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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8BC0D it is the complementary color #5743F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8BC0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8BC0D shade: #ADBC08, #BECE1B, #CFE02E, #E0F241 and #F1FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8BC0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8BC0D shade: #A8BC0D, #97AA00, #869800, #758600 and #647400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8BC0D shade: #A6BA0D, #BA9F0D, #BA700D, #BA420D and #BA130D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8BC0D shade: #A6BA0D, #78BA0D, #49BA0D, #1ABA0D and #0DBA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8BC0D shade matches the following richer shades: #A6BA0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8BC0D shade: #A6BA0D, #9AAA1D, #8D9A2D, #818A3D and #757A4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8BC0D shade: #BA6F0D, #BA9D0D, #A9BA0D, #7BBA0D and #4CBA0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8BC0D shade: #616D08, #84930A, #A6BA0D, #C9E110 and #D9F029

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8BC0D shade: #A8BC0D, #0DBA41 and #860DBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8BC0D shade: #A8BC0D, #0DA9BA and #BA0DA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8BC0D shade: #A8BC0D, #0DBA41, #1E0DBA and #BA0D86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8BC0D shade: #A8BC0D, #0DBA75, #1E0DBA and #BA0D52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 93 / 26

HEX #A8BC0D

RGB 168 188 13

HSL 66.86, 0.87%, 0.39%

LAB 72.44, -25.57, 71.86

 

Complementary color

CMYK 64 / 72 / 0 / 5

HEX #5743F2

RGB 87 67 242

HSL 246.86, 0.87%, 0.61%

LAB 41.92, 57.16, -84.47

 

CMYK 8 / 0 / 96 / 26

HEX #ADBC08

RGB 173 188 8

HSL 65, 0.92%, 0.38%

LAB 72.81, -23.51, 72.87

 

CMYK 8 / 0 / 87 / 19

HEX #BECE1B

RGB 190 206 27

HSL 65.36, 0.77%, 0.46%

LAB 79.14, -24.75, 75.66

 

CMYK 8 / 0 / 79 / 12

HEX #CFE02E

RGB 207 224 46

HSL 65.73, 0.74%, 0.53%

LAB 85.39, -25.79, 77.13

 

CMYK 7 / 0 / 73 / 5

HEX #E0F241

RGB 224 242 65

HSL 66.1, 0.87%, 0.6%

LAB 91.57, -26.66, 77.66

 

CMYK 5 / 0 / 67 / 0

HEX #F1FF54

RGB 241 255 84

HSL 64.91, 1%, 0.66%

LAB 96.35, -25.06, 76.27

 

CMYK 11 / 0 / 93 / 26

HEX #A8BC0D

RGB 168 188 13

HSL 66.86, 0.87%, 0.39%

LAB 72.44, -25.57, 71.86

 

CMYK 11 / 0 / 100 / 33

HEX #97AA00

RGB 151 170 0

HSL 66.71, 1%, 0.33%

LAB 66, -24.22, 67.96

 

CMYK 12 / 0 / 100 / 40

HEX #869800

RGB 134 152 0

HSL 67.11, 1%, 0.3%

LAB 59.46, -22.69, 62.51

 

CMYK 13 / 0 / 100 / 47

HEX #758600

RGB 117 134 0

HSL 67.61, 1%, 0.26%

LAB 52.77, -21.13, 56.94

 

CMYK 14 / 0 / 100 / 55

HEX #647400

RGB 100 116 0

HSL 68.28, 1%, 0.23%

LAB 45.91, -19.53, 51.23

 

CMYK 11 / 0 / 93 / 27

HEX #A6BA0D

RGB 166 186 13

HSL 66.94, 0.87%, 0.39%

LAB 71.73, -25.45, 71.24

 

CMYK 0 / 15 / 93 / 27

HEX #BA9F0D

RGB 186 159 13

HSL 50.64, 0.87%, 0.39%

LAB 65.95, -2.82, 67.53

 

