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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3DFD3 it is the complementary color #5C202C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3DFD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A3DFD3: #A8DFCE, #B9F1E1, #CAFFF4, #DBFFFF and #ECFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3DFD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A3DFD3: #A3DFD3, #92CDC0, #81BBAD, #70A99A and #5F9787

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 5 / 13

HEX #A3DFD3

RGB 163 223 211

HSL 168, 0.48%, 0.76%

LAB 84.62, -21.52, -0.29

 

Complementary color

CMYK 0 / 65 / 52 / 64

HEX #5C202C

RGB 92 32 44

HSL 348, 0.48%, 0.24%

LAB 21.91, 28.63, 6.52

 

CMYK 25 / 0 / 8 / 13

HEX #A8DFCE

RGB 168 223 206

HSL 161.45, 0.46%, 0.77%

LAB 84.77, -21.06, 2.6

 

CMYK 23 / 0 / 7 / 5

HEX #B9F1E1

RGB 185 241 225

HSL 162.86, 0.67%, 0.84%

LAB 91.08, -20.92, 1.93

 

CMYK 21 / 0 / 4 / 0

HEX #CAFFF4

RGB 202 255 244

HSL 167.55, 1%, 0.9%

LAB 96.25, -18.84, -0.26

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 27 / 0 / 5 / 13

HEX #A3DFD3

RGB 163 223 211

HSL 168, 0.48%, 0.76%

LAB 84.62, -21.52, -0.29

 

CMYK 29 / 0 / 6 / 20

HEX #92CDC0

RGB 146 205 192

HSL 166.78, 0.37%, 0.69%

LAB 78.22, -21.67, 0.38

 

CMYK 31 / 0 / 7 / 27

HEX #81BBAD

RGB 129 187 173

HSL 165.52, 0.3%, 0.62%

LAB 71.71, -21.84, 1.08

 

CMYK 34 / 0 / 9 / 34

HEX #70A99A

RGB 112 169 154

HSL 164.21, 0.25%, 0.55%

LAB 65.08, -22.03, 1.82

 

CMYK 37 / 0 / 11 / 41

HEX #5F9787

RGB 95 151 135

HSL 162.86, 0.23%, 0.48%

LAB 58.34, -22.23, 2.61

 

CMYK 27 / 0 / 5 / 13

HEX #A3DFD3

RGB 163 223 211

HSL 168, 0.48%, 0.76%

LAB 84.62, -21.52, -0.29

 

CMYK 26 / 0 / 1 / 13

HEX #A4DFDD

RGB 164 223 221

HSL 177.97, 0.48%, 0.76%

LAB 84.94, -19.06, -5.1

 

CMYK 26 / 4 / 0 / 13

HEX #A4D7DF

RGB 164 215 223

HSL 188.14, 0.48%, 0.76%

LAB 82.82, -14.58, -9.31

 

CMYK 26 / 8 / 0 / 13

HEX #A4CDDF

RGB 164 205 223

HSL 198.31, 0.48%, 0.76%

LAB 80.11, -9.42, -13.34

 

CMYK 26 / 13 / 0 / 13

HEX #A4C3DF

RGB 164 195 223

HSL 208.47, 0.48%, 0.76%

LAB 77.43, -4.15, -17.38

 

CMYK 27 / 0 / 5 / 13

HEX #A3DFD3

RGB 163 223 211

HSL 168, 0.48%, 0.76%

LAB 84.62, -21.52, -0.29

 

CMYK 26 / 0 / 5 / 93

HEX #0E1312

RGB 14 19 18

HSL 168, 0.15%, 0.06%

LAB 5.44, -2.04, -0.07

 

CMYK 27 / 0 / 6 / 73

HEX #334642

RGB 51 70 66

HSL 167.37, 0.16%, 0.24%

LAB 28.05, -8.49, -0.04

 

CMYK 27 / 0 / 6 / 53

HEX #587972

RGB 88 121 114

HSL 167.27, 0.16%, 0.41%

LAB 48.22, -13.37, 0.02

 

CMYK 27 / 0 / 5 / 33

HEX #7EACA3

RGB 126 172 163

HSL 168.26, 0.22%, 0.58%

LAB 66.96, -17.3, -0.36

 

CMYK 27 / 0 / 5 / 13

HEX #A3DFD3

RGB 163 223 211

HSL 168, 0.48%, 0.76%

LAB 84.62, -21.52, -0.29

 

CMYK 26 / 26 / 0 / 13

HEX #A4A4DF

RGB 164 164 223

HSL 240, 0.48%, 0.76%

LAB 69.31, 12.85, -29.77

 

CMYK 0 / 16 / 26 / 13

HEX #DFBBA4

RGB 223 187 164

HSL 23.39, 0.48%, 0.76%

LAB 78.41, 9.48, 16.46

 

CMYK 27 / 0 / 5 / 13

HEX #A3DFD3

RGB 163 223 211

HSL 168, 0.48%, 0.76%

LAB 84.62, -21.52, -0.29

 

CMYK 5 / 26 / 0 / 13

HEX #D3A4DF

RGB 211 164 223

HSL 287.8, 0.48%, 0.76%

LAB 73.37, 27.52, -23.19

 

CMYK 0 / 5 / 26 / 13

HEX #DFD3A4

RGB 223 211 164

HSL 47.8, 0.48%, 0.76%

LAB 84.46, -3.09, 24.82

 

CMYK 27 / 0 / 5 / 13

HEX #A3DFD3

RGB 163 223 211

HSL 168, 0.48%, 0.76%

LAB 84.62, -21.52, -0.29

 

CMYK 26 / 26 / 0 / 13

HEX #A4A4DF

RGB 164 164 223

HSL 240, 0.48%, 0.76%

LAB 69.31, 12.85, -29.77

 

CMYK 0 / 26 / 21 / 13

HEX #DFA4B0

RGB 223 164 176

HSL 347.8, 0.48%, 0.76%

LAB 73.14, 23.53, 2.41

 

CMYK 0 / 0 / 26 / 13

HEX #DFDFA4

RGB 223 223 164

HSL 60, 0.48%, 0.76%

LAB 87.55, -9.21, 29.01

 

CMYK 27 / 0 / 5 / 13

HEX #A3DFD3

RGB 163 223 211

HSL 168, 0.48%, 0.76%

LAB 84.62, -21.52, -0.29

 

CMYK 18 / 26 / 0 / 13

HEX #B6A4DF

RGB 182 164 223

HSL 258.31, 0.48%, 0.76%

LAB 70.75, 18.32, -27.43

 

CMYK 0 / 26 / 21 / 13

HEX #DFA4B0

RGB 223 164 176

HSL 347.8, 0.48%, 0.76%

LAB 73.14, 23.53, 2.41

 

CMYK 8 / 0 / 26 / 13

HEX #CDDFA4

RGB 205 223 164

HSL 78.31, 0.48%, 0.76%

LAB 86.22, -15.87, 26.99

 

Description

Color code: HEX #A3DFD3 | qconv.com Color code: HEX #A3DFD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 223 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 223 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 5 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 5% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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