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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3BC12 it is the complementary color #5C43ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3BC12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3BC12 shade: #A8BC0D, #B9CE20, #CAE033, #DBF246 and #ECFF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3BC12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3BC12 shade: #A3BC12, #92AA00, #819800, #708600 and #5F7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3BC12 shade: #A2BB11, #BBA611, #BB7811, #BB4B11 and #BB1D11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3BC12 shade: #A2BB11, #74BB11, #46BB11, #19BB11 and #11BB38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3BC12 shade matches the following richer shades: #A2BB11 and #ADCB01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3BC12 shade: #A2BB11, #96AA22, #8A9A32, #7F8943 and #737953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3BC12 shade: #BB7711, #BBA411, #A4BB11, #77BB11 and #4ABB11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3BC12 shade: #606F0A, #81950E, #A2BB11, #C2E015 and #D1EC33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3BC12 shade: #A3BC12, #11BB4A and #8E11BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3BC12 shade: #A3BC12, #11A4BB and #BB11A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3BC12 shade: #A3BC12, #11BB4A, #2811BB and #BB1182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3BC12 shade: #A3BC12, #11BB7D, #2811BB and #BB114F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 90 / 26

HEX #A3BC12

RGB 163 188 18

HSL 68.82, 0.83%, 0.4%

LAB 72.09, -27.59, 70.72

 

Complementary color

CMYK 61 / 72 / 0 / 7

HEX #5C43ED

RGB 92 67 237

HSL 248.82, 0.83%, 0.6%

LAB 41.85, 56.27, -81.75

 

CMYK 11 / 0 / 93 / 26

HEX #A8BC0D

RGB 168 188 13

HSL 66.86, 0.87%, 0.39%

LAB 72.44, -25.57, 71.86

 

CMYK 10 / 0 / 84 / 19

HEX #B9CE20

RGB 185 206 32

HSL 67.24, 0.73%, 0.47%

LAB 78.79, -26.71, 74.21

 

CMYK 10 / 0 / 77 / 12

HEX #CAE033

RGB 202 224 51

HSL 67.63, 0.74%, 0.54%

LAB 85.05, -27.65, 75.31

 

CMYK 10 / 0 / 71 / 5

HEX #DBF246

RGB 219 242 70

HSL 68.02, 0.87%, 0.61%

LAB 91.24, -28.43, 75.59

 

CMYK 7 / 0 / 65 / 0

HEX #ECFF59

RGB 236 255 89

HSL 66.87, 1%, 0.67%

LAB 96.03, -26.76, 73.98

 

CMYK 13 / 0 / 90 / 26

HEX #A3BC12

RGB 163 188 18

HSL 68.82, 0.83%, 0.4%

LAB 72.09, -27.59, 70.72

 

CMYK 14 / 0 / 100 / 33

HEX #92AA00

RGB 146 170 0

HSL 68.47, 1%, 0.33%

LAB 65.64, -26.37, 67.52

 

CMYK 15 / 0 / 100 / 40

HEX #819800

RGB 129 152 0

HSL 69.08, 1%, 0.3%

LAB 59.09, -24.87, 62.07

 

CMYK 16 / 0 / 100 / 47

HEX #708600

RGB 112 134 0

HSL 69.85, 1%, 0.26%

LAB 52.39, -23.35, 56.49

 

CMYK 18 / 0 / 100 / 55

HEX #5F7400

RGB 95 116 0

HSL 70.86, 1%, 0.23%

LAB 45.53, -21.81, 50.78

 

CMYK 13 / 0 / 91 / 27

HEX #A2BB11

RGB 162 187 17

HSL 68.82, 0.83%, 0.4%

LAB 71.73, -27.55, 70.56

 

CMYK 0 / 11 / 91 / 27

HEX #BBA611

RGB 187 166 17

HSL 52.59, 0.83%, 0.4%

LAB 67.93, -6.03, 68.44

 

