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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3348B it is the complementary color #5CCB74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3348B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3348B shade: #A83486, #B94699, #CA58AC, #DB6ABF and #EC7CD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3348B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3348B shade: #A3348B, #922278, #811065, #700052 and #5F003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3348B shade: #A3338B, #A3336D, #A3334F and #A33333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3348B shade: #A3338B, #9D33A3, #7F33A3, #6133A3 and #4333A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3348B shade matches the following richer shades: #A3338B, #B42295 and #C5119E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3348B shade: #A3338B, #914581, #805677, #6F676D and #5D7963

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3348B shade: #7E33A3, #9B33A3, #A3338D, #A3336F and #A33351

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3348B shade: #642055, #832A70, #A3338B, #C23EA5 and #CC5DB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3348B shade: #A3348B, #A36033 and #33A38D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3348B shade: #A3348B, #8DA333 and #338DA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3348B shade: #A3348B, #A36033, #33A34A and #3376A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3348B shade: #A3348B, #A38133, #33A34A and #3355A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 15 / 36

HEX #A3348B

RGB 163 52 139

HSL 312.97, 0.52%, 0.42%

LAB 41.39, 54.89, -24.59

 

Complementary color

CMYK 55 / 0 / 43 / 20

HEX #5CCB74

RGB 92 203 116

HSL 132.97, 0.52%, 0.58%

LAB 73.71, -50.36, 33.98

 

CMYK 0 / 69 / 20 / 34

HEX #A83486

RGB 168 52 134

HSL 317.59, 0.53%, 0.43%

LAB 42, 55.48, -20.51

 

CMYK 0 / 62 / 17 / 27

HEX #B94699

RGB 185 70 153

HSL 316.7, 0.45%, 0.5%

LAB 48.25, 55.53, -22.11

 

CMYK 0 / 56 / 15 / 21

HEX #CA58AC

RGB 202 88 172

HSL 315.79, 0.52%, 0.57%

LAB 54.57, 55.2, -23.36

 

CMYK 0 / 52 / 13 / 14

HEX #DB6ABF

RGB 219 106 191

HSL 314.87, 0.61%, 0.64%

LAB 60.9, 54.67, -24.36

 

CMYK 0 / 47 / 11 / 7

HEX #EC7CD2

RGB 236 124 210

HSL 313.93, 0.75%, 0.71%

LAB 67.2, 54.03, -25.19

 

CMYK 0 / 68 / 15 / 36

HEX #A3348B

RGB 163 52 139

HSL 312.97, 0.52%, 0.42%

LAB 41.39, 54.89, -24.59

 

CMYK 0 / 77 / 18 / 43

HEX #922278

RGB 146 34 120

HSL 313.93, 0.62%, 0.35%

LAB 35.22, 54.22, -22.65

 

CMYK 0 / 88 / 22 / 49

HEX #811065

RGB 129 16 101

HSL 314.87, 0.78%, 0.28%

LAB 29.36, 52.43, -19.92

 

CMYK 0 / 100 / 27 / 56

HEX #700052

RGB 112 0 82

HSL 316.07, 1%, 0.22%

LAB 23.85, 49.22, -16.21

 

CMYK 0 / 100 / 34 / 63

HEX #5F003F

RGB 95 0 63

HSL 320.21, 1%, 0.19%

LAB 19.19, 43.07, -10.69

 

CMYK 0 / 69 / 15 / 36

HEX #A3338B

RGB 163 51 139

HSL 312.86, 0.52%, 0.42%

LAB 41.25, 55.28, -24.81

 

CMYK 0 / 69 / 33 / 36

HEX #A3336D

RGB 163 51 109

HSL 328.93, 0.52%, 0.42%

LAB 40.01, 51.17, -8.16

 

CMYK 0 / 69 / 52 / 36

HEX #A3334F

RGB 163 51 79

HSL 345, 0.52%, 0.42%

LAB 39.1, 48.01, 9.42

 

CMYK 0 / 69 / 69 / 36

HEX #A33333

RGB 163 51 51

HSL 0, 0.52%, 0.42%

LAB 38.54, 46, 26.2

 

CMYK 0 / 69 / 15 / 36

HEX #A3338B

RGB 163 51 139

HSL 312.86, 0.52%, 0.42%

LAB 41.25, 55.28, -24.81

 

CMYK 4 / 69 / 0 / 36

HEX #9D33A3

RGB 157 51 163

HSL 296.79, 0.52%, 0.42%

LAB 41.5, 57.74, -38.97

 

CMYK 22 / 69 / 0 / 36

HEX #7F33A3

RGB 127 51 163

HSL 280.71, 0.52%, 0.42%

LAB 36.97, 50.85, -46.47

 

CMYK 40 / 69 / 0 / 36

HEX #6133A3

RGB 97 51 163

HSL 264.64, 0.52%, 0.42%

LAB 33.03, 44.42, -53.03

 

CMYK 59 / 69 / 0 / 36

HEX #4333A3

RGB 67 51 163

HSL 248.57, 0.52%, 0.42%

LAB 29.92, 38.95, -58.23

 

CMYK 0 / 69 / 15 / 36

HEX #A3338B

RGB 163 51 139

HSL 312.86, 0.52%, 0.42%

LAB 41.25, 55.28, -24.81

 

CMYK 0 / 81 / 17 / 29

HEX #B42295

RGB 180 34 149

HSL 312.74, 0.68%, 0.42%

LAB 42.79, 66.18, -28.26

 

CMYK 0 / 91 / 20 / 23

HEX #C5119E

RGB 197 17 158

HSL 313, 0.84%, 0.42%

LAB 45.28, 74.02, -29.56

 

