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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A34EC9 it is the complementary color #5CB136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A34EC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A34EC9: #A84EC4, #B960D7, #CA72EA, #DB84FD and #EC96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A34EC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A34EC9: #A34EC9, #923CB6, #812AA3, #701890 and #5F067D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 61 / 0 / 21

HEX #A34EC9

RGB 163 78 201

HSL 281.46, 0.53%, 0.55%

LAB 48.83, 54.74, -49.55

 

Complementary color

CMYK 48 / 0 / 69 / 31

HEX #5CB136

RGB 92 177 54

HSL 101.46, 0.53%, 0.45%

LAB 64.95, -47.61, 52.6

 

CMYK 14 / 60 / 0 / 23

HEX #A84EC4

RGB 168 78 196

HSL 285.76, 0.5%, 0.54%

LAB 49.2, 54.93, -46.02

 

CMYK 14 / 55 / 0 / 16

HEX #B960D7

RGB 185 96 215

HSL 284.87, 0.6%, 0.61%

LAB 55.67, 54.36, -46.47

 

CMYK 14 / 51 / 0 / 8

HEX #CA72EA

RGB 202 114 234

HSL 284, 0.74%, 0.68%

LAB 62.11, 53.67, -46.81

 

CMYK 13 / 48 / 0 / 1

HEX #DB84FD

RGB 219 132 253

HSL 283.14, 0.97%, 0.75%

LAB 68.5, 52.92, -47.07

 

CMYK 7 / 41 / 0 / 0

HEX #EC96FF

RGB 236 150 255

HSL 289.14, 1%, 0.79%

LAB 74.1, 48.83, -39.25

 

CMYK 19 / 61 / 0 / 21

HEX #A34EC9

RGB 163 78 201

HSL 281.46, 0.53%, 0.55%

LAB 48.83, 54.74, -49.55

 

CMYK 20 / 67 / 0 / 29

HEX #923CB6

RGB 146 60 182

HSL 282.3, 0.5%, 0.47%

LAB 42.34, 55.13, -49

 

CMYK 21 / 74 / 0 / 36

HEX #812AA3

RGB 129 42 163

HSL 283.14, 0.59%, 0.4%

LAB 35.92, 55.08, -48.15

 

CMYK 22 / 83 / 0 / 44

HEX #701890

RGB 112 24 144

HSL 284, 0.71%, 0.33%

LAB 29.69, 54.18, -46.76

 

CMYK 24 / 95 / 0 / 51

HEX #5F067D

RGB 95 6 125

HSL 284.87, 0.91%, 0.26%

LAB 23.82, 51.85, -44.54

 

CMYK 19 / 61 / 0 / 21

HEX #A34EC9

RGB 163 78 201

HSL 281.46, 0.53%, 0.55%

LAB 48.83, 54.74, -49.55

 

CMYK 9 / 61 / 0 / 21

HEX #B64FC9

RGB 182 79 201

HSL 290.66, 0.53%, 0.55%

LAB 51.56, 58.9, -45.04

 

CMYK 0 / 61 / 1 / 21

HEX #C94FC7

RGB 201 79 199

HSL 300.98, 0.53%, 0.55%

LAB 54.17, 63.27, -39.59

 

CMYK 0 / 61 / 11 / 21

HEX #C94FB2

RGB 201 79 178

HSL 311.31, 0.53%, 0.55%

LAB 53.19, 59.86, -28.98

 

CMYK 0 / 61 / 21 / 21

HEX #C94F9E

RGB 201 79 158

HSL 321.15, 0.53%, 0.55%

LAB 52.37, 56.9, -18.54

 

CMYK 19 / 61 / 0 / 21

HEX #A34EC9

RGB 163 78 201

HSL 281.46, 0.53%, 0.55%

LAB 48.83, 54.74, -49.55

 

CMYK 19 / 61 / 0 / 1

HEX #CC62FC

RGB 204 98 252

HSL 281.3, 0.96%, 0.69%

LAB 60.43, 65.51, -59.44

 

CMYK 19 / 60 / 0 / 81

HEX #271330

RGB 39 19 48

HSL 281.38, 0.43%, 0.13%

LAB 9.88, 16.67, -15.29

 

CMYK 19 / 62 / 0 / 61

HEX #502663

RGB 80 38 99

HSL 281.31, 0.45%, 0.27%

LAB 23.65, 30.96, -28.18

 

CMYK 19 / 61 / 0 / 41

HEX #7A3A96

RGB 122 58 150

HSL 281.74, 0.44%, 0.41%

LAB 36.68, 43.4, -39.13

 

CMYK 19 / 61 / 0 / 21

HEX #A34EC9

RGB 163 78 201

HSL 281.46, 0.53%, 0.55%

LAB 48.83, 54.74, -49.55

 

CMYK 0 / 61 / 54 / 21

HEX #C94F5D

RGB 201 79 93

HSL 353.11, 0.53%, 0.55%

LAB 50.45, 49.63, 17.46

 

CMYK 61 / 0 / 44 / 21

HEX #4FC971

RGB 79 201 113

HSL 136.72, 0.53%, 0.55%

LAB 72.65, -53.04, 34.06

 

CMYK 19 / 61 / 0 / 21

HEX #A34EC9

RGB 163 78 201

HSL 281.46, 0.53%, 0.55%

LAB 48.83, 54.74, -49.55

 

CMYK 0 / 19 / 61 / 21

HEX #C9A24F

RGB 201 162 79

HSL 40.82, 0.53%, 0.55%

LAB 68.62, 4.94, 47.76

 

CMYK 61 / 0 / 19 / 21

HEX #4FC9A2

RGB 79 201 162

HSL 160.82, 0.53%, 0.55%

LAB 73.57, -43.29, 9.48

 

CMYK 19 / 61 / 0 / 21

HEX #A34EC9

RGB 163 78 201

HSL 281.46, 0.53%, 0.55%

LAB 48.83, 54.74, -49.55

 

CMYK 0 / 61 / 54 / 21

HEX #C94F5D

RGB 201 79 93

HSL 353.11, 0.53%, 0.55%

LAB 50.45, 49.63, 17.46

 

CMYK 42 / 0 / 61 / 21

HEX #75C94F

RGB 117 201 79

HSL 101.31, 0.53%, 0.55%

LAB 73.62, -47.26, 51.84

 

CMYK 61 / 0 / 7 / 21

HEX #4FC9BA

RGB 79 201 186

HSL 172.62, 0.53%, 0.55%

LAB 74.18, -37.37, -2.62

 

CMYK 19 / 61 / 0 / 21

HEX #A34EC9

RGB 163 78 201

HSL 281.46, 0.53%, 0.55%

LAB 48.83, 54.74, -49.55

 

CMYK 0 / 50 / 61 / 21

HEX #C9654F

RGB 201 101 79

HSL 10.82, 0.53%, 0.55%

LAB 54.33, 37.85, 30.7

 

CMYK 42 / 0 / 61 / 21

HEX #75C94F

RGB 117 201 79

HSL 101.31, 0.53%, 0.55%

LAB 73.62, -47.26, 51.84

 

CMYK 61 / 11 / 0 / 21

HEX #4FB2C9

RGB 79 178 201

HSL 191.31, 0.53%, 0.55%

LAB 67.81, -22.02, -20.34

 

Description

Color code: HEX #A34EC9 | qconv.com Color code: HEX #A34EC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 78 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 78 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 61 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 61% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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