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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FE720 it is the complementary color #6018DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FE720. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FE720 shade: #A4E71B, #B5F92E, #C6FF41, #D7FF54 and #E8FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FE720. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FE720 shade: #9FE720, #8ED50D, #7DC300, #6CB100 and #5B9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FE720 shade: #A0E821, #D5E821, #E8C521, #E88F21 and #E85A21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FE720 shade: #A0E821, #6BE821, #35E821, #21E843 and #21E879

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FE720 shade matches the following richer shades: #A0E821 and #A5FC0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FE720 shade: #A0E821, #9BD435, #95C049, #90AC5D and #8A9971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FE720 shade: #E8C321, #D7E821, #A2E821, #6DE821 and #39E821

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FE720 shade: #70A511, #89CB15, #A0E821, #B0EC47 and #C0F06C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FE720 shade: #9FE720, #21E88F and #DE21E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FE720 shade: #9FE720, #21A2E8 and #E821A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FE720 shade: #9FE720, #21E88F, #6721E8 and #E8217B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FE720 shade: #9FE720, #21E8CA, #6721E8 and #E8213F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 86 / 9

HEX #9FE720

RGB 159 231 32

HSL 81.71, 0.81%, 0.52%

LAB 84.29, -48.05, 78.19

 

Complementary color

CMYK 57 / 89 / 0 / 13

HEX #6018DF

RGB 96 24 223

HSL 261.71, 0.81%, 0.48%

LAB 34.94, 70.05, -85.18

 

CMYK 29 / 0 / 88 / 9

HEX #A4E71B

RGB 164 231 27

HSL 79.71, 0.81%, 0.51%

LAB 84.55, -46.36, 79.42

 

CMYK 27 / 0 / 82 / 2

HEX #B5F92E

RGB 181 249 46

HSL 80.1, 0.94%, 0.58%

LAB 90.68, -47.17, 81.14

 

CMYK 22 / 0 / 75 / 0

HEX #C6FF41

RGB 198 255 65

HSL 78, 1%, 0.63%

LAB 93.41, -42.67, 78.8

 

CMYK 16 / 0 / 67 / 0

HEX #D7FF54

RGB 215 255 84

HSL 74.04, 1%, 0.66%

LAB 94.57, -35.22, 73.89

 

CMYK 9 / 0 / 60 / 0

HEX #E8FF67

RGB 232 255 103

HSL 69.08, 1%, 0.7%

LAB 95.85, -27.42, 68.19

 

CMYK 31 / 0 / 86 / 9

HEX #9FE720

RGB 159 231 32

HSL 81.71, 0.81%, 0.52%

LAB 84.29, -48.05, 78.19

 

CMYK 33 / 0 / 94 / 16

HEX #8ED50D

RGB 142 213 13

HSL 81.3, 0.88%, 0.44%

LAB 78.09, -47.11, 75.64

 

CMYK 36 / 0 / 100 / 24

HEX #7DC300

RGB 125 195 0

HSL 81.54, 1%, 0.38%

LAB 71.82, -45.95, 71.67

 

CMYK 39 / 0 / 100 / 31

HEX #6CB100

RGB 108 177 0

HSL 83.39, 1%, 0.35%

LAB 65.46, -44.57, 66.38

 

CMYK 43 / 0 / 100 / 38

HEX #5B9F00

RGB 91 159 0

HSL 85.66, 1%, 0.31%

LAB 58.99, -43.13, 61.01

 

CMYK 31 / 0 / 86 / 9

HEX #A0E821

RGB 160 232 33

HSL 81.71, 0.81%, 0.52%

LAB 84.64, -48.08, 78.31

 

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

CMYK 0 / 15 / 86 / 9

HEX #E8C521

RGB 232 197 33

HSL 49.45, 0.81%, 0.52%

LAB 80.29, -2.16, 76.82

 

CMYK 0 / 38 / 86 / 9

HEX #E88F21

RGB 232 143 33

HSL 33.17, 0.81%, 0.52%

LAB 67.21, 26.29, 66.2

 

CMYK 0 / 61 / 86 / 9

HEX #E85A21

RGB 232 90 33

HSL 17.19, 0.81%, 0.52%

LAB 56.66, 52.57, 57.59

 

CMYK 31 / 0 / 86 / 9

HEX #A0E821

RGB 160 232 33

HSL 81.71, 0.81%, 0.52%

LAB 84.64, -48.08, 78.31

 

CMYK 54 / 0 / 86 / 9

HEX #6BE821

RGB 107 232 33

HSL 97.69, 0.81%, 0.52%

LAB 82.35, -64.88, 75.45

 

CMYK 77 / 0 / 86 / 9

HEX #35E821

RGB 53 232 33

HSL 113.97, 0.81%, 0.52%

LAB 81.06, -75.68, 73.82

 

CMYK 86 / 0 / 71 / 9

HEX #21E843

RGB 33 232 67

HSL 130.25, 0.81%, 0.52%

LAB 80.98, -75.73, 63.96

 

CMYK 86 / 0 / 48 / 9

HEX #21E879

RGB 33 232 121

HSL 146.53, 0.81%, 0.52%

LAB 81.52, -69.16, 41.23

 

CMYK 31 / 0 / 86 / 9

HEX #A0E821

RGB 160 232 33

HSL 81.71, 0.81%, 0.52%

LAB 84.64, -48.08, 78.31

 

CMYK 35 / 0 / 94 / 1

HEX #A5FC0E

RGB 165 252 14

HSL 81.93, 0.98%, 0.52%

LAB 90.62, -54.85, 85.99

 

CMYK 31 / 0 / 86 / 9

HEX #A0E821

RGB 160 232 33

HSL 81.71, 0.81%, 0.52%

LAB 84.64, -48.08, 78.31

 