CMYK 0 / 69 / 15 / 36

HEX #A3338B

RGB 163 51 139

HSL 312.86, 0.52%, 0.42%

LAB 41.25, 55.28, -24.81

 

CMYK 0 / 52 / 11 / 43

HEX #914581

RGB 145 69 129

HSL 312.63, 0.36%, 0.42%

LAB 40.99, 40.23, -19.31

 

CMYK 0 / 33 / 7 / 50

HEX #805677

RGB 128 86 119

HSL 312.86, 0.2%, 0.42%

LAB 42.12, 23.01, -11.68

 

CMYK 0 / 7 / 2 / 56

HEX #6F676D

RGB 111 103 109

HSL 315, 0.04%, 0.42%

LAB 44.5, 4.34, -2.24

 

CMYK 23 / 0 / 18 / 53

HEX #5D7963

RGB 93 121 99

HSL 132.86, 0.13%, 0.42%

LAB 48.14, -14.91, 8.8

 

CMYK 23 / 69 / 0 / 36

HEX #7E33A3

RGB 126 51 163

HSL 280.18, 0.52%, 0.42%

LAB 36.83, 50.63, -46.7

 

CMYK 5 / 69 / 0 / 36

HEX #9B33A3

RGB 155 51 163

HSL 295.71, 0.52%, 0.42%

LAB 41.19, 57.27, -39.5

 

CMYK 0 / 69 / 13 / 36

HEX #A3338D

RGB 163 51 141

HSL 311.79, 0.52%, 0.42%

LAB 41.34, 55.58, -25.88

 

CMYK 0 / 69 / 32 / 36

HEX #A3336F

RGB 163 51 111

HSL 327.86, 0.52%, 0.42%

LAB 40.08, 51.42, -9.3

 

CMYK 0 / 69 / 50 / 36

HEX #A33351

RGB 163 51 81

HSL 343.93, 0.52%, 0.42%

LAB 39.15, 48.19, 8.22

 

CMYK 0 / 68 / 15 / 61

HEX #642055

RGB 100 32 85

HSL 313.24, 0.52%, 0.26%

LAB 24.95, 37.12, -16.69

 

CMYK 0 / 68 / 15 / 49

HEX #832A70

RGB 131 42 112

HSL 312.81, 0.51%, 0.34%

LAB 33.25, 46.09, -20.89

 

CMYK 0 / 69 / 15 / 36

HEX #A3338B

RGB 163 51 139

HSL 312.86, 0.52%, 0.42%

LAB 41.25, 55.28, -24.81

 

CMYK 0 / 68 / 15 / 24

HEX #C23EA5

RGB 194 62 165

HSL 313.18, 0.52%, 0.5%

LAB 49.05, 62.92, -27.89

 

CMYK 0 / 54 / 12 / 20

HEX #CC5DB4

RGB 204 93 180

HSL 312.97, 0.52%, 0.58%

LAB 56.05, 54.71, -25.69

 

CMYK 0 / 68 / 15 / 36

HEX #A3348B

RGB 163 52 139

HSL 312.97, 0.52%, 0.42%

LAB 41.39, 54.89, -24.59

 

CMYK 0 / 41 / 69 / 36

HEX #A36033

RGB 163 96 51

HSL 24.11, 0.52%, 0.42%

LAB 47.48, 23.19, 36.67

 

CMYK 69 / 0 / 13 / 36

HEX #33A38D

RGB 51 163 141

HSL 168.21, 0.52%, 0.42%

LAB 60.62, -36.54, 2.34

 

CMYK 0 / 68 / 15 / 36

HEX #A3348B

RGB 163 52 139

HSL 312.97, 0.52%, 0.42%

LAB 41.39, 54.89, -24.59

 

CMYK 13 / 0 / 69 / 36

HEX #8DA333

RGB 141 163 51

HSL 71.79, 0.52%, 0.42%

LAB 63.42, -23.35, 53.08

 

CMYK 69 / 13 / 0 / 36

HEX #338DA3

RGB 51 141 163

HSL 191.79, 0.52%, 0.42%

LAB 54.45, -19.2, -19.41

 

CMYK 0 / 68 / 15 / 36

HEX #A3348B

RGB 163 52 139

HSL 312.97, 0.52%, 0.42%

LAB 41.39, 54.89, -24.59

 

CMYK 0 / 41 / 69 / 36

HEX #A36033

RGB 163 96 51

HSL 24.11, 0.52%, 0.42%

LAB 47.48, 23.19, 36.67

 

CMYK 69 / 0 / 55 / 36

HEX #33A34A

RGB 51 163 74

HSL 132.32, 0.52%, 0.42%

LAB 59.34, -50.39, 36.92

 

CMYK 69 / 28 / 0 / 36

HEX #3376A3

RGB 51 118 163

HSL 204.11, 0.52%, 0.42%

LAB 47.37, -6.27, -30.35

 

CMYK 0 / 68 / 15 / 36

HEX #A3348B

RGB 163 52 139

HSL 312.97, 0.52%, 0.42%

LAB 41.39, 54.89, -24.59

 

CMYK 0 / 21 / 69 / 36

HEX #A38133

RGB 163 129 51

HSL 41.79, 0.52%, 0.42%

LAB 55.81, 4.51, 45.77

 

CMYK 69 / 0 / 55 / 36

HEX #33A34A

RGB 51 163 74

HSL 132.32, 0.52%, 0.42%

LAB 59.34, -50.39, 36.92

 

CMYK 69 / 48 / 0 / 36

HEX #3355A3

RGB 51 85 163

HSL 221.79, 0.52%, 0.42%

LAB 37.56, 14.43, -45.89

 

Description

Color code: HEX #A3348B | qconv.com Color code: HEX #A3348B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 52 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 52 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 15 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 15% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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