0.22%

LAB 20.15, 24.15, -18.51

 

CMYK 8 / 54 / 0 / 50

HEX #753A7F

RGB 117 58 127

HSL 291.3, 0.37%, 0.36%

LAB 34.68, 37.03, -28.21

 

CMYK 8 / 54 / 0 / 30

HEX #A451B2

RGB 164 81 178

HSL 291.34, 0.39%, 0.51%

LAB 48.25, 48.83, -37.1

 

CMYK 0 / 52 / 54 / 30

HEX #B25651

RGB 178 86 81

HSL 3.09, 0.39%, 0.51%

LAB 47.9, 36.93, 20.57

 

CMYK 54 / 0 / 30 / 30

HEX #51B27D

RGB 81 178 125

HSL 147.22, 0.39%, 0.51%

LAB 65.8, -40.96, 18.64

 

CMYK 8 / 54 / 0 / 30

HEX #A451B2

RGB 164 81 178

HSL 291.34, 0.39%, 0.51%

LAB 48.25, 48.83, -37.1

 

CMYK 0 / 8 / 54 / 30

HEX #B2A451

RGB 178 164 81

HSL 51.34, 0.39%, 0.51%

LAB 66.98, -5.84, 44.33

 

CMYK 54 / 0 / 8 / 30

HEX #51B2A4

RGB 81 178 164

HSL 171.34, 0.39%, 0.51%

LAB 66.73, -31.94, -1.5

 

CMYK 8 / 54 / 0 / 30

HEX #A451B2

RGB 164 81 178

HSL 291.34, 0.39%, 0.51%

LAB 48.25, 48.83, -37.1

 

CMYK 0 / 52 / 54 / 30

HEX #B25651

RGB 178 86 81

HSL 3.09, 0.39%, 0.51%

LAB 47.9, 36.93, 20.57

 

CMYK 47 / 0 / 54 / 30

HEX #5FB251

RGB 95 178 81

HSL 111.34, 0.39%, 0.51%

LAB 65.65, -44.35, 41.41

 

CMYK 54 / 3 / 0 / 30

HEX #51ADB2

RGB 81 173 178

HSL 183.09, 0.39%, 0.51%

LAB 65.63, -25.74, -10.89

 

CMYK 8 / 54 / 0 / 30

HEX #A451B2

RGB 164 81 178

HSL 291.34, 0.39%, 0.51%

LAB 48.25, 48.83, -37.1

 

CMYK 0 / 35 / 54 / 30

HEX #B27351

RGB 178 115 81

HSL 21.03, 0.39%, 0.51%

LAB 54.37, 21.18, 28.96

 

CMYK 47 / 0 / 54 / 30

HEX #5FB251

RGB 95 178 81

HSL 111.34, 0.39%, 0.51%

LAB 65.65, -44.35, 41.41

 

CMYK 54 / 19 / 0 / 30

HEX #5190B2

RGB 81 144 178

HSL 201.03, 0.39%, 0.51%

LAB 56.99, -10.41, -24.01

 

Description

Color code: HEX #A451B2 | qconv.com Color code: HEX #A451B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 81 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 81 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 54 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 54% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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