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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FD013 it is the complementary color #602FEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FD013. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FD013 shade: #A4D00E, #B5E221, #C6F434, #D7FF47 and #E8FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FD013. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FD013 shade: #9FD013, #8EBE00, #7DAC00, #6C9A00 and #5B8800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FD013 shade: #A1D214, #D2D014, #D29D14, #D26914 and #D23614

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FD013 shade: #A1D214, #6DD214, #3AD214, #14D221 and #14D254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FD013 shade matches the following richer shades: #A1D214 and #AAE501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FD013 shade: #A1D214, #98BF26, #8FAD39, #869A4B and #7D885E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FD013 shade: #D29C14, #D2CF14, #A2D214, #70D214 and #3DD214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FD013 shade: #67860C, #84AC10, #A1D214, #B7EB24 and #C4EE4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FD013 shade: #9FD013, #14D269 and #B514D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FD013 shade: #9FD013, #14A2D2 and #D214A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FD013 shade: #9FD013, #14D269, #4314D2 and #D2147C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FD013 shade: #9FD013, #14D2A2, #4314D2 and #D21443

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 91 / 18

HEX #9FD013

RGB 159 208 19

HSL 75.56, 0.83%, 0.45%

LAB 77.6, -38.44, 74.88

 

Complementary color

CMYK 59 / 80 / 0 / 7

HEX #602FEC

RGB 96 47 236

HSL 255.56, 0.83%, 0.55%

LAB 38.86, 65.73, -86.11

 

CMYK 21 / 0 / 93 / 18

HEX #A4D00E

RGB 164 208 14

HSL 73.61, 0.87%, 0.44%

LAB 77.9, -36.56, 75.9

 

CMYK 20 / 0 / 85 / 11

HEX #B5E221

RGB 181 226 33

HSL 73.99, 0.77%, 0.51%

LAB 84.14, -37.56, 78.38

 

CMYK 19 / 0 / 79 / 4

HEX #C6F434

RGB 198 244 52

HSL 74.38, 0.9%, 0.58%

LAB 90.3, -38.38, 79.67

 

CMYK 16 / 0 / 72 / 0

HEX #D7FF47

RGB 215 255 71

HSL 73.04, 1%, 0.64%

LAB 94.49, -35.92, 78.31

 

CMYK 9 / 0 / 65 / 0

HEX #E8FF5A

RGB 232 255 90

HSL 68.36, 1%, 0.68%

LAB 95.75, -28.27, 73.23

 

CMYK 24 / 0 / 91 / 18

HEX #9FD013

RGB 159 208 19

HSL 75.56, 0.83%, 0.45%

LAB 77.6, -38.44, 74.88

 

CMYK 25 / 0 / 100 / 25

HEX #8EBE00

RGB 142 190 0

HSL 75.16, 1%, 0.37%

LAB 71.27, -37.36, 71.66

 

CMYK 27 / 0 / 100 / 33

HEX #7DAC00

RGB 125 172 0

HSL 76.4, 1%, 0.34%

LAB 64.86, -35.99, 66.32

 

CMYK 30 / 0 / 100 / 40

HEX #6C9A00

RGB 108 154 0

HSL 77.92, 1%, 0.3%

LAB 58.32, -34.6, 60.88

 

CMYK 33 / 0 / 100 / 47

HEX #5B8800

RGB 91 136 0

HSL 79.85, 1%, 0.27%

LAB 51.65, -33.19, 55.32

 

CMYK 23 / 0 / 90 / 18

HEX #A1D214

RGB 161 210 20

HSL 75.47, 0.83%, 0.45%

LAB 78.3, -38.54, 75.35

 

CMYK 0 / 1 / 90 / 18

HEX #D2D014

RGB 210 208 20

HSL 59.37, 0.83%, 0.45%

LAB 81.22, -17.41, 79.14

 