CMYK 0 / 40 / 93 / 27

HEX #BA700D

RGB 186 112 13

HSL 34.34, 0.87%, 0.39%

LAB 54.09, 22.96, 58.73

 

CMYK 0 / 65 / 93 / 27

HEX #BA420D

RGB 186 66 13

HSL 18.38, 0.87%, 0.39%

LAB 44.75, 46.39, 52.15

 

CMYK 0 / 90 / 93 / 27

HEX #BA130D

RGB 186 19 13

HSL 2.08, 0.87%, 0.39%

LAB 39.47, 61.03, 48.69

 

CMYK 11 / 0 / 93 / 27

HEX #A6BA0D

RGB 166 186 13

HSL 66.94, 0.87%, 0.39%

LAB 71.73, -25.45, 71.24

 

CMYK 35 / 0 / 93 / 27

HEX #78BA0D

RGB 120 186 13

HSL 82.89, 0.87%, 0.39%

LAB 68.85, -43.78, 67.74

 

CMYK 61 / 0 / 93 / 27

HEX #49BA0D

RGB 73 186 13

HSL 99.19, 0.87%, 0.39%

LAB 66.95, -58.27, 65.4

 

CMYK 86 / 0 / 93 / 27

HEX #1ABA0D

RGB 26 186 13

HSL 115.49, 0.87%, 0.39%

LAB 66.03, -66.15, 64.26

 

CMYK 93 / 0 / 75 / 27

HEX #0DBA2E

RGB 13 186 46

HSL 131.45, 0.87%, 0.39%

LAB 66.06, -65.42, 56.15

 

CMYK 11 / 0 / 93 / 27

HEX #A6BA0D

RGB 166 186 13

HSL 66.94, 0.87%, 0.39%

LAB 71.73, -25.45, 71.24

 

CMYK 11 / 0 / 93 / 27

HEX #A6BA0D

RGB 166 186 13

HSL 66.94, 0.87%, 0.39%

LAB 71.73, -25.45, 71.24

 

CMYK 9 / 0 / 83 / 33

HEX #9AAA1D

RGB 154 170 29

HSL 66.81, 0.71%, 0.39%

LAB 66.3, -22.34, 63.39

 

CMYK 8 / 0 / 71 / 40

HEX #8D9A2D

RGB 141 154 45

HSL 67.16, 0.55%, 0.39%

LAB 60.75, -19.18, 52.74

 

CMYK 7 / 0 / 56 / 46

HEX #818A3D

RGB 129 138 61

HSL 67.01, 0.39%, 0.39%

LAB 55.26, -14.88, 39.48

 

CMYK 4 / 0 / 37 / 52

HEX #757A4D

RGB 117 122 77

HSL 66.67, 0.23%, 0.39%

LAB 49.78, -9.58, 24.04

 

CMYK 0 / 40 / 93 / 27

HEX #BA6F0D

RGB 186 111 13

HSL 33.99, 0.87%, 0.39%

LAB 53.85, 23.51, 58.56

 

CMYK 0 / 16 / 93 / 27

HEX #BA9D0D

RGB 186 157 13

HSL 49.94, 0.87%, 0.39%

LAB 65.42, -1.75, 67.13

 

CMYK 9 / 0 / 93 / 27

HEX #A9BA0D

RGB 169 186 13

HSL 65.9, 0.87%, 0.39%

LAB 71.95, -24.17, 71.51

 

CMYK 34 / 0 / 93 / 27

HEX #7BBA0D

RGB 123 186 13

HSL 81.85, 0.87%, 0.39%

LAB 69.01, -42.68, 67.93

 

CMYK 59 / 0 / 93 / 27

HEX #4CBA0D

RGB 76 186 13

HSL 98.15, 0.87%, 0.39%

LAB 67.04, -57.53, 65.51

 