CMYK 0 / 36 / 91 / 27

HEX #BB7811

RGB 187 120 17

HSL 36.35, 0.83%, 0.4%

LAB 56.13, 19.05, 59.4

 

CMYK 0 / 60 / 91 / 27

HEX #BB4B11

RGB 187 75 17

HSL 20.47, 0.83%, 0.4%

LAB 46.5, 42.7, 52.22

 

CMYK 0 / 84 / 91 / 27

HEX #BB1D11

RGB 187 29 17

HSL 4.24, 0.83%, 0.4%

LAB 40.38, 59.4, 47.84

 

CMYK 13 / 0 / 91 / 27

HEX #A2BB11

RGB 162 187 17

HSL 68.82, 0.83%, 0.4%

LAB 71.73, -27.55, 70.56

 

CMYK 38 / 0 / 91 / 27

HEX #74BB11

RGB 116 187 17

HSL 85.06, 0.83%, 0.4%

LAB 68.96, -45.55, 67.17

 

CMYK 63 / 0 / 91 / 27

HEX #46BB11

RGB 70 187 17

HSL 101.29, 0.83%, 0.4%

LAB 67.19, -59.22, 64.97

 

CMYK 87 / 0 / 91 / 27

HEX #19BB11

RGB 25 187 17

HSL 117.18, 0.83%, 0.4%

LAB 66.36, -66.42, 63.93

 

CMYK 91 / 0 / 70 / 27

HEX #11BB38

RGB 17 187 56

HSL 133.76, 0.83%, 0.4%

LAB 66.48, -64.62, 52.9

 

CMYK 13 / 0 / 91 / 27

HEX #A2BB11

RGB 162 187 17

HSL 68.82, 0.83%, 0.4%

LAB 71.73, -27.55, 70.56

 

CMYK 15 / 0 / 100 / 20

HEX #ADCB01

RGB 173 203 1

HSL 68.91, 0.99%, 0.4%

LAB 77.04, -30.78, 76.81

 

CMYK 13 / 0 / 91 / 27

HEX #A2BB11

RGB 162 187 17

HSL 68.82, 0.83%, 0.4%

LAB 71.73, -27.55, 70.56

 

CMYK 12 / 0 / 80 / 33

HEX #96AA22

RGB 150 170 34

HSL 68.82, 0.67%, 0.4%

LAB 66.02, -23.87, 61.67

 

CMYK 10 / 0 / 68 / 40

HEX #8A9A32

RGB 138 154 50

HSL 69.23, 0.51%, 0.4%

LAB 60.56, -20.16, 50.47

 

CMYK 7 / 0 / 51 / 46

HEX #7F8943

RGB 127 137 67

HSL 68.57, 0.34%, 0.4%

LAB 54.87, -14.63, 35.97

 

CMYK 5 / 0 / 31 / 53

HEX #737953

RGB 115 121 83

HSL 69.47, 0.19%, 0.4%

LAB 49.43, -9.03, 20.14

 

CMYK 0 / 36 / 91 / 27

HEX #BB7711

RGB 187 119 17

HSL 36, 0.83%, 0.4%

LAB 55.89, 19.61, 59.21

 

CMYK 0 / 12 / 91 / 27

HEX #BBA411

RGB 187 164 17

HSL 51.88, 0.83%, 0.4%

LAB 67.39, -4.97, 68.03

 

CMYK 12 / 0 / 91 / 27

HEX #A4BB11

RGB 164 187 17

HSL 68.12, 0.83%, 0.4%

LAB 71.88, -26.71, 70.74

 

CMYK 36 / 0 / 91 / 27

HEX #77BB11

RGB 119 187 17

HSL 84, 0.83%, 0.4%

LAB 69.11, -44.48, 67.35

 

CMYK 60 / 0 / 91 / 27

HEX #4ABB11

RGB 74 187 17

HSL 99.88, 0.83%, 0.4%

LAB 67.3, -58.27, 65.11

 

