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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90A01C it is the complementary color #6F5FE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90A01C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90A01C shade: #95A017, #A6B22A, #B7C43D, #C8D650 and #D9E863

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90A01C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90A01C shade: #90A01C, #7F8E09, #6E7C00, #5D6A00 and #4C5800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90A01C shade: #90A01C, #A08C1C, #A0691C, #A0451C and #A0211C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90A01C shade: #90A01C, #6CA01C, #49A01C, #25A01C and #1CA036

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90A01C shade matches the following richer shades: #90A01C and #9BAF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90A01C shade: #90A01C, #84912B, #79813A, #6D724A and #626359

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90A01C shade: #A0691C, #A08C1C, #90A01C, #6DA01C and #4AA01C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90A01C shade: #515A0F, #707D16, #90A01C, #AFC322 and #C6DB34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90A01C shade: #90A01C, #1CA046 and #7A1CA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90A01C shade: #90A01C, #1C90A0 and #A01C90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90A01C shade: #90A01C, #1CA046, #2B1CA0 and #A01C76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90A01C shade: #90A01C, #1CA06D, #2B1CA0 and #A01C4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

Complementary color

CMYK 51 / 58 / 0 / 11

HEX #6F5FE3

RGB 111 95 227

HSL 247.27, 0.7%, 0.63%

LAB 48.4, 40.69, -65.35

 

CMYK 7 / 0 / 86 / 37

HEX #95A017

RGB 149 160 23

HSL 64.82, 0.75%, 0.36%

LAB 63.01, -19.67, 61.91

 

CMYK 7 / 0 / 76 / 30

HEX #A6B22A

RGB 166 178 42

HSL 65.29, 0.62%, 0.43%

LAB 69.55, -20.69, 62.89

 

CMYK 7 / 0 / 69 / 23

HEX #B7C43D

RGB 183 196 61

HSL 65.78, 0.53%, 0.5%

LAB 76, -21.5, 62.92

 

CMYK 7 / 0 / 63 / 16

HEX #C8D650

RGB 200 214 80

HSL 66.27, 0.62%, 0.58%

LAB 82.35, -22.16, 62.4

 

CMYK 6 / 0 / 57 / 9

HEX #D9E863

RGB 217 232 99

HSL 66.77, 0.74%, 0.65%

LAB 88.62, -22.7, 61.59

 

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

CMYK 11 / 0 / 94 / 44

HEX #7F8E09

RGB 127 142 9

HSL 66.77, 0.88%, 0.3%

LAB 55.97, -20.56, 58.19

 

CMYK 11 / 0 / 100 / 51

HEX #6E7C00

RGB 110 124 0

HSL 66.77, 1%, 0.24%

LAB 49.17, -19.13, 54.01

 

CMYK 12 / 0 / 100 / 58

HEX #5D6A00

RGB 93 106 0

HSL 67.36, 1%, 0.21%

LAB 42.21, -17.5, 48.22

 

CMYK 14 / 0 / 100 / 65

HEX #4C5800

RGB 76 88 0

HSL 68.18, 1%, 0.17%

LAB 35.04, -15.82, 42.25

 

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

CMYK 0 / 13 / 83 / 37

HEX #A08C1C

RGB 160 140 28

HSL 50.91, 0.7%, 0.37%

LAB 58.33, -4, 56.98

 

CMYK 0 / 34 / 83 / 37

HEX #A0691C

RGB 160 105 28

HSL 35, 0.7%, 0.37%

LAB 49.08, 15.67, 48.82

 

CMYK 0 / 57 / 83 / 37

HEX #A0451C

RGB 160 69 28

HSL 18.64, 0.7%, 0.37%

LAB 40.92, 35.46, 41.35

 

CMYK 0 / 79 / 83 / 37

HEX #A0211C

RGB 160 33 28

HSL 2.27, 0.7%, 0.37%

LAB 35.29, 50.61, 35.99

 

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

CMYK 33 / 0 / 83 / 37

HEX #6CA01C

RGB 108 160 28

HSL 83.64, 0.7%, 0.37%

LAB 60.26, -36.54, 57.18

 

CMYK 54 / 0 / 83 / 37

HEX #49A01C

RGB 73 160 28

HSL 99.55, 0.7%, 0.37%

LAB 58.64, -48.39, 55.11

 

CMYK 77 / 0 / 83 / 37

HEX #25A01C

RGB 37 160 28

HSL 115.91, 0.7%, 0.37%

LAB 57.67, -56.4, 53.86

 

CMYK 83 / 0 / 66 / 37

HEX #1CA036

RGB 28 160 54

HSL 131.82, 0.7%, 0.37%

LAB 57.71, -55.45, 44.31

 

