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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0ADB5 it is the complementary color #5F524A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0ADB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0ADB5 shade: #A5ADB0, #B6BFC3, #C7D1D6, #D8E3E9 and #E9F5FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0ADB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0ADB5 shade: #A0ADB5, #8F9BA2, #7E898F, #6D777C and #5C6569

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0ADB5 shade: #A0ADB4, #A0A7B4, #A0A2B4, #A4A0B4 and #AAA0B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0ADB5 shade: #A0ADB4, #A0A7B4, #A0A2B4 and #A0A0B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0ADB5 shade matches the following richer shades: #A0ADB4, #93B0C2, #85B3D0, #77B6DD and #6ABAEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0ADB5 shade: #A0ADB4, #AEAAA7, #BBA699, #C9A38C and #D7A07E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0ADB5 shade: #A0B4B1, #A0B2B4, #A0ADB4, #A0A8B4 and #A0A2B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0ADB5 shade: #728590, #8999A2, #A0ADB4, #B7C1C7 and #CED5D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0ADB5 shade: #A0ADB5, #ACA0B4 and #B4B4A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0ADB5 shade: #A0ADB5, #B4A0AD and #ADB4A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0ADB5 shade: #A0ADB5, #ACA0B4, #B4A8A0 and #A9B4A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0ADB5 shade: #A0ADB5, #B2A0B4, #B4A8A0 and #A3B4A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 4 / 0 / 29

HEX #A0ADB5

RGB 160 173 181

HSL 202.86, 0.12%, 0.67%

LAB 69.96, -2.9, -5.65

 

Complementary color

CMYK 0 / 14 / 22 / 63

HEX #5F524A

RGB 95 82 74

HSL 22.86, 0.12%, 0.33%

LAB 35.91, 3.91, 6.67

 

CMYK 6 / 2 / 0 / 31

HEX #A5ADB0

RGB 165 173 176

HSL 196.36, 0.07%, 0.67%

LAB 70.19, -2.21, -2.52

 

CMYK 7 / 2 / 0 / 24

HEX #B6BFC3

RGB 182 191 195

HSL 198.46, 0.1%, 0.74%

LAB 76.77, -2.32, -3.09

 

CMYK 7 / 2 / 0 / 16

HEX #C7D1D6

RGB 199 209 214

HSL 200, 0.15%, 0.81%

LAB 83.23, -2.43, -3.65

 

CMYK 7 / 3 / 0 / 9

HEX #D8E3E9

RGB 216 227 233

HSL 201.18, 0.28%, 0.88%

LAB 89.59, -2.53, -4.2

 

CMYK 8 / 3 / 0 / 1

HEX #E9F5FC

RGB 233 245 252

HSL 202.11, 0.76%, 0.95%

LAB 95.85, -2.63, -4.73

 

CMYK 12 / 4 / 0 / 29

HEX #A0ADB5

RGB 160 173 181

HSL 202.86, 0.12%, 0.67%

LAB 69.96, -2.9, -5.65

 

CMYK 12 / 4 / 0 / 36

HEX #8F9BA2

RGB 143 155 162

HSL 202.11, 0.09%, 0.6%

LAB 63.25, -2.81, -5.13

 

CMYK 12 / 4 / 0 / 44

HEX #7E898F

RGB 126 137 143

HSL 201.18, 0.07%, 0.53%

LAB 56.4, -2.72, -4.58

 

CMYK 12 / 4 / 0 / 51

HEX #6D777C

RGB 109 119 124

HSL 200, 0.06%, 0.46%

LAB 49.37, -2.63, -4.02

 

CMYK 12 / 4 / 0 / 59

HEX #5C6569

RGB 92 101 105

HSL 198.46, 0.07%, 0.39%

LAB 42.16, -2.55, -3.44

 

CMYK 11 / 4 / 0 / 29

HEX #A0ADB4

RGB 160 173 180

HSL 201, 0.12%, 0.67%

LAB 69.93, -3.1, -5.15

 

CMYK 11 / 7 / 0 / 29

HEX #A0A7B4

RGB 160 167 180

HSL 219, 0.12%, 0.67%

LAB 68.32, 0.17, -7.54

 

