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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 8 / 0 / 31 / 47 it is the complementary color CMYK 19 / 26 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 8 / 0 / 31 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 8 / 0 / 31 / 47: CMYK 4 / 0 / 35 / 47, CMYK 5 / 0 / 30 / 40, CMYK 5 / 0 / 26 / 33, CMYK 5 / 0 / 23 / 26 and CMYK 5 / 0 / 21 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 8 / 0 / 31 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 8 / 0 / 31 / 47: CMYK 8 / 0 / 31 / 47, CMYK 9 / 0 / 37 / 54, CMYK 9 / 0 / 44 / 61, CMYK 10 / 0 / 56 / 68 and CMYK 11 / 0 / 73 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 31 / 47

HEX #7C875D

RGB 124 135 93

HSL 75.71, 0.18%, 0.45%

LAB 54.45, -11.57, 21.3

 

Complementary color

CMYK 19 / 26 / 0 / 36

HEX #8378A2

RGB 131 120 162

HSL 255.71, 0.18%, 0.55%

LAB 52.8, 13.19, -20.96

 

CMYK 4 / 0 / 35 / 47

HEX #818758

RGB 129 135 88

HSL 67.66, 0.21%, 0.44%

LAB 54.76, -10.22, 24.57

 

CMYK 5 / 0 / 30 / 40

HEX #92996B

RGB 146 153 107

HSL 69.13, 0.18%, 0.51%

LAB 61.62, -10.39, 23.39

 

CMYK 5 / 0 / 26 / 33

HEX #A3AB7E

RGB 163 171 126

HSL 70.67, 0.21%, 0.58%

LAB 68.33, -10.53, 22.29

 

CMYK 5 / 0 / 23 / 26

HEX #B4BD91

RGB 180 189 145

HSL 72.27, 0.25%, 0.65%

LAB 74.91, -10.64, 21.25

 

CMYK 5 / 0 / 21 / 19

HEX #C5CFA4

RGB 197 207 164

HSL 73.95, 0.31%, 0.73%

LAB 81.39, -10.73, 20.27

 

CMYK 8 / 0 / 31 / 47

HEX #7C875D

RGB 124 135 93

HSL 75.71, 0.18%, 0.45%

LAB 54.45, -11.57, 21.3

 

CMYK 9 / 0 / 37 / 54

HEX #6B754A

RGB 107 117 74

HSL 73.95, 0.23%, 0.37%

LAB 47.42, -11.46, 22.51

 

CMYK 9 / 0 / 44 / 61

HEX #5A6337

RGB 90 99 55

HSL 72.27, 0.29%, 0.3%

LAB 40.2, -11.29, 23.8

 

CMYK 10 / 0 / 56 / 68

HEX #495124

RGB 73 81 36

HSL 70.67, 0.38%, 0.23%

LAB 32.76, -11.01, 25.14

 

CMYK 11 / 0 / 73 / 75

HEX #383F11

RGB 56 63 17

HSL 69.13, 0.58%, 0.16%

LAB 25.06, -10.5, 26.27

 

CMYK 8 / 0 / 31 / 47

HEX #7C875D

RGB 124 135 93

HSL 75.71, 0.18%, 0.45%

LAB 54.45, -11.57, 21.3

 

CMYK 13 / 0 / 30 / 47

HEX #76875E

RGB 118 135 94

HSL 84.88, 0.18%, 0.45%

LAB 54.01, -13.83, 20.07

 

CMYK 18 / 0 / 30 / 47

HEX #6F875E

RGB 111 135 94

HSL 95.12, 0.18%, 0.45%

LAB 53.51, -16.58, 19.3

 

CMYK 23 / 0 / 30 / 47

HEX #68875E

RGB 104 135 94

HSL 105.37, 0.18%, 0.45%

LAB 53.04, -19.25, 18.58

 

CMYK 28 / 0 / 30 / 47

HEX #61875E

RGB 97 135 94

HSL 115.61, 0.18%, 0.45%

LAB 52.59, -21.83, 17.91

 

