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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FEEFD it is the complementary color #601102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FEEFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9FEEFD: #A4EEF8, #B5FFFF, #C6FFFF, #D7FFFF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FEEFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9FEEFD: #9FEEFD, #8EDCEA, #7DCAD7, #6CB8C4 and #5BA6B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 6 / 0 / 1

HEX #9FEEFD

RGB 159 238 253

HSL 189.57, 0.96%, 0.81%

LAB 89.68, -20.48, -14.9

 

Complementary color

CMYK 0 / 82 / 98 / 62

HEX #601102

RGB 96 17 2

HSL 9.57, 0.96%, 0.19%

LAB 19.61, 34.31, 28.79

 

CMYK 34 / 4 / 0 / 3

HEX #A4EEF8

RGB 164 238 248

HSL 187.14, 0.86%, 0.81%

LAB 89.78, -20.37, -12.12

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 37 / 6 / 0 / 1

HEX #9FEEFD

RGB 159 238 253

HSL 189.57, 0.96%, 0.81%

LAB 89.68, -20.48, -14.9

 

CMYK 39 / 6 / 0 / 8

HEX #8EDCEA

RGB 142 220 234

HSL 189.13, 0.69%, 0.74%

LAB 83.38, -20.47, -14.43

 

CMYK 42 / 6 / 0 / 16

HEX #7DCAD7

RGB 125 202 215

HSL 188.67, 0.53%, 0.67%

LAB 76.99, -20.43, -13.94

 

CMYK 45 / 6 / 0 / 23

HEX #6CB8C4

RGB 108 184 196

HSL 188.18, 0.43%, 0.6%

LAB 70.49, -20.37, -13.44

 

CMYK 49 / 6 / 0 / 31

HEX #5BA6B1

RGB 91 166 177

HSL 187.67, 0.36%, 0.53%

LAB 63.89, -20.27, -12.9

 

CMYK 37 / 6 / 0 / 1

HEX #9FEEFD

RGB 159 238 253

HSL 189.57, 0.96%, 0.81%

LAB 89.68, -20.48, -14.9

 

CMYK 37 / 12 / 0 / 1

HEX #A0DFFD

RGB 160 223 253

HSL 199.35, 0.96%, 0.81%

LAB 85.68, -12.67, -20.92

 

CMYK 37 / 18 / 0 / 1

HEX #A0D0FD

RGB 160 208 253

HSL 209.03, 0.96%, 0.81%

LAB 81.66, -4.85, -27.03

 

CMYK 37 / 24 / 0 / 1

HEX #A0C0FD

RGB 160 192 253

HSL 219.35, 0.96%, 0.81%

LAB 77.44, 3.75, -33.51

 

CMYK 37 / 30 / 0 / 1

HEX #A0B1FD

RGB 160 177 253

HSL 229.03, 0.96%, 0.81%

LAB 73.55, 12.03, -39.54

 

CMYK 37 / 6 / 0 / 1

HEX #9FEEFD

RGB 159 238 253

HSL 189.57, 0.96%, 0.81%

LAB 89.68, -20.48, -14.9

 

CMYK 37 / 6 / 0 / 81

HEX #1F2E31

RGB 31 46 49

HSL 190, 0.23%, 0.16%

LAB 17.77, -5.33, -3.95

 

CMYK 37 / 6 / 0 / 61

HEX #3F5E64

RGB 63 94 100

HSL 189.73, 0.23%, 0.32%

LAB 37.81, -9.64, -7.06

 

CMYK 37 / 6 / 0 / 41

HEX #5F8E97

RGB 95 142 151

HSL 189.64, 0.23%, 0.48%

LAB 56.1, -13.49, -9.84

 

CMYK 37 / 6 / 0 / 21

HEX #7FBECA

RGB 127 190 202

HSL 189.6, 0.41%, 0.65%

LAB 73.29, -17.08, -12.44

 

CMYK 37 / 6 / 0 / 1

HEX #9FEEFD

RGB 159 238 253

HSL 189.57, 0.96%, 0.81%

LAB 89.68, -20.48, -14.9

 

CMYK 24 / 37 / 0 / 1

HEX #C0A0FD

RGB 192 160 253

HSL 260.65, 0.96%, 0.81%

LAB 71.85, 30.37, -42.01

 

CMYK 0 / 9 / 37 / 1

HEX #FDE5A0

RGB 253 229 160

HSL 44.52, 0.96%, 0.81%

LAB 91.44, -1.33, 36.66

 

CMYK 37 / 6 / 0 / 1

HEX #9FEEFD

RGB 159 238 253

HSL 189.57, 0.96%, 0.81%

LAB 89.68, -20.48, -14.9

 

CMYK 0 / 37 / 6 / 1

HEX #FDA0EF

RGB 253 160 239

HSL 309.03, 0.96%, 0.81%

LAB 77.43, 45.9, -25.29

 

CMYK 6 / 0 / 37 / 1

HEX #EFFDA0

RGB 239 253 160

HSL 69.03, 0.96%, 0.81%

LAB 96.47, -18.53, 42.99

 

CMYK 37 / 6 / 0 / 1

HEX #9FEEFD

RGB 159 238 253

HSL 189.57, 0.96%, 0.81%

LAB 89.68, -20.48, -14.9

 

CMYK 24 / 37 / 0 / 1

HEX #C0A0FD

RGB 192 160 253

HSL 260.65, 0.96%, 0.81%

LAB 71.85, 30.37, -42.01

 

CMYK 0 / 32 / 37 / 1

HEX #FDADA0

RGB 253 173 160

HSL 8.39, 0.96%, 0.81%

LAB 78.06, 27.74, 18.58

 

CMYK 13 / 0 / 37 / 1

HEX #DCFDA0

RGB 220 253 160

HSL 81.29, 0.96%, 0.81%

LAB 95.16, -25.51, 41.04

 

CMYK 37 / 6 / 0 / 1

HEX #9FEEFD

RGB 159 238 253

HSL 189.57, 0.96%, 0.81%

LAB 89.68, -20.48, -14.9

 

CMYK 13 / 37 / 0 / 1

HEX #DCA0FD

RGB 220 160 253

HSL 278.71, 0.96%, 0.81%

LAB 74.48, 38.49, -37.72

 

CMYK 0 / 32 / 37 / 1

HEX #FDADA0

RGB 253 173 160

HSL 8.39, 0.96%, 0.81%

LAB 78.06, 27.74, 18.58

 

CMYK 24 / 0 / 37 / 1

HEX #C0FDA0

RGB 192 253 160

HSL 99.35, 0.96%, 0.81%

LAB 93.45, -35.33, 38.48

 

Description

Color code: HEX #9FEEFD | qconv.com Color code: HEX #9FEEFD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 238 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 238 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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