CMYK 11 / 10 / 0 / 29

HEX #A0A2B4

RGB 160 162 180

HSL 234, 0.12%, 0.67%

LAB 66.98, 2.92, -9.53

 

CMYK 9 / 11 / 0 / 29

HEX #A4A0B4

RGB 164 160 180

HSL 252, 0.12%, 0.67%

LAB 66.77, 5.39, -9.81

 

CMYK 6 / 11 / 0 / 29

HEX #AAA0B4

RGB 170 160 180

HSL 270, 0.12%, 0.67%

LAB 67.26, 7.45, -9.02

 

CMYK 11 / 4 / 0 / 29

HEX #A0ADB4

RGB 160 173 180

HSL 201, 0.12%, 0.67%

LAB 69.93, -3.1, -5.15

 

CMYK 11 / 7 / 0 / 29

HEX #A0A7B4

RGB 160 167 180

HSL 219, 0.12%, 0.67%

LAB 68.32, 0.17, -7.54

 

CMYK 11 / 10 / 0 / 29

HEX #A0A2B4

RGB 160 162 180

HSL 234, 0.12%, 0.67%

LAB 66.98, 2.92, -9.53

 

CMYK 11 / 11 / 0 / 29

HEX #A0A0B4

RGB 160 160 180

HSL 240, 0.12%, 0.67%

LAB 66.45, 4.03, -10.32

 

CMYK 11 / 4 / 0 / 29

HEX #A0ADB4

RGB 160 173 180

HSL 201, 0.12%, 0.67%

LAB 69.93, -3.1, -5.15

 

CMYK 24 / 9 / 0 / 24

HEX #93B0C2

RGB 147 176 194

HSL 202.98, 0.28%, 0.67%

LAB 70.28, -5.84, -12.45

 

CMYK 36 / 14 / 0 / 18

HEX #85B3D0

RGB 133 179 208

HSL 203.2, 0.44%, 0.67%

LAB 70.72, -8.12, -19.56

 

CMYK 46 / 18 / 0 / 13

HEX #77B6DD

RGB 119 182 221

HSL 202.94, 0.6%, 0.67%

LAB 71.28, -9.86, -25.88

 

CMYK 55 / 21 / 0 / 8

HEX #6ABAEB

RGB 106 186 235

HSL 202.79, 0.76%, 0.67%

LAB 72.35, -10.87, -31.9

 

CMYK 11 / 4 / 0 / 29

HEX #A0ADB4

RGB 160 173 180

HSL 201, 0.12%, 0.67%

LAB 69.93, -3.1, -5.15

 

CMYK 0 / 2 / 4 / 32

HEX #AEAAA7

RGB 174 170 167

HSL 25.71, 0.04%, 0.67%

LAB 69.85, 0.88, 2.04

 

CMYK 0 / 11 / 18 / 27

HEX #BBA699

RGB 187 166 153

HSL 22.94, 0.2%, 0.67%

LAB 69.57, 5.49, 9.51

 

CMYK 0 / 19 / 30 / 21

HEX #C9A38C

RGB 201 163 140

HSL 22.62, 0.36%, 0.67%

LAB 69.83, 10.64, 17.23

 

CMYK 0 / 26 / 41 / 16

HEX #D7A07E

RGB 215 160 126

HSL 22.92, 0.53%, 0.67%

LAB 70.24, 16.11, 25.68

 

CMYK 11 / 0 / 2 / 29

HEX #A0B4B1

RGB 160 180 177

HSL 171, 0.12%, 0.67%

LAB 71.75, -7.48, -0.82

 

CMYK 11 / 1 / 0 / 29

HEX #A0B2B4

RGB 160 178 180

HSL 186, 0.12%, 0.67%

LAB 71.29, -5.8, -3.15

 

CMYK 11 / 4 / 0 / 29

HEX #A0ADB4

RGB 160 173 180

HSL 201, 0.12%, 0.67%

LAB 69.93, -3.1, -5.15

 

CMYK 11 / 7 / 0 / 29

HEX #A0A8B4

RGB 160 168 180

HSL 216, 0.12%, 0.67%

LAB 68.59, -0.38, -7.14

 