CMYK 14 / 0 / 91 / 56

HEX #606F0A

RGB 96 111 10

HSL 68.91, 0.83%, 0.24%

LAB 44.06, -18.47, 47.4

 

CMYK 13 / 0 / 91 / 42

HEX #81950E

RGB 129 149 14

HSL 68.89, 0.83%, 0.32%

LAB 58.22, -23.12, 59.21

 

CMYK 13 / 0 / 91 / 27

HEX #A2BB11

RGB 162 187 17

HSL 68.82, 0.83%, 0.4%

LAB 71.73, -27.55, 70.56

 

CMYK 13 / 0 / 91 / 12

HEX #C2E015

RGB 194 224 21

HSL 68.87, 0.83%, 0.48%

LAB 84.4, -31.73, 80.98

 

CMYK 11 / 0 / 78 / 7

HEX #D1EC33

RGB 209 236 51

HSL 68.76, 0.83%, 0.56%

LAB 88.82, -30.44, 78.89

 

CMYK 13 / 0 / 90 / 26

HEX #A3BC12

RGB 163 188 18

HSL 68.82, 0.83%, 0.4%

LAB 72.09, -27.59, 70.72

 

CMYK 91 / 0 / 60 / 27

HEX #11BB4A

RGB 17 187 74

HSL 140.12, 0.83%, 0.4%

LAB 66.64, -62.63, 45.42

 

CMYK 24 / 91 / 0 / 27

HEX #8E11BB

RGB 142 17 187

HSL 284.12, 0.83%, 0.4%

LAB 37.37, 68.95, -60.01

 

CMYK 13 / 0 / 90 / 26

HEX #A3BC12

RGB 163 188 18

HSL 68.82, 0.83%, 0.4%

LAB 72.09, -27.59, 70.72

 

CMYK 91 / 12 / 0 / 27

HEX #11A4BB

RGB 17 164 187

HSL 188.12, 0.83%, 0.4%

LAB 61.88, -26.48, -21.73

 

CMYK 0 / 91 / 12 / 27

HEX #BB11A4

RGB 187 17 164

HSL 308.12, 0.83%, 0.4%

LAB 43.72, 72.86, -35.73

 

CMYK 13 / 0 / 90 / 26

HEX #A3BC12

RGB 163 188 18

HSL 68.82, 0.83%, 0.4%

LAB 72.09, -27.59, 70.72

 

CMYK 91 / 0 / 60 / 27

HEX #11BB4A

RGB 17 187 74

HSL 140.12, 0.83%, 0.4%

LAB 66.64, -62.63, 45.42

 

CMYK 79 / 91 / 0 / 27

HEX #2811BB

RGB 40 17 187

HSL 248.12, 0.83%, 0.4%

LAB 25.08, 59.35, -80.7

 

CMYK 0 / 91 / 30 / 27

HEX #BB1182

RGB 187 17 130

HSL 320.12, 0.83%, 0.4%

LAB 42.12, 68.66, -17.59

 

CMYK 13 / 0 / 90 / 26

HEX #A3BC12

RGB 163 188 18

HSL 68.82, 0.83%, 0.4%

LAB 72.09, -27.59, 70.72

 

CMYK 91 / 0 / 33 / 27

HEX #11BB7D

RGB 17 187 125

HSL 158.12, 0.83%, 0.4%

LAB 67.38, -53.8, 20.6

 

CMYK 79 / 91 / 0 / 27

HEX #2811BB

RGB 40 17 187

HSL 248.12, 0.83%, 0.4%

LAB 25.08, 59.35, -80.7

 

CMYK 0 / 91 / 58 / 27

HEX #BB114F

RGB 187 17 79

HSL 338.12, 0.83%, 0.4%

LAB 40.46, 64.12, 12.01

 

Description

Color code: HEX #A3BC12 | qconv.com Color code: HEX #A3BC12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 188 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 188 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 90 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 90% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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