CMYK 27 / 0 / 75 / 17

HEX #9BD435

RGB 155 212 53

HSL 81.51, 0.65%, 0.52%

LAB 78.64, -40.56, 67.65

 

CMYK 22 / 0 / 62 / 25

HEX #95C049

RGB 149 192 73

HSL 81.68, 0.49%, 0.52%

LAB 72.61, -32.48, 53.8

 

CMYK 16 / 0 / 46 / 33

HEX #90AC5D

RGB 144 172 93

HSL 81.27, 0.32%, 0.52%

LAB 66.69, -22.83, 37.34

 

CMYK 10 / 0 / 26 / 40

HEX #8A9971

RGB 138 153 113

HSL 82.5, 0.16%, 0.52%

LAB 61.11, -12.66, 19.3

 

CMYK 0 / 16 / 86 / 9

HEX #E8C321

RGB 232 195 33

HSL 48.84, 0.81%, 0.52%

LAB 79.78, -1.13, 76.41

 

CMYK 7 / 0 / 86 / 9

HEX #D7E821

RGB 215 232 33

HSL 65.13, 0.81%, 0.52%

LAB 88.1, -26.67, 82.6

 

CMYK 30 / 0 / 86 / 9

HEX #A2E821

RGB 162 232 33

HSL 81.11, 0.81%, 0.52%

LAB 84.74, -47.36, 78.44

 

CMYK 53 / 0 / 86 / 9

HEX #6DE821

RGB 109 232 33

HSL 97.09, 0.81%, 0.52%

LAB 82.42, -64.35, 75.54

 

CMYK 75 / 0 / 86 / 9

HEX #39E821

RGB 57 232 33

HSL 112.76, 0.81%, 0.52%

LAB 81.12, -75.13, 73.9

 

CMYK 32 / 0 / 90 / 35

HEX #70A511

RGB 112 165 17

HSL 81.49, 0.81%, 0.36%

LAB 61.99, -37.61, 61.31

 

CMYK 33 / 0 / 90 / 20

HEX #89CB15

RGB 137 203 21

HSL 81.76, 0.81%, 0.44%

LAB 74.88, -44.58, 71.84

 

CMYK 31 / 0 / 86 / 9

HEX #A0E821

RGB 160 232 33

HSL 81.71, 0.81%, 0.52%

LAB 84.64, -48.08, 78.31

 

CMYK 25 / 0 / 70 / 7

HEX #B0EC47

RGB 176 236 71

HSL 81.82, 0.81%, 0.6%

LAB 86.84, -42.25, 69.98

 

CMYK 20 / 0 / 55 / 6

HEX #C0F06C

RGB 192 240 108

HSL 81.82, 0.81%, 0.68%

LAB 89.21, -35.31, 57.86

 

CMYK 31 / 0 / 86 / 9

HEX #9FE720

RGB 159 231 32

HSL 81.71, 0.81%, 0.52%

LAB 84.29, -48.05, 78.19

 

CMYK 86 / 0 / 38 / 9

HEX #21E88F

RGB 33 232 143

HSL 153.17, 0.81%, 0.52%

LAB 81.85, -65.3, 30.72

 

CMYK 4 / 86 / 0 / 9

HEX #DE21E8

RGB 222 33 232

HSL 296.98, 0.81%, 0.52%

LAB 54.49, 86.52, -57.63

 

CMYK 31 / 0 / 86 / 9

HEX #9FE720

RGB 159 231 32

HSL 81.71, 0.81%, 0.52%

LAB 84.29, -48.05, 78.19

 

CMYK 86 / 30 / 0 / 9

HEX #21A2E8

RGB 33 162 232

HSL 201.11, 0.81%, 0.52%

LAB 63.33, -8.82, -44.46

 

CMYK 0 / 86 / 30 / 9

HEX #E821A2

RGB 232 33 162

HSL 321.11, 0.81%, 0.52%

LAB 52.79, 79.27, -19.8

 

CMYK 31 / 0 / 86 / 9

HEX #9FE720

RGB 159 231 32

HSL 81.71, 0.81%, 0.52%

LAB 84.29, -48.05, 78.19

 

CMYK 86 / 0 / 38 / 9

HEX #21E88F

RGB 33 232 143

HSL 153.17, 0.81%, 0.52%

LAB 81.85, -65.3, 30.72

 

CMYK 56 / 86 / 0 / 9

HEX #6721E8

RGB 103 33 232

HSL 261.11, 0.81%, 0.52%

LAB 37.48, 70.34, -86.1

 

CMYK 0 / 86 / 47 / 9

HEX #E8217B

RGB 232 33 123

HSL 332.86, 0.81%, 0.52%

LAB 51.47, 75.58, 1.57

 

CMYK 31 / 0 / 86 / 9

HEX #9FE720

RGB 159 231 32

HSL 81.71, 0.81%, 0.52%

LAB 84.29, -48.05, 78.19

 

CMYK 86 / 0 / 13 / 9

HEX #21E8CA

RGB 33 232 202

HSL 170.95, 0.81%, 0.52%

LAB 83.07, -51.89, 1.74

 

CMYK 56 / 86 / 0 / 9

HEX #6721E8

RGB 103 33 232

HSL 261.11, 0.81%, 0.52%

LAB 37.48, 70.34, -86.1

 

CMYK 0 / 86 / 73 / 9

HEX #E8213F

RGB 232 33 63

HSL 350.95, 0.81%, 0.52%

LAB 50.22, 72, 36.15

 

Description

Color code: HEX #9FE720 | qconv.com Color code: HEX #9FE720 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 231 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 231 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 86 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 86% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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