CMYK 0 / 25 / 90 / 18

HEX #D29D14

RGB 210 157 20

HSL 43.26, 0.83%, 0.45%

LAB 67.92, 9.05, 68.89

 

CMYK 0 / 50 / 90 / 18

HEX #D26914

RGB 210 105 20

HSL 26.84, 0.83%, 0.45%

LAB 55.94, 36.85, 59.89

 

CMYK 0 / 74 / 90 / 18

HEX #D23614

RGB 210 54 20

HSL 10.74, 0.83%, 0.45%

LAB 47.48, 59.15, 53.78

 

CMYK 23 / 0 / 90 / 18

HEX #A1D214

RGB 161 210 20

HSL 75.47, 0.83%, 0.45%

LAB 78.3, -38.54, 75.35

 

CMYK 48 / 0 / 90 / 18

HEX #6DD214

RGB 109 210 20

HSL 91.89, 0.83%, 0.45%

LAB 75.7, -56.79, 72.15

 

CMYK 72 / 0 / 90 / 18

HEX #3AD214

RGB 58 210 20

HSL 108, 0.83%, 0.45%

LAB 74.22, -68.86, 70.31

 

CMYK 90 / 0 / 84 / 18

HEX #14D221

RGB 20 210 33

HSL 124.11, 0.83%, 0.45%

LAB 73.77, -72.65, 67.21

 

CMYK 90 / 0 / 60 / 18

HEX #14D254

RGB 20 210 84

HSL 140.21, 0.83%, 0.45%

LAB 74.11, -68.34, 49.56

 

CMYK 23 / 0 / 90 / 18

HEX #A1D214

RGB 161 210 20

HSL 75.47, 0.83%, 0.45%

LAB 78.3, -38.54, 75.35

 

CMYK 26 / 0 / 100 / 10

HEX #AAE501

RGB 170 229 1

HSL 75.53, 0.99%, 0.45%

LAB 84.27, -43.65, 82.21

 

CMYK 23 / 0 / 90 / 18

HEX #A1D214

RGB 161 210 20

HSL 75.47, 0.83%, 0.45%

LAB 78.3, -38.54, 75.35

 

CMYK 20 / 0 / 80 / 25

HEX #98BF26

RGB 152 191 38

HSL 75.29, 0.67%, 0.45%

LAB 72.28, -32.94, 66.2

 

CMYK 17 / 0 / 67 / 32

HEX #8FAD39

RGB 143 173 57

HSL 75.52, 0.5%, 0.45%

LAB 66.54, -27.04, 53.91

 

CMYK 13 / 0 / 51 / 40

HEX #869A4B

RGB 134 154 75

HSL 75.19, 0.34%, 0.45%

LAB 60.5, -19.74, 38.76

 

CMYK 8 / 0 / 31 / 47

HEX #7D885E

RGB 125 136 94

HSL 75.71, 0.18%, 0.45%

LAB 54.84, -11.56, 21.27

 

CMYK 0 / 26 / 90 / 18

HEX #D29C14

RGB 210 156 20

HSL 42.95, 0.83%, 0.45%

LAB 67.67, 9.59, 68.7

 

CMYK 0 / 1 / 90 / 18

HEX #D2CF14

RGB 210 207 20

HSL 59.05, 0.83%, 0.45%

LAB 80.95, -16.92, 78.93

 

CMYK 23 / 0 / 90 / 18

HEX #A2D214

RGB 162 210 20

HSL 75.16, 0.83%, 0.45%

LAB 78.36, -38.14, 75.42

 

CMYK 47 / 0 / 90 / 18

HEX #70D214

RGB 112 210 20

HSL 90.95, 0.83%, 0.45%

LAB 75.82, -55.88, 72.29

 

CMYK 71 / 0 / 90 / 18

HEX #3DD214

RGB 61 210 20

HSL 107.05, 0.83%, 0.45%

LAB 74.28, -68.35, 70.38

 

