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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E821 it is the complementary color #2A17DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E821. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E821 shade: #DAE81C, #EBFA2F, #FCFF42, #FFFF55 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E821. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E821 shade: #D5E821, #C4D60E, #B3C400, #A2B200 and #91A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E821 shade: #D5E821, #E8C521, #E89021, #E85A21 and #E82521

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E821 shade: #D5E821, #9FE821, #6AE821, #34E821 and #21E844

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E821 shade matches the following richer shades: #D5E821 and #E5FC0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E821 shade: #D5E821, #C5D435, #B5C049, #A5AC5D and #959971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E821 shade: #E88F21, #E8C321, #D7E821, #A2E821 and #6DE821

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E821 shade: #97A511, #B9CB15, #D5E821, #DCEC47 and #E3F06C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E821 shade: #D5E821, #21E85A and #A921E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E821 shade: #D5E821, #21D7E8 and #E821D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E821 shade: #D5E821, #21E85A, #3221E8 and #E821B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E821 shade: #D5E821, #21E895, #3221E8 and #E82174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

Complementary color

CMYK 81 / 90 / 0 / 13

HEX #2A17DE

RGB 42 23 222

HSL 245.73, 0.81%, 0.48%

LAB 30.35, 67.05, -92.35

 

CMYK 6 / 0 / 88 / 9

HEX #DAE81C

RGB 218 232 28

HSL 64.12, 0.82%, 0.51%

LAB 88.31, -25.54, 83.75

 

CMYK 6 / 0 / 81 / 2

HEX #EBFA2F

RGB 235 250 47

HSL 64.43, 0.95%, 0.58%

LAB 94.41, -26.64, 85.49

 

CMYK 1 / 0 / 74 / 0

HEX #FCFF42

RGB 252 255 66

HSL 60.95, 1%, 0.63%

LAB 97.07, -21.48, 83.23

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

CMYK 8 / 0 / 93 / 16

HEX #C4D60E

RGB 196 214 14

HSL 65.4, 0.88%, 0.45%

LAB 81.76, -26.31, 79.86

 

CMYK 9 / 0 / 100 / 23

HEX #B3C400

RGB 179 196 0

HSL 65.2, 1%, 0.38%

LAB 75.49, -24.95, 75.94

 

CMYK 9 / 0 / 100 / 30

HEX #A2B200

RGB 162 178 0

HSL 65.39, 1%, 0.35%

LAB 69.13, -23.42, 70.65

 

CMYK 9 / 0 / 100 / 37

HEX #91A000

RGB 145 160 0

HSL 65.63, 1%, 0.31%

LAB 62.64, -21.87, 65.25

 

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

CMYK 0 / 15 / 86 / 9

HEX #E8C521

RGB 232 197 33

HSL 49.45, 0.81%, 0.52%

LAB 80.29, -2.16, 76.82

 

CMYK 0 / 38 / 86 / 9

HEX #E89021

RGB 232 144 33

HSL 33.47, 0.81%, 0.52%

LAB 67.44, 25.76, 66.39

 

CMYK 0 / 61 / 86 / 9

HEX #E85A21

RGB 232 90 33

HSL 17.19, 0.81%, 0.52%

LAB 56.66, 52.57, 57.59

 

CMYK 0 / 84 / 86 / 9

HEX #E82521

RGB 232 37 33

HSL 1.21, 0.81%, 0.52%

LAB 50.2, 70.33, 52.27

 

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

CMYK 31 / 0 / 86 / 9

HEX #9FE821

RGB 159 232 33

HSL 82.01, 0.81%, 0.52%

LAB 84.58, -48.44, 78.25

 

CMYK 54 / 0 / 86 / 9

HEX #6AE821

RGB 106 232 33

HSL 97.99, 0.81%, 0.52%

LAB 82.32, -65.15, 75.41

 

CMYK 78 / 0 / 86 / 9

HEX #34E821

RGB 52 232 33

HSL 114.27, 0.81%, 0.52%

LAB 81.05, -75.81, 73.8

 

CMYK 86 / 0 / 71 / 9

HEX #21E844

RGB 33 232 68

HSL 130.55, 0.81%, 0.52%

LAB 80.99, -75.65, 63.6

 

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

CMYK 9 / 0 / 94 / 1

HEX #E5FC0E

RGB 229 252 14

HSL 65.8, 0.98%, 0.52%

LAB 94.44, -30.62, 90.61

 

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

CMYK 7 / 0 / 75 / 17

HEX #C5D435

RGB 197 212 53

HSL 65.66, 0.65%, 0.52%

LAB 81.41, -23.89, 71.24

 

