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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A01E93 it is the complementary color #5FE16C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A01E93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A01E93: #A51E8E, #B630A1, #C742B4, #D854C7 and #E966DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A01E93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A01E93: #A01E93, #8F0C80, #7E006D, #6D005A and #5C0047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 8 / 37

HEX #A01E93

RGB 160 30 147

HSL 306, 0.68%, 0.37%

LAB 38.74, 62.57, -33.65

 

Complementary color

CMYK 58 / 0 / 52 / 12

HEX #5FE16C

RGB 95 225 108

HSL 126, 0.68%, 0.63%

LAB 80.39, -59.3, 46.3

 

CMYK 0 / 82 / 14 / 35

HEX #A51E8E

RGB 165 30 142

HSL 310.22, 0.69%, 0.38%

LAB 39.38, 62.91, -29.53

 

CMYK 0 / 74 / 12 / 29

HEX #B630A1

RGB 182 48 161

HSL 309.4, 0.58%, 0.45%

LAB 45.13, 64.32, -31.78

 

CMYK 0 / 67 / 10 / 22

HEX #C742B4

RGB 199 66 180

HSL 308.57, 0.54%, 0.52%

LAB 51.08, 64.91, -33.48

 

CMYK 0 / 61 / 8 / 15

HEX #D854C7

RGB 216 84 199

HSL 307.73, 0.63%, 0.59%

LAB 57.14, 64.98, -34.78

 

CMYK 0 / 56 / 6 / 9

HEX #E966DA

RGB 233 102 218

HSL 306.87, 0.75%, 0.66%

LAB 63.25, 64.73, -35.81

 

CMYK 0 / 81 / 8 / 37

HEX #A01E93

RGB 160 30 147

HSL 306, 0.68%, 0.37%

LAB 38.74, 62.57, -33.65

 

CMYK 0 / 92 / 10 / 44

HEX #8F0C80

RGB 143 12 128

HSL 306.87, 0.85%, 0.3%

LAB 33.27, 59.96, -30.78

 

CMYK 0 / 100 / 13 / 51

HEX #7E006D

RGB 126 0 109

HSL 308.1, 1%, 0.25%

LAB 28.22, 55.72, -26.91

 

CMYK 0 / 100 / 17 / 57

HEX #6D005A

RGB 109 0 90

HSL 310.46, 1%, 0.21%

LAB 23.64, 49.66, -21.94

 

CMYK 0 / 100 / 23 / 64

HEX #5C0047

RGB 92 0 71

HSL 313.7, 1%, 0.18%

LAB 18.93, 43.43, -16.7

 

CMYK 0 / 81 / 8 / 37

HEX #A01E93

RGB 160 30 147

HSL 306, 0.68%, 0.37%

LAB 38.74, 62.57, -33.65

 

CMYK 0 / 81 / 22 / 38

HEX #9E1E7C

RGB 158 30 124

HSL 315.94, 0.68%, 0.37%

LAB 37.21, 58.84, -21.89

 

CMYK 0 / 81 / 35 / 38

HEX #9E1E66

RGB 158 30 102

HSL 326.25, 0.68%, 0.37%

LAB 36.28, 56.14, -9.44

 

CMYK 0 / 81 / 49 / 38

HEX #9E1E51

RGB 158 30 81

HSL 336.09, 0.68%, 0.37%

LAB 35.58, 54.04, 3

 

CMYK 0 / 81 / 62 / 38

HEX #9E1E3C

RGB 158 30 60

HSL 345.94, 0.68%, 0.37%

LAB 35.05, 52.42, 15.88

 

CMYK 0 / 81 / 8 / 37

HEX #A01E93

RGB 160 30 147

HSL 306, 0.68%, 0.37%

LAB 38.74, 62.57, -33.65

 

CMYK 0 / 81 / 8 / 17

HEX #D328C2

RGB 211 40 194

HSL 305.96, 0.68%, 0.49%

LAB 50.99, 77.51, -41.61

 

CMYK 0 / 86 / 14 / 97

HEX #070106

RGB 7 1 6

HSL 310, 0.75%, 0.02%

LAB 0.72, 2.26, -1.34

 

CMYK 0 / 81 / 9 / 77

HEX #3A0B35

RGB 58 11 53

HSL 306.38, 0.68%, 0.14%

LAB 11.93, 28.45, -15.47

 

CMYK 0 / 82 / 8 / 57

HEX #6D1464

RGB 109 20 100

HSL 306.07, 0.69%, 0.25%

LAB 25.78, 46.61, -25.15

 

CMYK 0 / 81 / 8 / 37

HEX #A01E93

RGB 160 30 147

HSL 306, 0.68%, 0.37%

LAB 38.74, 62.57, -33.65

 

CMYK 0 / 57 / 81 / 38

HEX #9E441E

RGB 158 68 30

HSL 17.81, 0.68%, 0.37%

LAB 40.41, 35.24, 39.78

 

CMYK 81 / 0 / 24 / 38

HEX #1E9E78

RGB 30 158 120

HSL 162.19, 0.68%, 0.37%

LAB 58.12, -42.52, 10.51

 

CMYK 0 / 81 / 8 / 37

HEX #A01E93

RGB 160 30 147

HSL 306, 0.68%, 0.37%

LAB 38.74, 62.57, -33.65

 

CMYK 8 / 0 / 81 / 38

HEX #919E1E

RGB 145 158 30

HSL 66.09, 0.68%, 0.37%

LAB 62.14, -20.18, 59.23

 

CMYK 81 / 8 / 0 / 38

HEX #1E919E

RGB 30 145 158

HSL 186.09, 0.68%, 0.37%

LAB 55.07, -25.54, -15.64

 

CMYK 0 / 81 / 8 / 37

HEX #A01E93

RGB 160 30 147

HSL 306, 0.68%, 0.37%

LAB 38.74, 62.57, -33.65

 

CMYK 0 / 57 / 81 / 38

HEX #9E441E

RGB 158 68 30

HSL 17.81, 0.68%, 0.37%

LAB 40.41, 35.24, 39.78

 

CMYK 81 / 0 / 73 / 38

HEX #1E9E2B

RGB 30 158 43

HSL 126.09, 0.68%, 0.37%

LAB 56.98, -55.66, 48.08

 

CMYK 81 / 24 / 0 / 38

HEX #1E789E

RGB 30 120 158

HSL 197.81, 0.68%, 0.37%

LAB 47.21, -12.06, -27.72

 

CMYK 0 / 81 / 8 / 37

HEX #A01E93

RGB 160 30 147

HSL 306, 0.68%, 0.37%

LAB 38.74, 62.57, -33.65

 

CMYK 0 / 32 / 81 / 38

HEX #9E6B1E

RGB 158 107 30

HSL 36.09, 0.68%, 0.37%

LAB 49.35, 13.69, 48.2

 

CMYK 81 / 0 / 73 / 38

HEX #1E9E2B

RGB 30 158 43

HSL 126.09, 0.68%, 0.37%

LAB 56.98, -55.66, 48.08

 

CMYK 81 / 49 / 0 / 38

HEX #1E519E

RGB 30 81 158

HSL 216.09, 0.68%, 0.37%

LAB 35.26, 12.3, -46.64

 

Description

Color code: HEX #A01E93 | qconv.com Color code: HEX #A01E93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 30 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 30 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 8 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 8% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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