CMYK 8 / 0 / 31 / 47

HEX #7C875D

RGB 124 135 93

HSL 75.71, 0.18%, 0.45%

LAB 54.45, -11.57, 21.3

 

CMYK 8 / 0 / 31 / 27

HEX #ABBA80

RGB 171 186 128

HSL 75.52, 0.3%, 0.62%

LAB 73.11, -14.95, 27.75

 

CMYK 8 / 0 / 31 / 7

HEX #DAEDA3

RGB 218 237 163

HSL 75.41, 0.67%, 0.78%

LAB 90.83, -18.16, 33.84

 

CMYK 9 / 0 / 30 / 87

HEX #1E2117

RGB 30 33 23

HSL 78, 0.18%, 0.11%

LAB 12.13, -3.72, 6.32

 

CMYK 8 / 0 / 31 / 67

HEX #4D543A

RGB 77 84 58

HSL 76.15, 0.18%, 0.28%

LAB 34.44, -7.91, 14.31

 

CMYK 8 / 0 / 31 / 47

HEX #7C875D

RGB 124 135 93

HSL 75.71, 0.18%, 0.45%

LAB 54.45, -11.57, 21.3

 

CMYK 30 / 0 / 17 / 47

HEX #5E8770

RGB 94 135 112

HSL 146.34, 0.18%, 0.45%

LAB 52.82, -19.37, 7.86

 

CMYK 4 / 30 / 0 / 47

HEX #815E87

RGB 129 94 135

HSL 291.22, 0.18%, 0.45%

LAB 44.83, 21.86, -17.24

 

CMYK 8 / 0 / 31 / 47

HEX #7C875D

RGB 124 135 93

HSL 75.71, 0.18%, 0.45%

LAB 54.45, -11.57, 21.3

 

CMYK 30 / 7 / 0 / 47

HEX #5E7D87

RGB 94 125 135

HSL 194.63, 0.18%, 0.45%

LAB 50.45, -8.49, -9.02

 

CMYK 0 / 30 / 7 / 47

HEX #875E7D

RGB 135 94 125

HSL 314.63, 0.18%, 0.45%

LAB 45.13, 22, -10.69

 

CMYK 8 / 0 / 31 / 47

HEX #7C875D

RGB 124 135 93

HSL 75.71, 0.18%, 0.45%

LAB 54.45, -11.57, 21.3

 

CMYK 30 / 0 / 17 / 47

HEX #5E8770

RGB 94 135 112

HSL 146.34, 0.18%, 0.45%

LAB 52.82, -19.37, 7.86

 

CMYK 23 / 30 / 0 / 47

HEX #685E87

RGB 104 94 135

HSL 254.63, 0.18%, 0.45%

LAB 42.3, 13.28, -21.34

 

CMYK 0 / 30 / 14 / 47

HEX #875E74

RGB 135 94 116

HSL 327.8, 0.18%, 0.45%

LAB 44.83, 20.34, -5.71

 

CMYK 8 / 0 / 31 / 47

HEX #7C875D

RGB 124 135 93

HSL 75.71, 0.18%, 0.45%

LAB 54.45, -11.57, 21.3

 

CMYK 30 / 0 / 7 / 47

HEX #5E877D

RGB 94 135 125

HSL 165.37, 0.18%, 0.45%

LAB 53.15, -16.47, 0.82

 

CMYK 23 / 30 / 0 / 47

HEX #685E87

RGB 104 94 135

HSL 254.63, 0.18%, 0.45%

LAB 42.3, 13.28, -21.34

 

CMYK 0 / 30 / 23 / 47

HEX #875E68

RGB 135 94 104

HSL 345.37, 0.18%, 0.45%

LAB 44.46, 18.3, 1.03

 

Description

Color code: CMYK 8 / 0 / 31 / 47 | qconv.com Color code: CMYK 8 / 0 / 31 / 47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 135 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 135 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 31 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 31% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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