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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F737F it is the complementary color #608C80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F737F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F737F shade: #A4737A, #B5858D, #C697A0, #D7A9B3 and #E8BBC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F737F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F737F shade: #9F737F, #8E616C, #7D4F59, #6C3D46 and #5B2B33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F737F shade: #9F737F, #9F7373 and #9F7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F737F shade: #9F737F, #9F738B, #9F7397, #9C739F and #90739F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F737F shade matches the following richer shades: #9F737F, #B26076, #C54D6E, #D83A65 and #EB275D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F737F shade: #9F737F, #8D8688, #7A9990, #67AC99 and #54BFA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F737F shade: #9F7397, #9F738B, #9F7380, #9F7374 and #9F7E73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F737F shade: #724E58, #8B5E6A, #9F737F, #B08B95 and #C1A4AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F737F shade: #9F737F, #9F9C73 and #73919F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F737F shade: #9F737F, #809F73 and #73809F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F737F shade: #9F737F, #9F9C73, #739F93 and #73779F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F737F shade: #9F737F, #969F73, #739F93 and #7D739F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 20 / 38

HEX #9F737F

RGB 159 115 127

HSL 343.64, 0.19%, 0.54%

LAB 53.13, 19.19, 0.28

 

Complementary color

CMYK 31 / 0 / 9 / 45

HEX #608C80

RGB 96 140 128

HSL 163.64, 0.19%, 0.46%

LAB 54.87, -17.81, 1.59

 

CMYK 0 / 30 / 26 / 36

HEX #A4737A

RGB 164 115 122

HSL 351.43, 0.21%, 0.55%

LAB 53.56, 20.35, 3.9

 

CMYK 0 / 27 / 22 / 29

HEX #B5858D

RGB 181 133 141

HSL 350, 0.24%, 0.62%

LAB 60.36, 19.62, 2.96

 

CMYK 0 / 24 / 19 / 22

HEX #C697A0

RGB 198 151 160

HSL 348.51, 0.29%, 0.68%

LAB 67.03, 18.96, 2.11

 

CMYK 0 / 21 / 17 / 16

HEX #D7A9B3

RGB 215 169 179

HSL 346.96, 0.37%, 0.75%

LAB 73.6, 18.37, 1.33

 

CMYK 0 / 19 / 15 / 9

HEX #E8BBC6

RGB 232 187 198

HSL 345.33, 0.49%, 0.82%

LAB 80.05, 17.84, 0.59

 

CMYK 0 / 28 / 20 / 38

HEX #9F737F

RGB 159 115 127

HSL 343.64, 0.19%, 0.54%

LAB 53.13, 19.19, 0.28

 

CMYK 0 / 32 / 24 / 44

HEX #8E616C

RGB 142 97 108

HSL 345.33, 0.19%, 0.47%

LAB 46.15, 19.95, 1.18

 

CMYK 0 / 37 / 29 / 51

HEX #7D4F59

RGB 125 79 89

HSL 346.96, 0.23%, 0.4%

LAB 39.02, 20.81, 2.22

 

CMYK 0 / 44 / 35 / 58

HEX #6C3D46

RGB 108 61 70

HSL 348.51, 0.28%, 0.33%

LAB 31.73, 21.8, 3.47

 

CMYK 0 / 53 / 44 / 64

HEX #5B2B33

RGB 91 43 51

HSL 350, 0.36%, 0.26%

LAB 24.29, 22.9, 5.06

 

CMYK 0 / 28 / 20 / 38

HEX #9F737F

RGB 159 115 127

HSL 343.64, 0.19%, 0.54%

LAB 53.13, 19.19, 0.28

 

CMYK 0 / 28 / 28 / 38

HEX #9F7373

RGB 159 115 115

HSL 0, 0.19%, 0.54%

LAB 52.81, 17.34, 6.85

 

CMYK 0 / 28 / 28 / 38

HEX #9F7373

RGB 159 115 115

HSL 0, 0.19%, 0.54%

LAB 52.81, 17.34, 6.85

 

