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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A22A54 it is the complementary color #5DD5AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A22A54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A22A54: #A72A4F, #B83C62, #C94E75, #DA6088 and #EB729B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A22A54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A22A54: #A22A54, #911841, #80062E, #6F001B and #5E0008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 48 / 36

HEX #A22A54

RGB 162 42 84

HSL 339, 0.59%, 0.4%

LAB 37.8, 51.61, 4.37

 

Complementary color

CMYK 56 / 0 / 20 / 16

HEX #5DD5AB

RGB 93 213 171

HSL 159, 0.59%, 0.6%

LAB 77.79, -43.65, 10.72

 

CMYK 0 / 75 / 53 / 35

HEX #A72A4F

RGB 167 42 79

HSL 342.24, 0.6%, 0.41%

LAB 38.61, 52.66, 8.84

 

CMYK 0 / 67 / 47 / 28

HEX #B83C62

RGB 184 60 98

HSL 341.61, 0.51%, 0.48%

LAB 44.67, 52.72, 5.93

 

CMYK 0 / 61 / 42 / 21

HEX #C94E75

RGB 201 78 117

HSL 340.98, 0.53%, 0.55%

LAB 50.86, 52.32, 3.63

 

CMYK 0 / 56 / 38 / 15

HEX #DA6088

RGB 218 96 136

HSL 340.33, 0.62%, 0.62%

LAB 57.12, 51.67, 1.76

 

CMYK 0 / 51 / 34 / 8

HEX #EB729B

RGB 235 114 155

HSL 339.67, 0.75%, 0.68%

LAB 63.4, 50.9, 0.19

 

CMYK 0 / 74 / 48 / 36

HEX #A22A54

RGB 162 42 84

HSL 339, 0.59%, 0.4%

LAB 37.8, 51.61, 4.37

 

CMYK 0 / 83 / 55 / 43

HEX #911841

RGB 145 24 65

HSL 339.67, 0.72%, 0.33%

LAB 31.93, 50.74, 7.91

 

CMYK 0 / 95 / 64 / 50

HEX #80062E

RGB 128 6 46

HSL 340.33, 0.91%, 0.26%

LAB 26.5, 48.55, 12.63

 

CMYK 0 / 100 / 76 / 56

HEX #6F001B

RGB 111 0 27

HSL 345.41, 1%, 0.22%

LAB 21.79, 44.19, 18.89

 

CMYK 0 / 100 / 91 / 63

HEX #5E0008

RGB 94 0 8

HSL 354.89, 1%, 0.18%

LAB 17.45, 38.83, 23.69

 

CMYK 0 / 74 / 48 / 36

HEX #A22A54

RGB 162 42 84

HSL 339, 0.59%, 0.4%

LAB 37.8, 51.61, 4.37

 

CMYK 0 / 75 / 61 / 36

HEX #A2293F

RGB 162 41 63

HSL 349.09, 0.6%, 0.4%

LAB 37.16, 50.28, 16.9

 

CMYK 0 / 75 / 73 / 36

HEX #A2292B

RGB 162 41 43

HSL 359.01, 0.6%, 0.4%

LAB 36.82, 49.14, 28.98

 

CMYK 0 / 64 / 75 / 36

HEX #A23B29

RGB 162 59 41

HSL 8.93, 0.6%, 0.4%

LAB 39.53, 41.61, 33.22

 

CMYK 0 / 51 / 75 / 36

HEX #A24F29

RGB 162 79 41

HSL 18.84, 0.6%, 0.4%

LAB 43.41, 31.57, 37.43

 

CMYK 0 / 74 / 48 / 36

HEX #A22A54

RGB 162 42 84

HSL 339, 0.59%, 0.4%

LAB 37.8, 51.61, 4.37

 

CMYK 0 / 74 / 48 / 16

HEX #D5376E

RGB 213 55 110

HSL 339.11, 0.65%, 0.53%

LAB 49.5, 64.12, 6.18

 

CMYK 0 / 78 / 44 / 96

HEX #090205

RGB 9 2 5

HSL 334.29, 0.64%, 0.02%

LAB 1.02, 2.25, -0.49

 

CMYK 0 / 73 / 48 / 76

HEX #3C101F

RGB 60 16 31

HSL 339.55, 0.58%, 0.15%

LAB 12.16, 23.17, 1.13

 

CMYK 0 / 74 / 48 / 56

HEX #6F1D3A

RGB 111 29 58

HSL 338.78, 0.59%, 0.27%

LAB 25.45, 38.22, 2.45

 

CMYK 0 / 74 / 48 / 36

HEX #A22A54

RGB 162 42 84

HSL 339, 0.59%, 0.4%

LAB 37.8, 51.61, 4.37

 

CMYK 0 / 11 / 75 / 36

HEX #A29029

RGB 162 144 41

HSL 51.07, 0.6%, 0.4%

LAB 59.7, -4.75, 53.86

 

CMYK 75 / 19 / 0 / 36

HEX #2984A2

RGB 41 132 162

HSL 194.88, 0.6%, 0.4%

LAB 51.36, -16.09, -23.59

 

CMYK 0 / 74 / 48 / 36

HEX #A22A54

RGB 162 42 84

HSL 339, 0.59%, 0.4%

LAB 37.8, 51.61, 4.37

 

CMYK 49 / 0 / 75 / 36

HEX #53A229

RGB 83 162 41

HSL 99.17, 0.6%, 0.4%

LAB 59.74, -45.39, 52.1

 

CMYK 75 / 49 / 0 / 36

HEX #2953A2

RGB 41 83 162

HSL 219.17, 0.6%, 0.4%

LAB 36.49, 13.87, -47.04

 

CMYK 0 / 74 / 48 / 36

HEX #A22A54

RGB 162 42 84

HSL 339, 0.59%, 0.4%

LAB 37.8, 51.61, 4.37

 

CMYK 0 / 11 / 75 / 36

HEX #A29029

RGB 162 144 41

HSL 51.07, 0.6%, 0.4%

LAB 59.7, -4.75, 53.86

 

CMYK 75 / 0 / 26 / 36

HEX #29A278

RGB 41 162 120

HSL 159.17, 0.6%, 0.4%

LAB 59.59, -42.86, 12.61

 

CMYK 75 / 64 / 0 / 36

HEX #293BA2

RGB 41 59 162

HSL 231.07, 0.6%, 0.4%

LAB 29.93, 29.92, -57.69

 

CMYK 0 / 74 / 48 / 36

HEX #A22A54

RGB 162 42 84

HSL 339, 0.59%, 0.4%

LAB 37.8, 51.61, 4.37

 

CMYK 11 / 0 / 75 / 36

HEX #90A229

RGB 144 162 41

HSL 68.93, 0.6%, 0.4%

LAB 63.29, -22.15, 56.76

 

CMYK 75 / 0 / 26 / 36

HEX #29A278

RGB 41 162 120

HSL 159.17, 0.6%, 0.4%

LAB 59.59, -42.86, 12.61

 

CMYK 64 / 75 / 0 / 36

HEX #3B29A2

RGB 59 41 162

HSL 248.93, 0.6%, 0.4%

LAB 27.09, 43.17, -62.31

 

Description

Color code: HEX #A22A54 | qconv.com Color code: HEX #A22A54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 42 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 42 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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