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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A02BFBF2 it is the complementary color #5FD404F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A02BFBF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A02BFBF2: #A52BF6F2, #B63DFFF2, #C74FFFF2, #D861FFF2 and #E973FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A02BFBF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A02BFBF2: #A02BFBF2, #8F19E8F2, #7E07D5F2, #6D00C2F2 and #5C00AFF2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 79 / 0 / 1

HEX #A02BFBF2

RGBA 160 43 251 0.95

HSLA 273.75, 0.96%, 0.58%, 0.95

LABA 47.19, 78.24, -80.58, 0.95

 

Complementary color

CMYK 52 / 0 / 93 / 16

HEX #5FD404F2

RGBA 95 212 4 0.95

HSLA 93.75, 0.96%, 0.42%, 0.95

LABA 75.78, -61.78, 73.83, 0.95

 

CMYK 31 / 78 / 0 / 3

HEX #A52BF6F2

RGBA 165 43 246 0.95

HSLA 276.06, 0.92%, 0.57%, 0.95

LABA 47.47, 77.9, -77.29, 0.95

 

CMYK 27 / 72 / 0 / 0

HEX #B63DFFF2

RGBA 182 61 255 0.95

HSLA 277.42, 1%, 0.62%, 0.95

LABA 52.4, 76.75, -74.18, 0.95

 

CMYK 21 / 66 / 0 / 0

HEX #C74FFFF2

RGBA 199 79 255 0.95

HSLA 280.91, 1%, 0.65%, 0.95

LABA 57.03, 73.17, -66.58, 0.95

 

CMYK 15 / 59 / 0 / 0

HEX #D861FFF2

RGBA 216 97 255 0.95

HSLA 285.19, 1%, 0.69%, 0.95

LABA 61.97, 69.27, -58.54, 0.95

 

CMYK 8 / 52 / 0 / 0

HEX #E973FFF2

RGBA 233 115 255 0.95

HSLA 290.57, 1%, 0.73%, 0.95

LABA 67.13, 65.25, -50.21, 0.95

 

CMYK 34 / 79 / 0 / 1

HEX #A02BFBF2

RGBA 160 43 251 0.95

HSLA 273.75, 0.96%, 0.58%, 0.95

LABA 47.19, 78.24, -80.58, 0.95

 

CMYK 36 / 85 / 0 / 9

HEX #8F19E8F2

RGBA 143 25 232 0.95

HSLA 274.2, 0.82%, 0.5%, 0.95

LABA 41.78, 76.5, -78.82, 0.95

 

CMYK 39 / 92 / 0 / 16

HEX #7E07D5F2

RGBA 126 7 213 0.95

HSLA 274.66, 0.94%, 0.43%, 0.95

LABA 36.73, 73.5, -76.34, 0.95

 

CMYK 42 / 95 / 0 / 23

HEX #6D00C2F2

RGBA 109 0 194 0.95

HSLA 273.71, 1%, 0.38%, 0.95

LABA 32.14, 68.84, -72.91, 0.95

 

CMYK 45 / 95 / 0 / 30

HEX #5C00AFF2

RGBA 92 0 175 0.95

HSLA 271.54, 1%, 0.34%, 0.95

LABA 27.77, 63.24, -68.91, 0.95

 

CMYK 34 / 79 / 0 / 1

HEX #A02BFBF2

RGBA 160 43 251 0.95

HSLA 273.75, 0.96%, 0.58%, 0.95

LABA 47.19, 78.24, -80.58, 0.95

 

CMYK 22 / 78 / 0 / 2

HEX #C02DFAF2

RGBA 192 45 250 0.95

HSLA 283.02, 0.95%, 0.58%, 0.95

LABA 51.82, 82.15, -72.28, 0.95

 

CMYK 9 / 78 / 0 / 2

HEX #E22DFAF2

RGBA 226 45 250 0.95

HSLA 292.98, 0.95%, 0.58%, 0.95

LABA 57.02, 87.67, -63.61, 0.95

 

CMYK 0 / 78 / 4 / 2

HEX #FA2DF0F2

RGBA 250 45 240 0.95

HSLA 302.93, 0.95%, 0.58%, 0.95

LABA 60.33, 90.38, -52.54, 0.95

 

CMYK 0 / 78 / 17 / 2

HEX #FA2DCEF2

RGBA 250 45 206 0.95

HSLA 312.88, 0.95%, 0.58%, 0.95

LABA 58.66, 85.84, -36, 0.95

 

CMYK 34 / 79 / 0 / 1

HEX #A02BFBF2

RGBA 160 43 251 0.95

HSLA 273.75, 0.96%, 0.58%, 0.95

LABA 47.19, 78.24, -80.58, 0.95

 

