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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A38383 it is the complementary color #5C7C7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A38383. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A38383: #A8837E, #B99591, #CAA7A4, #DBB9B7 and #ECCBCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A38383. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A38383: #A38383, #927170, #815F5D, #704D4A and #5F3B37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 20 / 36

HEX #A38383

RGB 163 131 131

HSL 0, 0.15%, 0.58%

LAB 57.71, 12.25, 4.64

 

Complementary color

CMYK 26 / 0 / 0 / 51

HEX #5C7C7C

RGB 92 124 124

HSL 180, 0.15%, 0.42%

LAB 49.67, -11.32, -3.72

 

CMYK 0 / 22 / 25 / 34

HEX #A8837E

RGB 168 131 126

HSL 7.14, 0.19%, 0.58%

LAB 58.1, 13.43, 8.14

 

CMYK 0 / 19 / 22 / 27

HEX #B99591

RGB 185 149 145

HSL 6, 0.22%, 0.65%

LAB 64.85, 12.84, 7.21

 

CMYK 0 / 17 / 19 / 21

HEX #CAA7A4

RGB 202 167 164

HSL 4.74, 0.26%, 0.72%

LAB 71.47, 12.32, 6.35

 

CMYK 0 / 16 / 16 / 14

HEX #DBB9B7

RGB 219 185 183

HSL 3.33, 0.33%, 0.79%

LAB 77.98, 11.85, 5.54

 

CMYK 0 / 14 / 14 / 7

HEX #ECCBCA

RGB 236 203 202

HSL 1.76, 0.47%, 0.86%

LAB 84.39, 11.43, 4.78

 

CMYK 0 / 20 / 20 / 36

HEX #A38383

RGB 163 131 131

HSL 0, 0.15%, 0.58%

LAB 57.71, 12.25, 4.64

 

CMYK 0 / 23 / 23 / 43

HEX #927170

RGB 146 113 112

HSL 1.76, 0.13%, 0.51%

LAB 50.79, 12.84, 5.55

 

CMYK 0 / 26 / 28 / 49

HEX #815F5D

RGB 129 95 93

HSL 3.33, 0.16%, 0.44%

LAB 43.71, 13.54, 6.56

 

CMYK 0 / 31 / 34 / 56

HEX #704D4A

RGB 112 77 74

HSL 4.74, 0.2%, 0.36%

LAB 36.46, 14.36, 7.71

 

CMYK 0 / 38 / 42 / 63

HEX #5F3B37

RGB 95 59 55

HSL 6, 0.27%, 0.29%

LAB 29, 15.36, 9.09

 

CMYK 0 / 20 / 20 / 36

HEX #A38383

RGB 163 131 131

HSL 0, 0.15%, 0.58%

LAB 57.71, 12.25, 4.64

 

CMYK 0 / 16 / 20 / 36

HEX #A38983

RGB 163 137 131

HSL 11.25, 0.15%, 0.58%

LAB 59.27, 8.85, 6.87

 

CMYK 0 / 13 / 20 / 36

HEX #A38E83

RGB 163 142 131

HSL 20.63, 0.15%, 0.58%

LAB 60.58, 6.04, 8.75

 

CMYK 0 / 10 / 20 / 36

HEX #A39383

RGB 163 147 131

HSL 30, 0.15%, 0.58%

LAB 61.91, 3.24, 10.63

 

CMYK 0 / 6 / 20 / 36

HEX #A39983

RGB 163 153 131

HSL 41.25, 0.15%, 0.58%

LAB 63.51, -0.08, 12.89

 

CMYK 0 / 20 / 20 / 36

HEX #A38383

RGB 163 131 131

HSL 0, 0.15%, 0.58%

LAB 57.71, 12.25, 4.64

 

CMYK 0 / 20 / 20 / 16

HEX #D6ACAC

RGB 214 172 172

HSL 0, 0.34%, 0.76%

LAB 74.05, 15.3, 5.81

 

CMYK 0 / 20 / 20 / 96

HEX #0A0808

RGB 10 8 8

HSL 0, 0.11%, 0.04%

LAB 2.31, 0.52, 0.18

 

CMYK 0 / 20 / 20 / 76

HEX #3D3131

RGB 61 49 49

HSL 0, 0.11%, 0.22%

LAB 21.62, 5.41, 2.03

 

CMYK 0 / 20 / 20 / 56

HEX #705A5A

RGB 112 90 90

HSL 0, 0.11%, 0.4%

LAB 40.4, 8.99, 3.4

 

CMYK 0 / 20 / 20 / 36

HEX #A38383

RGB 163 131 131

HSL 0, 0.15%, 0.58%

LAB 57.71, 12.25, 4.64

 

CMYK 4 / 0 / 20 / 36

HEX #9DA383

RGB 157 163 131

HSL 71.25, 0.15%, 0.58%

LAB 65.75, -7.83, 15.94

 

CMYK 20 / 12 / 0 / 36

HEX #8390A3

RGB 131 144 163

HSL 215.63, 0.15%, 0.58%

LAB 59.36, -0.47, -11.59

 

CMYK 0 / 20 / 20 / 36

HEX #A38383

RGB 163 131 131

HSL 0, 0.15%, 0.58%

LAB 57.71, 12.25, 4.64

 

CMYK 20 / 0 / 20 / 36

HEX #83A383

RGB 131 163 131

HSL 120, 0.15%, 0.58%

LAB 63.88, -17.46, 13.05

 

CMYK 20 / 20 / 0 / 36

HEX #8383A3

RGB 131 131 163

HSL 240, 0.15%, 0.58%

LAB 55.79, 6.98, -16.98

 

CMYK 0 / 20 / 20 / 36

HEX #A38383

RGB 163 131 131

HSL 0, 0.15%, 0.58%

LAB 57.71, 12.25, 4.64

 

CMYK 4 / 0 / 20 / 36

HEX #9DA383

RGB 157 163 131

HSL 71.25, 0.15%, 0.58%

LAB 65.75, -7.83, 15.94

 

CMYK 20 / 0 / 0 / 36

HEX #83A3A3

RGB 131 163 163

HSL 180, 0.15%, 0.58%

LAB 64.7, -10.95, -3.65

 

CMYK 15 / 20 / 0 / 36

HEX #8A83A3

RGB 138 131 163

HSL 253.13, 0.15%, 0.58%

LAB 56.37, 9.32, -16.05

 

CMYK 0 / 20 / 20 / 36

HEX #A38383

RGB 163 131 131

HSL 0, 0.15%, 0.58%

LAB 57.71, 12.25, 4.64

 

CMYK 10 / 0 / 20 / 36

HEX #93A383

RGB 147 163 131

HSL 90, 0.15%, 0.58%

LAB 64.99, -11.62, 14.77

 

CMYK 20 / 0 / 0 / 36

HEX #83A3A3

RGB 131 163 163

HSL 180, 0.15%, 0.58%

LAB 64.7, -10.95, -3.65

 

CMYK 10 / 20 / 0 / 36

HEX #9383A3

RGB 147 131 163

HSL 270, 0.15%, 0.58%

LAB 57.15, 12.39, -14.78

 

Description

Color code: HEX #A38383 | qconv.com Color code: HEX #A38383 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 131 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 131 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 20 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 20% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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