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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2231D it is the complementary color #5DDCE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2231D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A2231D: #A72318, #B8352B, #C9473E, #DA5951 and #EB6B64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2231D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A2231D: #A2231D, #91110A, #800000, #6F0000 and #5E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 82 / 36

HEX #A2231D

RGB 162 35 29

HSL 2.71, 0.7%, 0.37%

LAB 35.93, 50.64, 36.2

Complementary color

CMYK 59 / 3 / 0 / 11

HEX #5DDCE2

RGB 93 220 226

HSL 182.71, 0.7%, 0.63%

LAB 81.29, -33.07, -13.49

 

CMYK 0 / 79 / 86 / 35

HEX #A72318

RGB 167 35 24

HSL 4.62, 0.75%, 0.37%

LAB 36.9, 52.05, 40.12

 

CMYK 0 / 71 / 77 / 28

HEX #B8352B

RGB 184 53 43

HSL 4.26, 0.62%, 0.45%

LAB 42.63, 51.83, 36.62

 

CMYK 0 / 65 / 69 / 21

HEX #C9473E

RGB 201 71 62

HSL 3.88, 0.56%, 0.52%

LAB 48.6, 51.08, 33.39

 

CMYK 0 / 59 / 63 / 15

HEX #DA5951

RGB 218 89 81

HSL 3.5, 0.65%, 0.59%

LAB 54.7, 50.08, 30.58

 

CMYK 0 / 54 / 57 / 8

HEX #EB6B64

RGB 235 107 100

HSL 3.11, 0.77%, 0.66%

LAB 60.87, 48.96, 28.17

 

CMYK 0 / 78 / 82 / 36

HEX #A2231D

RGB 162 35 29

HSL 2.71, 0.7%, 0.37%

LAB 35.93, 50.64, 36.2

RAL® 3002

CMYK 0 / 88 / 93 / 43

HEX #91110A

RGB 145 17 10

HSL 3.11, 0.87%, 0.3%

LAB 30.5, 49.92, 39.69

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 100 / 100 / 63

HEX #5E0000

RGB 94 0 0

HSL 0, 1%, 0.18%

LAB 17.37, 38.61, 26.85

 

CMYK 0 / 78 / 82 / 36

HEX #A2231D

RGB 162 35 29

HSL 2.71, 0.7%, 0.37%

LAB 35.93, 50.64, 36.2

RAL® 3002

CMYK 0 / 66 / 83 / 37

HEX #A0361C

RGB 160 54 28

HSL 11.82, 0.7%, 0.37%

LAB 38.19, 42.64, 38.78

 

CMYK 0 / 53 / 83 / 37

HEX #A04C1C

RGB 160 76 28

HSL 21.82, 0.7%, 0.37%

LAB 42.35, 31.81, 42.69

 

CMYK 0 / 39 / 83 / 37

HEX #A0621C

RGB 160 98 28

HSL 31.82, 0.7%, 0.37%

LAB 47.36, 19.65, 47.27

 

CMYK 0 / 25 / 83 / 37

HEX #A0781C

RGB 160 120 28

HSL 41.82, 0.7%, 0.37%

LAB 52.94, 7.14, 52.26

 

CMYK 0 / 78 / 82 / 36

HEX #A2231D

RGB 162 35 29

HSL 2.71, 0.7%, 0.37%

LAB 35.93, 50.64, 36.2

RAL® 3002

CMYK 0 / 78 / 82 / 16

HEX #D52E26

RGB 213 46 38

HSL 2.74, 0.7%, 0.49%

LAB 47.29, 62.91, 45.82

 

CMYK 0 / 78 / 78 / 96

HEX #090202

RGB 9 2 2

HSL 0, 0.64%, 0.02%

LAB 0.96, 1.83, 0.64

 

CMYK 0 / 78 / 82 / 76

HEX #3C0D0B

RGB 60 13 11

HSL 2.45, 0.69%, 0.14%

LAB 11.08, 22.84, 12.63

 

CMYK 0 / 78 / 82 / 56

HEX #6F1814

RGB 111 24 20

HSL 2.64, 0.69%, 0.26%

LAB 23.94, 37.49, 25.89

 

CMYK 0 / 78 / 82 / 36

HEX #A2231D

RGB 162 35 29

HSL 2.71, 0.7%, 0.37%

LAB 35.93, 50.64, 36.2

RAL® 3002

CMYK 19 / 0 / 83 / 37

HEX #81A01C

RGB 129 160 28

HSL 74.09, 0.7%, 0.37%

LAB 61.56, -28.1, 58.83

 

CMYK 83 / 53 / 0 / 37

HEX #1C4CA0

RGB 28 76 160

HSL 218.18, 0.7%, 0.37%

LAB 33.89, 16.27, -50.07

 

CMYK 0 / 78 / 82 / 36

HEX #A2231D

RGB 162 35 29

HSL 2.71, 0.7%, 0.37%

LAB 35.93, 50.64, 36.2

RAL® 3002

CMYK 83 / 0 / 80 / 37

HEX #1CA020

RGB 28 160 32

HSL 121.82, 0.7%, 0.37%

LAB 57.55, -57.39, 52.5

 

CMYK 80 / 83 / 0 / 37

HEX #201CA0

RGB 32 28 160

HSL 241.82, 0.7%, 0.37%

LAB 22.57, 46.83, -68.63

 

CMYK 0 / 78 / 82 / 36

HEX #A2231D

RGB 162 35 29

HSL 2.71, 0.7%, 0.37%

LAB 35.93, 50.64, 36.2

RAL® 3002

CMYK 19 / 0 / 83 / 37

HEX #81A01C

RGB 129 160 28

HSL 74.09, 0.7%, 0.37%

LAB 61.56, -28.1, 58.83

 

CMYK 83 / 3 / 0 / 37

HEX #1C9BA0

RGB 28 155 160

HSL 182.27, 0.7%, 0.37%

LAB 58.25, -30.05, -11.97

 

CMYK 63 / 83 / 0 / 37

HEX #3B1CA0

RGB 59 28 160

HSL 254.09, 0.7%, 0.37%

LAB 24.63, 49.01, -65.14

 

CMYK 0 / 78 / 82 / 36

HEX #A2231D

RGB 162 35 29

HSL 2.71, 0.7%, 0.37%

LAB 35.93, 50.64, 36.2

RAL® 3002

CMYK 44 / 0 / 83 / 37

HEX #59A01C

RGB 89 160 28

HSL 92.27, 0.7%, 0.37%

LAB 59.3, -43.39, 55.95

 

CMYK 83 / 3 / 0 / 37

HEX #1C9BA0

RGB 28 155 160

HSL 182.27, 0.7%, 0.37%

LAB 58.25, -30.05, -11.97

 

CMYK 39 / 83 / 0 / 37

HEX #621CA0

RGB 98 28 160

HSL 271.82, 0.7%, 0.37%

LAB 29.32, 54.05, -57.26

 

Description

Color code: HEX #A2231D | qconv.com Color code: HEX #A2231D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 35 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 35 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 82% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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