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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A07178 it is the complementary color #5F8E87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A07178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A07178: #A57173, #B68386, #C79599, #D8A7AC and #E9B9BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A07178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A07178: #A07178, #8F5F65, #7E4D52, #6D3B3F and #5C292C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 25 / 37

HEX #A07178

RGB 160 113 120

HSL 351.06, 0.2%, 0.54%

LAB 52.55, 19.63, 3.57

 

Complementary color

CMYK 33 / 0 / 5 / 44

HEX #5F8E87

RGB 95 142 135

HSL 171.06, 0.2%, 0.46%

LAB 55.61, -17.53, -1.36

 

CMYK 0 / 32 / 30 / 35

HEX #A57173

RGB 165 113 115

HSL 357.69, 0.22%, 0.55%

LAB 53, 20.86, 7.23

 

CMYK 0 / 28 / 26 / 29

HEX #B68386

RGB 182 131 134

HSL 356.47, 0.26%, 0.61%

LAB 59.8, 20.07, 6.18

 

CMYK 0 / 25 / 23 / 22

HEX #C79599

RGB 199 149 153

HSL 355.2, 0.31%, 0.68%

LAB 66.47, 19.37, 5.24

 

CMYK 0 / 23 / 20 / 15

HEX #D8A7AC

RGB 216 167 172

HSL 353.88, 0.39%, 0.75%

LAB 73.03, 18.74, 4.37

 

CMYK 0 / 21 / 18 / 9

HEX #E9B9BF

RGB 233 185 191

HSL 352.5, 0.52%, 0.82%

LAB 79.49, 18.17, 3.57

 

CMYK 0 / 29 / 25 / 37

HEX #A07178

RGB 160 113 120

HSL 351.06, 0.2%, 0.54%

LAB 52.55, 19.63, 3.57

 

CMYK 0 / 34 / 29 / 44

HEX #8F5F65

RGB 143 95 101

HSL 352.5, 0.2%, 0.47%

LAB 45.58, 20.45, 4.6

 

CMYK 0 / 39 / 35 / 51

HEX #7E4D52

RGB 126 77 82

HSL 353.88, 0.24%, 0.4%

LAB 38.47, 21.39, 5.81

 

CMYK 0 / 46 / 42 / 57

HEX #6D3B3F

RGB 109 59 63

HSL 355.2, 0.3%, 0.33%

LAB 31.2, 22.46, 7.27

 

CMYK 0 / 55 / 52 / 64

HEX #5C292C

RGB 92 41 44

HSL 356.47, 0.38%, 0.26%

LAB 23.81, 23.66, 9.16

 

CMYK 0 / 29 / 25 / 37

HEX #A07178

RGB 160 113 120

HSL 351.06, 0.2%, 0.54%

LAB 52.55, 19.63, 3.57

 

CMYK 0 / 29 / 29 / 37

HEX #A17372

RGB 161 115 114

HSL 1.28, 0.2%, 0.54%

LAB 53.01, 17.99, 7.76

 

CMYK 0 / 24 / 29 / 37

HEX #A17A72

RGB 161 122 114

HSL 10.21, 0.2%, 0.54%

LAB 54.77, 13.99, 10.26

 

CMYK 0 / 19 / 29 / 37

HEX #A18272

RGB 161 130 114

HSL 20.43, 0.2%, 0.54%

LAB 56.84, 9.44, 13.15

 

CMYK 0 / 14 / 29 / 37

HEX #A18A72

RGB 161 138 114

HSL 30.64, 0.2%, 0.54%

LAB 58.95, 4.93, 16.08

 

CMYK 0 / 29 / 25 / 37

HEX #A07178

RGB 160 113 120

HSL 351.06, 0.2%, 0.54%

LAB 52.55, 19.63, 3.57

 

CMYK 0 / 29 / 25 / 17

HEX #D3959E

RGB 211 149 158

HSL 351.29, 0.41%, 0.71%

LAB 67.88, 24.59, 4.63

 

CMYK 0 / 29 / 29 / 97

HEX #070505

RGB 7 5 5

HSL 0, 0.17%, 0.02%

LAB 1.49, 0.52, 0.18

 

CMYK 0 / 29 / 24 / 77

HEX #3A292C

RGB 58 41 44

HSL 349.41, 0.17%, 0.19%

LAB 18.66, 8.49, 1.15

 

CMYK 0 / 29 / 25 / 57

HEX #6D4D52

RGB 109 77 82

HSL 350.63, 0.17%, 0.36%

LAB 36.31, 14.33, 2.42

 

CMYK 0 / 29 / 25 / 37

HEX #A07178

RGB 160 113 120

HSL 351.06, 0.2%, 0.54%

LAB 52.55, 19.63, 3.57

 

CMYK 2 / 0 / 29 / 37

HEX #9EA172

RGB 158 161 114

HSL 63.83, 0.2%, 0.54%

LAB 64.94, -8.9, 24.18

 

CMYK 29 / 13 / 0 / 37

HEX #728CA1

RGB 114 140 161

HSL 206.81, 0.2%, 0.54%

LAB 56.98, -4.14, -14.14

 

CMYK 0 / 29 / 25 / 37

HEX #A07178

RGB 160 113 120

HSL 351.06, 0.2%, 0.54%

LAB 52.55, 19.63, 3.57

 

CMYK 25 / 0 / 29 / 37

HEX #79A172

RGB 121 161 114

HSL 111.06, 0.2%, 0.54%

LAB 62.31, -22.99, 20.19

 

CMYK 29 / 25 / 0 / 37

HEX #7279A1

RGB 114 121 161

HSL 231.06, 0.2%, 0.54%

LAB 51.64, 6.88, -22.29

 

CMYK 0 / 29 / 25 / 37

HEX #A07178

RGB 160 113 120

HSL 351.06, 0.2%, 0.54%

LAB 52.55, 19.63, 3.57

 

CMYK 2 / 0 / 29 / 37

HEX #9EA172

RGB 158 161 114

HSL 63.83, 0.2%, 0.54%

LAB 64.94, -8.9, 24.18

 

CMYK 29 / 0 / 4 / 37

HEX #72A19A

RGB 114 161 154

HSL 171.06, 0.2%, 0.54%

LAB 62.84, -17.29, -1.44

 

CMYK 28 / 29 / 0 / 37

HEX #7472A1

RGB 116 114 161

HSL 242.55, 0.2%, 0.54%

LAB 49.88, 11.69, -24.98

 

CMYK 0 / 29 / 25 / 37

HEX #A07178

RGB 160 113 120

HSL 351.06, 0.2%, 0.54%

LAB 52.55, 19.63, 3.57

 

CMYK 11 / 0 / 29 / 37

HEX #90A172

RGB 144 161 114

HSL 81.7, 0.2%, 0.54%

LAB 63.86, -14.41, 22.55

 

CMYK 29 / 0 / 4 / 37

HEX #72A19A

RGB 114 161 154

HSL 171.06, 0.2%, 0.54%

LAB 62.84, -17.29, -1.44

 

CMYK 19 / 29 / 0 / 37

HEX #8272A1

RGB 130 114 161

HSL 260.43, 0.2%, 0.54%

LAB 51.1, 16.17, -23.01

 

Description

Color code: HEX #A07178 | qconv.com Color code: HEX #A07178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 113 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 113 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 25 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 25% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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