CMYK 0 / 28 / 20 / 38

HEX #9F737F

RGB 159 115 127

HSL 343.64, 0.19%, 0.54%

LAB 53.13, 19.19, 0.28

 

CMYK 0 / 28 / 13 / 38

HEX #9F738B

RGB 159 115 139

HSL 327.27, 0.19%, 0.54%

LAB 53.49, 21.22, -6.23

 

CMYK 0 / 28 / 5 / 38

HEX #9F7397

RGB 159 115 151

HSL 310.91, 0.19%, 0.54%

LAB 53.89, 23.41, -12.66

 

CMYK 2 / 28 / 0 / 38

HEX #9C739F

RGB 156 115 159

HSL 295.91, 0.19%, 0.54%

LAB 53.85, 23.91, -17.4

 

CMYK 9 / 28 / 0 / 38

HEX #90739F

RGB 144 115 159

HSL 279.55, 0.19%, 0.54%

LAB 52.61, 19.8, -19.4

 

CMYK 0 / 28 / 20 / 38

HEX #9F737F

RGB 159 115 127

HSL 343.64, 0.19%, 0.54%

LAB 53.13, 19.19, 0.28

 

CMYK 0 / 46 / 34 / 30

HEX #B26076

RGB 178 96 118

HSL 343.9, 0.35%, 0.54%

LAB 50.85, 35.65, 2.57

 

CMYK 0 / 61 / 44 / 23

HEX #C54D6E

RGB 197 77 110

HSL 343.5, 0.51%, 0.54%

LAB 49.86, 50.75, 6.32

 

CMYK 0 / 73 / 53 / 15

HEX #D83A65

RGB 216 58 101

HSL 343.67, 0.67%, 0.54%

LAB 50.17, 63.26, 12.67

 

CMYK 0 / 83 / 60 / 8

HEX #EB275D

RGB 235 39 93

HSL 343.47, 0.83%, 0.54%

LAB 51.73, 73.03, 20.22

 

CMYK 0 / 28 / 20 / 38

HEX #9F737F

RGB 159 115 127

HSL 343.64, 0.19%, 0.54%

LAB 53.13, 19.19, 0.28

 

CMYK 0 / 5 / 4 / 45

HEX #8D8688

RGB 141 134 136

HSL 342.86, 0.03%, 0.54%

LAB 56.58, 3, -0.14

 

CMYK 20 / 0 / 6 / 40

HEX #7A9990

RGB 122 153 144

HSL 162.58, 0.13%, 0.54%

LAB 60.72, -12.7, 1.16

 

CMYK 40 / 0 / 11 / 33

HEX #67AC99

RGB 103 172 153

HSL 163.48, 0.29%, 0.54%

LAB 65.51, -26.34, 2.93

 

CMYK 56 / 0 / 15 / 25

HEX #54BFA2

RGB 84 191 162

HSL 163.74, 0.46%, 0.54%

LAB 70.7, -37.85, 5.39

 

CMYK 0 / 28 / 5 / 38

HEX #9F7397

RGB 159 115 151

HSL 310.91, 0.19%, 0.54%

LAB 53.89, 23.41, -12.66

 

CMYK 0 / 28 / 13 / 38

HEX #9F738B

RGB 159 115 139

HSL 327.27, 0.19%, 0.54%

LAB 53.49, 21.22, -6.23

 

CMYK 0 / 28 / 19 / 38

HEX #9F7380

RGB 159 115 128

HSL 342.27, 0.19%, 0.54%

LAB 53.16, 19.36, -0.27

 

CMYK 0 / 28 / 27 / 38

HEX #9F7374

RGB 159 115 116

HSL 358.64, 0.19%, 0.54%

LAB 52.83, 17.49, 6.3

 

CMYK 0 / 21 / 28 / 38

HEX #9F7E73

RGB 159 126 115

HSL 15, 0.19%, 0.54%

LAB 55.61, 11.05, 10.83

 