CMYK 34 / 79 / 0 / 77

HEX #1E082FF2

RGBA 30 8 47 0.95

HSLA 273.85, 0.71%, 0.11%, 0.95

LABA 5.92, 19.83, -20.94, 0.95

 

CMYK 35 / 79 / 0 / 58

HEX #3E1162F2

RGBA 62 17 98 0.95

HSLA 273.33, 0.7%, 0.23%, 0.95

LABA 17.02, 37.08, -38.34, 0.95

 

CMYK 34 / 78 / 0 / 39

HEX #5F1A95F2

RGBA 95 26 149 0.95

HSLA 273.66, 0.7%, 0.34%, 0.95

LABA 27.69, 51.71, -53.23, 0.95

 

CMYK 35 / 79 / 0 / 20

HEX #7F22C8F2

RGBA 127 34 200 0.95

HSLA 273.61, 0.71%, 0.46%, 0.95

LABA 37.53, 65.42, -67.47, 0.95

 

CMYK 34 / 79 / 0 / 1

HEX #A02BFBF2

RGBA 160 43 251 0.95

HSLA 273.75, 0.96%, 0.58%, 0.95

LABA 47.19, 78.24, -80.58, 0.95

 

CMYK 0 / 78 / 59 / 2

HEX #FA2D60F2

RGBA 250 45 96 0.95

HSLA 345.07, 0.95%, 0.58%, 0.95

LABA 55.12, 75.72, 23.44, 0.95

 

CMYK 78 / 0 / 67 / 2

HEX #2DFA4BF2

RGBA 45 250 75 0.95

HSLA 128.78, 0.95%, 0.58%, 0.95

LABA 86.72, -79.2, 67.07, 0.95

 

CMYK 34 / 79 / 0 / 1

HEX #A02BFBF2

RGBA 160 43 251 0.95

HSLA 273.75, 0.96%, 0.58%, 0.95

LABA 47.19, 78.24, -80.58, 0.95

 

CMYK 0 / 35 / 78 / 2

HEX #FA9E2DF2

RGBA 250 158 45 0.95

HSLA 33.07, 0.95%, 0.58%, 0.95

LABA 72.87, 26.2, 68.03, 0.95

 

CMYK 78 / 0 / 35 / 2

HEX #2DFA9EF2

RGBA 45 250 158 0.95

HSLA 153.07, 0.95%, 0.58%, 0.95

LABA 87.68, -67.75, 30.95, 0.95

 

CMYK 34 / 79 / 0 / 1

HEX #A02BFBF2

RGBA 160 43 251 0.95

HSLA 273.75, 0.96%, 0.58%, 0.95

LABA 47.19, 78.24, -80.58, 0.95

 

CMYK 0 / 78 / 59 / 2

HEX #FA2D60F2

RGBA 250 45 96 0.95

HSLA 345.07, 0.95%, 0.58%, 0.95

LABA 55.12, 75.72, 23.44, 0.95

 

CMYK 43 / 0 / 78 / 2

HEX #89FA2DF2

RGBA 137 250 45 0.95

HSLA 93.07, 0.95%, 0.58%, 0.95

LABA 88.87, -62.38, 78.97, 0.95

 

CMYK 78 / 0 / 19 / 2

HEX #2DFAC7F2

RGBA 45 250 199 0.95

HSLA 165.07, 0.95%, 0.58%, 0.95

LABA 88.47, -58.96, 11.09, 0.95

 

CMYK 34 / 79 / 0 / 1

HEX #A02BFBF2

RGBA 160 43 251 0.95

HSLA 273.75, 0.96%, 0.58%, 0.95

LABA 47.19, 78.24, -80.58, 0.95

 

CMYK 0 / 74 / 78 / 2

HEX #FA372DF2

RGBA 250 55 45 0.95

HSLA 2.93, 0.95%, 0.58%, 0.95

LABA 55.32, 71.17, 52.35, 0.95

 

CMYK 43 / 0 / 78 / 2

HEX #89FA2DF2

RGBA 137 250 45 0.95

HSLA 93.07, 0.95%, 0.58%, 0.95

LABA 88.87, -62.38, 78.97, 0.95

 

CMYK 78 / 4 / 0 / 2

HEX #2DF0FAF2

RGBA 45 240 250 0.95

HSLA 182.93, 0.95%, 0.58%, 0.95

LABA 86.89, -41.22, -17.85, 0.95

 

Description

Color code: HEX #A02BFBF2 | qconv.com Color code: HEX #A02BFBF2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 43 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 43 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 79 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 79% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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NCS® to PANTONE®

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