CMYK 6 / 0 / 62 / 25

HEX #B5C049

RGB 181 192 73

HSL 65.55, 0.49%, 0.52%

LAB 74.83, -19.61, 56.85

 

CMYK 4 / 0 / 46 / 33

HEX #A5AC5D

RGB 165 172 93

HSL 65.32, 0.32%, 0.52%

LAB 68.24, -14.37, 39.59

 

CMYK 3 / 0 / 26 / 40

HEX #959971

RGB 149 153 113

HSL 66, 0.16%, 0.52%

LAB 61.97, -8.33, 20.6

 

CMYK 0 / 38 / 86 / 9

HEX #E88F21

RGB 232 143 33

HSL 33.17, 0.81%, 0.52%

LAB 67.21, 26.29, 66.2

 

CMYK 0 / 16 / 86 / 9

HEX #E8C321

RGB 232 195 33

HSL 48.84, 0.81%, 0.52%

LAB 79.78, -1.13, 76.41

 

CMYK 7 / 0 / 86 / 9

HEX #D7E821

RGB 215 232 33

HSL 65.13, 0.81%, 0.52%

LAB 88.1, -26.67, 82.6

 

CMYK 30 / 0 / 86 / 9

HEX #A2E821

RGB 162 232 33

HSL 81.11, 0.81%, 0.52%

LAB 84.74, -47.36, 78.44

 

CMYK 53 / 0 / 86 / 9

HEX #6DE821

RGB 109 232 33

HSL 97.09, 0.81%, 0.52%

LAB 82.42, -64.35, 75.54

 

CMYK 8 / 0 / 90 / 35

HEX #97A511

RGB 151 165 17

HSL 65.68, 0.81%, 0.36%

LAB 64.59, -21.47, 64.5

 

CMYK 9 / 0 / 90 / 20

HEX #B9CB15

RGB 185 203 21

HSL 65.93, 0.81%, 0.44%

LAB 77.92, -25.52, 75.57

 

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

CMYK 7 / 0 / 70 / 7

HEX #DCEC47

RGB 220 236 71

HSL 65.82, 0.81%, 0.6%

LAB 89.7, -25.16, 73.78

 

CMYK 5 / 0 / 55 / 6

HEX #E3F06C

RGB 227 240 108

HSL 65.91, 0.81%, 0.68%

LAB 91.57, -21.9, 61.18

 

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

CMYK 86 / 0 / 61 / 9

HEX #21E85A

RGB 33 232 90

HSL 137.19, 0.81%, 0.52%

LAB 81.17, -73.44, 55.05

 

CMYK 27 / 86 / 0 / 9

HEX #A921E8

RGB 169 33 232

HSL 281.01, 0.81%, 0.52%

LAB 46.11, 78.2, -71.6

 

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

CMYK 86 / 7 / 0 / 9

HEX #21D7E8

RGB 33 215 232

HSL 185.13, 0.81%, 0.52%

LAB 78.9, -35.94, -20.42

 

CMYK 0 / 86 / 7 / 9

HEX #E821D7

RGB 232 33 215

HSL 305.13, 0.81%, 0.52%

LAB 55.23, 85.8, -46.74

 

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

CMYK 86 / 0 / 61 / 9

HEX #21E85A

RGB 33 232 90

HSL 137.19, 0.81%, 0.52%

LAB 81.17, -73.44, 55.05

 

CMYK 78 / 86 / 0 / 9

HEX #3221E8

RGB 50 33 232

HSL 245.13, 0.81%, 0.52%

LAB 33.12, 66.78, -93.46

 

CMYK 0 / 86 / 24 / 9

HEX #E821B0

RGB 232 33 176

HSL 316.88, 0.81%, 0.52%

LAB 53.36, 80.84, -27.15

 

CMYK 8 / 0 / 86 / 9

HEX #D5E821

RGB 213 232 33

HSL 65.73, 0.81%, 0.52%

LAB 87.95, -27.49, 82.42

 

CMYK 86 / 0 / 36 / 9

HEX #21E895

RGB 33 232 149

HSL 154.97, 0.81%, 0.52%

LAB 81.95, -64.13, 27.8

 

CMYK 78 / 86 / 0 / 9

HEX #3221E8

RGB 50 33 232

HSL 245.13, 0.81%, 0.52%

LAB 33.12, 66.78, -93.46

 

CMYK 0 / 86 / 50 / 9

HEX #E82174

RGB 232 33 116

HSL 334.97, 0.81%, 0.52%

LAB 51.27, 75.03, 5.54

 

Description

Color code: HEX #D5E821 | qconv.com Color code: HEX #D5E821 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 232 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 232 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 86 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 86% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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