CMYK 0 / 32 / 23 / 55

HEX #724E58

RGB 114 78 88

HSL 343.33, 0.19%, 0.38%

LAB 37.35, 16.78, 0.25

 

CMYK 0 / 32 / 24 / 45

HEX #8B5E6A

RGB 139 94 106

HSL 344, 0.19%, 0.46%

LAB 44.99, 20.21, 0.66

 

CMYK 0 / 28 / 20 / 38

HEX #9F737F

RGB 159 115 127

HSL 343.64, 0.19%, 0.54%

LAB 53.13, 19.19, 0.28

 

CMYK 0 / 21 / 15 / 31

HEX #B08B95

RGB 176 139 149

HSL 343.78, 0.19%, 0.62%

LAB 61.54, 15.65, 0.05

 

CMYK 0 / 15 / 11 / 24

HEX #C1A4AC

RGB 193 164 172

HSL 343.45, 0.19%, 0.7%

LAB 70.08, 11.94, -0.19

 

CMYK 0 / 28 / 20 / 38

HEX #9F737F

RGB 159 115 127

HSL 343.64, 0.19%, 0.54%

LAB 53.13, 19.19, 0.28

 

CMYK 0 / 2 / 28 / 38

HEX #9F9C73

RGB 159 156 115

HSL 55.91, 0.19%, 0.54%

LAB 63.66, -5.67, 21.93

 

CMYK 28 / 9 / 0 / 38

HEX #73919F

RGB 115 145 159

HSL 199.09, 0.19%, 0.54%

LAB 58.41, -7.14, -10.84

 

CMYK 0 / 28 / 20 / 38

HEX #9F737F

RGB 159 115 127

HSL 343.64, 0.19%, 0.54%

LAB 53.13, 19.19, 0.28

 

CMYK 19 / 0 / 28 / 38

HEX #809F73

RGB 128 159 115

HSL 102.27, 0.19%, 0.54%

LAB 62.19, -19.27, 19.54

 

CMYK 28 / 19 / 0 / 38

HEX #73809F

RGB 115 128 159

HSL 222.27, 0.19%, 0.54%

LAB 53.59, 2.56, -18.14

 

CMYK 0 / 28 / 20 / 38

HEX #9F737F

RGB 159 115 127

HSL 343.64, 0.19%, 0.54%

LAB 53.13, 19.19, 0.28

 

CMYK 0 / 2 / 28 / 38

HEX #9F9C73

RGB 159 156 115

HSL 55.91, 0.19%, 0.54%

LAB 63.66, -5.67, 21.93

 

CMYK 28 / 0 / 8 / 38

HEX #739F93

RGB 115 159 147

HSL 163.64, 0.19%, 0.54%

LAB 62.12, -17.52, 1.45

 

CMYK 28 / 25 / 0 / 38

HEX #73779F

RGB 115 119 159

HSL 234.55, 0.19%, 0.54%

LAB 51.08, 7.87, -21.97

 

CMYK 0 / 28 / 20 / 38

HEX #9F737F

RGB 159 115 127

HSL 343.64, 0.19%, 0.54%

LAB 53.13, 19.19, 0.28

 

CMYK 6 / 0 / 28 / 38

HEX #969F73

RGB 150 159 115

HSL 72.27, 0.19%, 0.54%

LAB 63.77, -10.86, 21.95

 

CMYK 28 / 0 / 8 / 38

HEX #739F93

RGB 115 159 147

HSL 163.64, 0.19%, 0.54%

LAB 62.12, -17.52, 1.45

 

CMYK 21 / 28 / 0 / 38

HEX #7D739F

RGB 125 115 159

HSL 253.64, 0.19%, 0.54%

LAB 50.83, 13.46, -22.29

 

Description

Color code: HEX #9F737F | qconv.com Color code: HEX #9F737F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 115 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 115 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 20 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 20% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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