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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A26096 it is the complementary color #5D9F69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A26096. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A26096: #A76091, #B872A4, #C984B7, #DA96CA and #EBA8DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A26096. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A26096: #A26096, #914E83, #803C70, #6F2A5D and #5E184A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 7 / 36

HEX #A26096

RGB 162 96 150

HSL 310.91, 0.26%, 0.51%

LAB 49.8, 34.98, -18.24

 

Complementary color

CMYK 42 / 0 / 34 / 38

HEX #5D9F69

RGB 93 159 105

HSL 130.91, 0.26%, 0.49%

LAB 60.02, -32.96, 21.77

 

CMYK 0 / 43 / 13 / 35

HEX #A76091

RGB 167 96 145

HSL 318.59, 0.29%, 0.52%

LAB 50.25, 35.79, -14.54

 

CMYK 0 / 38 / 11 / 28

HEX #B872A4

RGB 184 114 164

HSL 317.14, 0.33%, 0.58%

LAB 56.98, 35, -15.25

 

CMYK 0 / 34 / 9 / 21

HEX #C984B7

RGB 201 132 183

HSL 315.65, 0.39%, 0.65%

LAB 63.62, 34.24, -15.87

 

CMYK 0 / 31 / 7 / 15

HEX #DA96CA

RGB 218 150 202

HSL 314.12, 0.48%, 0.72%

LAB 70.16, 33.52, -16.43

 

CMYK 0 / 29 / 6 / 8

HEX #EBA8DD

RGB 235 168 221

HSL 312.54, 0.63%, 0.79%

LAB 76.61, 32.84, -16.95

 

CMYK 0 / 41 / 7 / 36

HEX #A26096

RGB 162 96 150

HSL 310.91, 0.26%, 0.51%

LAB 49.8, 34.98, -18.24

 

CMYK 0 / 46 / 10 / 43

HEX #914E83

RGB 145 78 131

HSL 312.54, 0.3%, 0.44%

LAB 42.92, 35.77, -17.57

 

CMYK 0 / 53 / 13 / 50

HEX #803C70

RGB 128 60 112

HSL 314.12, 0.36%, 0.37%

LAB 35.97, 36.51, -16.72

 

CMYK 0 / 62 / 16 / 56

HEX #6F2A5D

RGB 111 42 93

HSL 315.65, 0.45%, 0.3%

LAB 28.97, 37.06, -15.58

 

CMYK 0 / 74 / 21 / 63

HEX #5E184A

RGB 94 24 74

HSL 317.14, 0.59%, 0.23%

LAB 22.04, 37.07, -13.89

 

CMYK 0 / 41 / 7 / 36

HEX #A26096

RGB 162 96 150

HSL 310.91, 0.26%, 0.51%

LAB 49.8, 34.98, -18.24

 

CMYK 0 / 40 / 14 / 36

HEX #A2618C

RGB 162 97 140

HSL 320.31, 0.26%, 0.51%

LAB 49.65, 32.67, -12.54

 

CMYK 0 / 40 / 20 / 36

HEX #A26182

RGB 162 97 130

HSL 329.54, 0.26%, 0.51%

LAB 49.3, 31.01, -7.1

 

CMYK 0 / 40 / 27 / 36

HEX #A26177

RGB 162 97 119

HSL 339.69, 0.26%, 0.51%

LAB 48.96, 29.32, -1.03

 

CMYK 0 / 40 / 33 / 36

HEX #A2616C

RGB 162 97 108

HSL 349.85, 0.26%, 0.51%

LAB 48.65, 27.77, 5.11

 

CMYK 0 / 41 / 7 / 36

HEX #A26096

RGB 162 96 150

HSL 310.91, 0.26%, 0.51%

LAB 49.8, 34.98, -18.24

 

CMYK 0 / 41 / 8 / 16

HEX #D57EC5

RGB 213 126 197

HSL 311.03, 0.51%, 0.66%

LAB 64.24, 43.77, -22.69

 

CMYK 0 / 44 / 11 / 96

HEX #090508

RGB 9 5 8

HSL 315, 0.29%, 0.03%

LAB 1.66, 1.46, -0.77

 

CMYK 0 / 40 / 7 / 76

HEX #3C2438

RGB 60 36 56

HSL 310, 0.25%, 0.19%

LAB 17.95, 15.23, -8.25

 

CMYK 0 / 41 / 7 / 56

HEX #6F4267

RGB 111 66 103

HSL 310.67, 0.25%, 0.35%

LAB 34.51, 25.6, -13.49

NCS® S5030-R40B

CMYK 0 / 41 / 7 / 36

HEX #A26096

RGB 162 96 150

HSL 310.91, 0.26%, 0.51%

LAB 49.8, 34.98, -18.24

 

CMYK 0 / 25 / 40 / 36

HEX #A27961

RGB 162 121 97

HSL 22.15, 0.26%, 0.51%

LAB 54.26, 12.73, 19.38

 

CMYK 40 / 0 / 9 / 36

HEX #61A293

RGB 97 162 147

HSL 166.15, 0.26%, 0.51%

LAB 62.07, -24.42, 1.26

 

CMYK 0 / 41 / 7 / 36

HEX #A26096

RGB 162 96 150

HSL 310.91, 0.26%, 0.51%

LAB 49.8, 34.98, -18.24

 

CMYK 7 / 0 / 40 / 36

HEX #97A261

RGB 151 162 97

HSL 70.15, 0.26%, 0.51%

LAB 64.39, -14.45, 32.48

 

CMYK 40 / 7 / 0 / 36

HEX #6197A2

RGB 97 151 162

HSL 190.15, 0.26%, 0.51%

LAB 59.24, -14.91, -11.42

 

CMYK 0 / 41 / 7 / 36

HEX #A26096

RGB 162 96 150

HSL 310.91, 0.26%, 0.51%

LAB 49.8, 34.98, -18.24

 

CMYK 0 / 25 / 40 / 36

HEX #A27961

RGB 162 121 97

HSL 22.15, 0.26%, 0.51%

LAB 54.26, 12.73, 19.38

 

CMYK 40 / 0 / 33 / 36

HEX #61A26C

RGB 97 162 108

HSL 130.15, 0.26%, 0.51%

LAB 61.19, -32.58, 21.73

 

CMYK 40 / 15 / 0 / 36

HEX #618AA2

RGB 97 138 162

HSL 202.15, 0.26%, 0.51%

LAB 55.41, -7.74, -17.2

 

CMYK 0 / 41 / 7 / 36

HEX #A26096

RGB 162 96 150

HSL 310.91, 0.26%, 0.51%

LAB 49.8, 34.98, -18.24

 

CMYK 0 / 14 / 40 / 36

HEX #A28C61

RGB 162 140 97

HSL 39.69, 0.26%, 0.51%

LAB 59.25, 2.02, 26.03

 

CMYK 40 / 0 / 33 / 36

HEX #61A26C

RGB 97 162 108

HSL 130.15, 0.26%, 0.51%

LAB 61.19, -32.58, 21.73

 

CMYK 40 / 27 / 0 / 36

HEX #6177A2

RGB 97 119 162

HSL 219.69, 0.26%, 0.51%

LAB 49.91, 3.29, -25.64

 

Description

Color code: HEX #A26096 | qconv.com Color code: HEX #A26096 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 96 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 96 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 7 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 7% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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