CMYK 11 / 0 / 93 / 57

HEX #616D08

RGB 97 109 8

HSL 67.13, 0.86%, 0.23%

LAB 43.5, -17, 47.43

 

CMYK 10 / 0 / 93 / 42

HEX #84930A

RGB 132 147 10

HSL 66.57, 0.87%, 0.31%

LAB 57.84, -20.87, 59.67

 

CMYK 11 / 0 / 93 / 27

HEX #A6BA0D

RGB 166 186 13

HSL 66.94, 0.87%, 0.39%

LAB 71.73, -25.45, 71.24

 

CMYK 11 / 0 / 93 / 12

HEX #C9E110

RGB 201 225 16

HSL 66.89, 0.87%, 0.47%

LAB 85.15, -29.42, 82.41

 

CMYK 10 / 0 / 83 / 6

HEX #D9F029

RGB 217 240 41

HSL 66.93, 0.87%, 0.55%

LAB 90.43, -29.41, 82.95

 

CMYK 11 / 0 / 93 / 26

HEX #A8BC0D

RGB 168 188 13

HSL 66.86, 0.87%, 0.39%

LAB 72.44, -25.57, 71.86

 

CMYK 93 / 0 / 65 / 27

HEX #0DBA41

RGB 13 186 65

HSL 138.03, 0.87%, 0.39%

LAB 66.2, -63.62, 48.9

 

CMYK 28 / 93 / 0 / 27

HEX #860DBA

RGB 134 13 186

HSL 281.97, 0.87%, 0.39%

LAB 35.79, 68.27, -62.04

 

CMYK 11 / 0 / 93 / 26

HEX #A8BC0D

RGB 168 188 13

HSL 66.86, 0.87%, 0.39%

LAB 72.44, -25.57, 71.86

 

CMYK 93 / 9 / 0 / 27

HEX #0DA9BA

RGB 13 169 186

HSL 185.9, 0.87%, 0.39%

LAB 63.35, -29.46, -18.93

 

CMYK 0 / 93 / 9 / 27

HEX #BA0DA9

RGB 186 13 169

HSL 305.9, 0.87%, 0.39%

LAB 43.64, 73.85, -38.85

 

CMYK 11 / 0 / 93 / 26

HEX #A8BC0D

RGB 168 188 13

HSL 66.86, 0.87%, 0.39%

LAB 72.44, -25.57, 71.86

 

CMYK 93 / 0 / 65 / 27

HEX #0DBA41

RGB 13 186 65

HSL 138.03, 0.87%, 0.39%

LAB 66.2, -63.62, 48.9

 

CMYK 84 / 93 / 0 / 27

HEX #1E0DBA

RGB 30 13 186

HSL 245.9, 0.87%, 0.39%

LAB 24.03, 59.85, -81.86

 

CMYK 0 / 93 / 28 / 27

HEX #BA0D86

RGB 186 13 134

HSL 318.03, 0.87%, 0.39%

LAB 41.92, 69.4, -20.37

 

CMYK 11 / 0 / 93 / 26

HEX #A8BC0D

RGB 168 188 13

HSL 66.86, 0.87%, 0.39%

LAB 72.44, -25.57, 71.86

 

CMYK 93 / 0 / 37 / 27

HEX #0DBA75

RGB 13 186 117

HSL 156.07, 0.87%, 0.39%

LAB 66.89, -55.33, 24.2

 

CMYK 84 / 93 / 0 / 27

HEX #1E0DBA

RGB 30 13 186

HSL 245.9, 0.87%, 0.39%

LAB 24.03, 59.85, -81.86

 

CMYK 0 / 93 / 56 / 27

HEX #BA0D52

RGB 186 13 82

HSL 336.07, 0.87%, 0.39%

LAB 40.14, 64.62, 9.62

 

Description

Color code: HEX #A8BC0D | qconv.com Color code: HEX #A8BC0D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 188 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 188 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 93 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 93% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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