CMYK 11 / 10 / 0 / 29

HEX #A0A2B4

RGB 160 162 180

HSL 234, 0.12%, 0.67%

LAB 66.98, 2.92, -9.53

 

CMYK 21 / 8 / 0 / 44

HEX #728590

RGB 114 133 144

HSL 202, 0.12%, 0.51%

LAB 54.41, -4.33, -8.2

 

CMYK 15 / 6 / 0 / 36

HEX #8999A2

RGB 137 153 162

HSL 201.6, 0.12%, 0.59%

LAB 62.26, -3.74, -6.64

 

CMYK 11 / 4 / 0 / 29

HEX #A0ADB4

RGB 160 173 180

HSL 201, 0.12%, 0.67%

LAB 69.93, -3.1, -5.15

 

CMYK 8 / 3 / 0 / 22

HEX #B7C1C7

RGB 183 193 199

HSL 202.5, 0.13%, 0.75%

LAB 77.48, -2.26, -4.2

 

CMYK 5 / 2 / 0 / 15

HEX #CED5D9

RGB 206 213 217

HSL 201.82, 0.13%, 0.83%

LAB 84.85, -1.61, -2.8

 

CMYK 12 / 4 / 0 / 29

HEX #A0ADB5

RGB 160 173 181

HSL 202.86, 0.12%, 0.67%

LAB 69.96, -2.9, -5.65

 

CMYK 4 / 11 / 0 / 29

HEX #ACA0B4

RGB 172 160 180

HSL 276, 0.12%, 0.67%

LAB 67.43, 8.14, -8.75

 

CMYK 0 / 0 / 11 / 29

HEX #B4B4A0

RGB 180 180 160

HSL 60, 0.12%, 0.67%

LAB 72.82, -3.54, 10.21

 

CMYK 12 / 4 / 0 / 29

HEX #A0ADB5

RGB 160 173 181

HSL 202.86, 0.12%, 0.67%

LAB 69.96, -2.9, -5.65

 

CMYK 0 / 11 / 4 / 29

HEX #B4A0AD

RGB 180 160 173

HSL 321, 0.12%, 0.67%

LAB 67.92, 9.62, -4.06

 

CMYK 4 / 0 / 11 / 29

HEX #ADB4A0

RGB 173 180 160

HSL 81, 0.12%, 0.67%

LAB 72.27, -6.1, 9.36

 

CMYK 12 / 4 / 0 / 29

HEX #A0ADB5

RGB 160 173 181

HSL 202.86, 0.12%, 0.67%

LAB 69.96, -2.9, -5.65

 

CMYK 4 / 11 / 0 / 29

HEX #ACA0B4

RGB 172 160 180

HSL 276, 0.12%, 0.67%

LAB 67.43, 8.14, -8.75

 

CMYK 0 / 7 / 11 / 29

HEX #B4A8A0

RGB 180 168 160

HSL 24, 0.12%, 0.67%

LAB 69.64, 2.93, 5.67

 

CMYK 6 / 0 / 11 / 29

HEX #A9B4A0

RGB 169 180 160

HSL 93, 0.12%, 0.67%

LAB 71.97, -7.55, 8.89

 

CMYK 12 / 4 / 0 / 29

HEX #A0ADB5

RGB 160 173 181

HSL 202.86, 0.12%, 0.67%

LAB 69.96, -2.9, -5.65

 

CMYK 1 / 11 / 0 / 29

HEX #B2A0B4

RGB 178 160 180

HSL 294, 0.12%, 0.67%

LAB 67.95, 10.24, -7.93

 

CMYK 0 / 7 / 11 / 29

HEX #B4A8A0

RGB 180 168 160

HSL 24, 0.12%, 0.67%

LAB 69.64, 2.93, 5.67

 

CMYK 9 / 0 / 11 / 29

HEX #A3B4A0

RGB 163 180 160

HSL 111, 0.12%, 0.67%

LAB 71.53, -9.7, 8.21

 

Description

Color code: HEX #A0ADB5 | qconv.com Color code: HEX #A0ADB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 173 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 173 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 4 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 4% 0% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

100% - How To Do
Link: http://blog.blacktop.io

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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