CMYK 23 / 0 / 91 / 47

HEX #67860C

RGB 103 134 12

HSL 75.25, 0.84%, 0.29%

LAB 51.79, -26.99, 53.58

 

CMYK 23 / 0 / 91 / 33

HEX #84AC10

RGB 132 172 16

HSL 75.38, 0.83%, 0.37%

LAB 65.32, -32.89, 64.71

 

CMYK 23 / 0 / 90 / 18

HEX #A1D214

RGB 161 210 20

HSL 75.47, 0.83%, 0.45%

LAB 78.3, -38.54, 75.35

 

CMYK 22 / 0 / 85 / 8

HEX #B7EB24

RGB 183 235 36

HSL 75.68, 0.83%, 0.53%

LAB 86.81, -40.7, 80.07

 

CMYK 18 / 0 / 69 / 7

HEX #C4EE4A

RGB 196 238 74

HSL 75.37, 0.83%, 0.61%

LAB 88.63, -35.4, 71.11

 

CMYK 24 / 0 / 91 / 18

HEX #9FD013

RGB 159 208 19

HSL 75.56, 0.83%, 0.45%

LAB 77.6, -38.44, 74.88

 

CMYK 90 / 0 / 50 / 18

HEX #14D269

RGB 20 210 105

HSL 146.84, 0.83%, 0.45%

LAB 74.36, -65.37, 40.01

 

CMYK 14 / 90 / 0 / 18

HEX #B514D2

RGB 181 20 210

HSL 290.84, 0.83%, 0.45%

LAB 45.6, 78.42, -59.77

 

CMYK 24 / 0 / 91 / 18

HEX #9FD013

RGB 159 208 19

HSL 75.56, 0.83%, 0.45%

LAB 77.6, -38.44, 74.88

 

CMYK 90 / 23 / 0 / 18

HEX #14A2D2

RGB 20 162 210

HSL 195.16, 0.83%, 0.45%

LAB 62.2, -17.41, -34.06

 

CMYK 0 / 90 / 23 / 18

HEX #D214A2

RGB 210 20 162

HSL 315.16, 0.83%, 0.45%

LAB 48.02, 76.71, -27.49

 

CMYK 24 / 0 / 91 / 18

HEX #9FD013

RGB 159 208 19

HSL 75.56, 0.83%, 0.45%

LAB 77.6, -38.44, 74.88

 

CMYK 90 / 0 / 50 / 18

HEX #14D269

RGB 20 210 105

HSL 146.84, 0.83%, 0.45%

LAB 74.36, -65.37, 40.01

 

CMYK 68 / 90 / 0 / 18

HEX #4314D2

RGB 67 20 210

HSL 254.84, 0.83%, 0.45%

LAB 30.27, 65.85, -85.5

 

CMYK 0 / 90 / 41 / 18

HEX #D2147C

RGB 210 20 124

HSL 327.16, 0.83%, 0.45%

LAB 46.52, 72.7, -6.81

 

CMYK 24 / 0 / 91 / 18

HEX #9FD013

RGB 159 208 19

HSL 75.56, 0.83%, 0.45%

LAB 77.6, -38.44, 74.88

 

CMYK 90 / 0 / 23 / 18

HEX #14D2A2

RGB 20 210 162

HSL 164.84, 0.83%, 0.45%

LAB 75.36, -53.9, 11.88

 

CMYK 68 / 90 / 0 / 18

HEX #4314D2

RGB 67 20 210

HSL 254.84, 0.83%, 0.45%

LAB 30.27, 65.85, -85.5

 

CMYK 0 / 90 / 68 / 18

HEX #D21443

RGB 210 20 67

HSL 345.16, 0.83%, 0.45%

LAB 45.09, 68.74, 26.52

 

Description

Color code: HEX #9FD013 | qconv.com Color code: HEX #9FD013 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 208 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 208 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 91 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 91% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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