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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2659A it is the complementary color #5D9A65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2659A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A2659A: #A76595, #B877A8, #C989BB, #DA9BCE and #EBADE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2659A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A2659A: #A2659A, #915387, #804174, #6F2F61 and #5E1D4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 5 / 36

HEX #A2659A

RGB 162 101 154

HSL 307.87, 0.25%, 0.52%

LAB 51.06, 32.94, -18.67

 

Complementary color

CMYK 40 / 0 / 34 / 40

HEX #5D9A65

RGB 93 154 101

HSL 127.87, 0.25%, 0.48%

LAB 58.39, -31.32, 21.78

 

CMYK 0 / 40 / 11 / 35

HEX #A76595

RGB 167 101 149

HSL 316.36, 0.27%, 0.53%

LAB 51.49, 33.74, -15.02

 

CMYK 0 / 35 / 9 / 28

HEX #B877A8

RGB 184 119 168

HSL 314.77, 0.31%, 0.59%

LAB 58.24, 32.96, -15.65

 

CMYK 0 / 32 / 7 / 21

HEX #C989BB

RGB 201 137 187

HSL 313.13, 0.37%, 0.66%

LAB 64.88, 32.22, -16.22

 

CMYK 0 / 29 / 6 / 15

HEX #DA9BCE

RGB 218 155 206

HSL 311.43, 0.46%, 0.73%

LAB 71.42, 31.53, -16.74

 

CMYK 0 / 26 / 4 / 8

HEX #EBADE1

RGB 235 173 225

HSL 309.68, 0.61%, 0.8%

LAB 77.87, 30.88, -17.23

 

CMYK 0 / 38 / 5 / 36

HEX #A2659A

RGB 162 101 154

HSL 307.87, 0.25%, 0.52%

LAB 51.06, 32.94, -18.67

 

CMYK 0 / 43 / 7 / 43

HEX #915387

RGB 145 83 135

HSL 309.68, 0.27%, 0.45%

LAB 44.17, 33.74, -18.08

 

CMYK 0 / 49 / 9 / 50

HEX #804174

RGB 128 65 116

HSL 311.43, 0.33%, 0.38%

LAB 37.17, 34.52, -17.37

 

CMYK 0 / 58 / 13 / 56

HEX #6F2F61

RGB 111 47 97

HSL 313.13, 0.41%, 0.31%

LAB 30.1, 35.2, -16.43

 

CMYK 0 / 69 / 17 / 63

HEX #5E1D4E

RGB 94 29 78

HSL 314.77, 0.53%, 0.24%

LAB 23.03, 35.52, -15.07

 

CMYK 0 / 38 / 5 / 36

HEX #A2659A

RGB 162 101 154

HSL 307.87, 0.25%, 0.52%

LAB 51.06, 32.94, -18.67

 

CMYK 0 / 37 / 11 / 36

HEX #A36691

RGB 163 102 145

HSL 317.7, 0.25%, 0.52%

LAB 51.08, 31.1, -13.33

 

CMYK 0 / 37 / 17 / 36

HEX #A36687

RGB 163 102 135

HSL 327.54, 0.25%, 0.52%

LAB 50.73, 29.39, -7.93

 

CMYK 0 / 37 / 23 / 36

HEX #A3667D

RGB 163 102 125

HSL 337.38, 0.25%, 0.52%

LAB 50.42, 27.79, -2.46

 

CMYK 0 / 37 / 29 / 36

HEX #A36673

RGB 163 102 115

HSL 347.21, 0.25%, 0.52%

LAB 50.13, 26.31, 3.07

 

CMYK 0 / 38 / 5 / 36

HEX #A2659A

RGB 162 101 154

HSL 307.87, 0.25%, 0.52%

LAB 51.06, 32.94, -18.67

 

CMYK 0 / 38 / 5 / 16

HEX #D585CA

RGB 213 133 202

HSL 308.25, 0.49%, 0.68%

LAB 65.89, 40.96, -22.97

 

CMYK 0 / 33 / 0 / 96

HEX #090609

RGB 9 6 9

HSL 300, 0.2%, 0.03%

LAB 1.88, 1.2, -0.86

 

CMYK 0 / 38 / 5 / 76

HEX #3C2539

RGB 60 37 57

HSL 307.83, 0.24%, 0.19%

LAB 18.27, 14.78, -8.47

 

CMYK 0 / 38 / 5 / 56

HEX #6F456A

RGB 111 69 106

HSL 307.14, 0.23%, 0.35%

LAB 35.35, 24.4, -14.1

 

CMYK 0 / 38 / 5 / 36

HEX #A2659A

RGB 162 101 154

HSL 307.87, 0.25%, 0.52%

LAB 51.06, 32.94, -18.67

 

CMYK 0 / 26 / 37 / 36

HEX #A37966

RGB 163 121 102

HSL 18.69, 0.25%, 0.52%

LAB 54.47, 13.76, 16.81

 

CMYK 37 / 0 / 11 / 36

HEX #66A391

RGB 102 163 145

HSL 162.3, 0.25%, 0.52%

LAB 62.56, -23.97, 3.13

 

CMYK 0 / 38 / 5 / 36

HEX #A2659A

RGB 162 101 154

HSL 307.87, 0.25%, 0.52%

LAB 51.06, 32.94, -18.67

 

CMYK 4 / 0 / 37 / 36

HEX #9CA366

RGB 156 163 102

HSL 66.89, 0.25%, 0.52%

LAB 65.14, -12.33, 30.87

 

CMYK 37 / 4 / 0 / 36

HEX #669CA3

RGB 102 156 163

HSL 186.89, 0.25%, 0.52%

LAB 61, -15.95, -9.32

 

CMYK 0 / 38 / 5 / 36

HEX #A2659A

RGB 162 101 154

HSL 307.87, 0.25%, 0.52%

LAB 51.06, 32.94, -18.67

 

CMYK 0 / 26 / 37 / 36

HEX #A37966

RGB 163 121 102

HSL 18.69, 0.25%, 0.52%

LAB 54.47, 13.76, 16.81

 

CMYK 37 / 0 / 33 / 36

HEX #66A36D

RGB 102 163 109

HSL 126.89, 0.25%, 0.52%

LAB 61.76, -31.29, 22

 

CMYK 37 / 12 / 0 / 36

HEX #668FA3

RGB 102 143 163

HSL 199.67, 0.25%, 0.52%

LAB 57.19, -8.87, -15.05

 

CMYK 0 / 38 / 5 / 36

HEX #A2659A

RGB 162 101 154

HSL 307.87, 0.25%, 0.52%

LAB 51.06, 32.94, -18.67

 

CMYK 0 / 15 / 37 / 36

HEX #A38B66

RGB 163 139 102

HSL 36.39, 0.25%, 0.52%

LAB 59.17, 3.6, 23.16

 

CMYK 37 / 0 / 33 / 36

HEX #66A36D

RGB 102 163 109

HSL 126.89, 0.25%, 0.52%

LAB 61.76, -31.29, 22

 

CMYK 37 / 23 / 0 / 36

HEX #667DA3

RGB 102 125 163

HSL 217.38, 0.25%, 0.52%

LAB 51.99, 1.45, -22.98

 

Description

Color code: HEX #A2659A | qconv.com Color code: HEX #A2659A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 101 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 101 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 5 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 5% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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