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

CMYK 11 / 0 / 93 / 31

HEX #9BAF0D

RGB 155 175 13

HSL 67.41, 0.86%, 0.37%

LAB 67.77, -24.77, 67.79

 

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

CMYK 9 / 0 / 70 / 43

HEX #84912B

RGB 132 145 43

HSL 67.65, 0.54%, 0.37%

LAB 57.4, -18.59, 49.95

 

CMYK 6 / 0 / 55 / 49

HEX #79813A

RGB 121 129 58

HSL 66.76, 0.38%, 0.37%

LAB 51.92, -13.83, 36.95

 

CMYK 4 / 0 / 35 / 55

HEX #6D724A

RGB 109 114 74

HSL 67.5, 0.21%, 0.37%

LAB 46.68, -8.93, 21.57

 

CMYK 1 / 0 / 10 / 61

HEX #626359

RGB 98 99 89

HSL 66, 0.05%, 0.37%

LAB 41.6, -2.39, 5.55

 

CMYK 0 / 34 / 83 / 37

HEX #A0691C

RGB 160 105 28

HSL 35, 0.7%, 0.37%

LAB 49.08, 15.67, 48.82

 

CMYK 0 / 13 / 83 / 37

HEX #A08C1C

RGB 160 140 28

HSL 50.91, 0.7%, 0.37%

LAB 58.33, -4, 56.98

 

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

CMYK 32 / 0 / 83 / 37

HEX #6DA01C

RGB 109 160 28

HSL 83.18, 0.7%, 0.37%

LAB 60.32, -36.15, 57.25

 

CMYK 54 / 0 / 83 / 37

HEX #4AA01C

RGB 74 160 28

HSL 99.09, 0.7%, 0.37%

LAB 58.68, -48.11, 55.16

 

CMYK 10 / 0 / 83 / 65

HEX #515A0F

RGB 81 90 15

HSL 67.2, 0.71%, 0.21%

LAB 36.17, -13.94, 38.7

 

CMYK 10 / 0 / 82 / 51

HEX #707D16

RGB 112 125 22

HSL 67.57, 0.7%, 0.29%

LAB 49.7, -18.13, 49.57

 

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

CMYK 10 / 0 / 83 / 24

HEX #AFC322

RGB 175 195 34

HSL 67.45, 0.7%, 0.45%

LAB 74.99, -25.53, 70.23

 

CMYK 10 / 0 / 76 / 14

HEX #C6DB34

RGB 198 219 52

HSL 67.54, 0.7%, 0.53%

LAB 83.4, -26.87, 73.41

 

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

CMYK 83 / 0 / 56 / 37

HEX #1CA046

RGB 28 160 70

HSL 139.09, 0.7%, 0.37%

LAB 57.88, -53.4, 37.03

 

CMYK 24 / 83 / 0 / 37

HEX #7A1CA0

RGB 122 28 160

HSL 282.73, 0.7%, 0.37%

LAB 32.93, 58, -51.22

 

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

CMYK 83 / 10 / 0 / 37

HEX #1C90A0

RGB 28 144 160

HSL 187.27, 0.7%, 0.37%

LAB 54.79, -24.56, -17.2

 

CMYK 0 / 83 / 10 / 37

HEX #A01C90

RGB 160 28 144

HSL 307.27, 0.7%, 0.37%

LAB 38.41, 62.62, -32.35

 

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

CMYK 83 / 0 / 56 / 37

HEX #1CA046

RGB 28 160 70

HSL 139.09, 0.7%, 0.37%

LAB 57.88, -53.4, 37.03

 

CMYK 73 / 83 / 0 / 37

HEX #2B1CA0

RGB 43 28 160

HSL 246.82, 0.7%, 0.37%

LAB 23.28, 47.58, -67.43

 

CMYK 0 / 83 / 26 / 37

HEX #A01C76

RGB 160 28 118

HSL 319.09, 0.7%, 0.37%

LAB 37.14, 59.06, -18.22

 

CMYK 10 / 0 / 83 / 37

HEX #90A01C

RGB 144 160 28

HSL 67.27, 0.7%, 0.37%

LAB 62.64, -21.69, 60.19

 

CMYK 83 / 0 / 32 / 37

HEX #1CA06D

RGB 28 160 109

HSL 156.82, 0.7%, 0.37%

LAB 58.5, -46.15, 17.18

 

CMYK 73 / 83 / 0 / 37

HEX #2B1CA0

RGB 43 28 160

HSL 246.82, 0.7%, 0.37%

LAB 23.28, 47.58, -67.43

 

CMYK 0 / 83 / 51 / 37

HEX #A01C4E

RGB 160 28 78

HSL 337.27, 0.7%, 0.37%

LAB 35.7, 54.87, 5.17

 

Description

Color code: HEX #90A01C | qconv.com Color code: HEX #90A01C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 160 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 160 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 83 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 83% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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