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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #809F73 it is the complementary color #7F608C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #809F73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #809F73: #859F6E, #96B181, #A7C394, #B8D5A7 and #C9E7BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #809F73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #809F73: #809F73, #6F8D60, #5E7B4D, #4D693A and #3C5727

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 28 / 38

HEX #809F73

RGB 128 159 115

HSL 102.27, 0.19%, 0.54%

LAB 62.19, -19.27, 19.54

 

Complementary color

CMYK 9 / 31 / 0 / 45

HEX #7F608C

RGB 127 96 140

HSL 282.27, 0.19%, 0.46%

LAB 45.32, 21.05, -19.51

 

CMYK 16 / 0 / 31 / 38

HEX #859F6E

RGB 133 159 110

HSL 91.84, 0.2%, 0.53%

LAB 62.43, -18.19, 22.67

 

CMYK 15 / 0 / 27 / 31

HEX #96B181

RGB 150 177 129

HSL 93.75, 0.24%, 0.6%

LAB 69.12, -18.12, 21.58

 

CMYK 14 / 0 / 24 / 24

HEX #A7C394

RGB 167 195 148

HSL 95.74, 0.28%, 0.67%

LAB 75.69, -18.05, 20.56

 

CMYK 14 / 0 / 22 / 16

HEX #B8D5A7

RGB 184 213 167

HSL 97.83, 0.35%, 0.75%

LAB 82.15, -17.98, 19.6

 

CMYK 13 / 0 / 19 / 9

HEX #C9E7BA

RGB 201 231 186

HSL 100, 0.48%, 0.82%

LAB 88.5, -17.92, 18.68

 

CMYK 19 / 0 / 28 / 38

HEX #809F73

RGB 128 159 115

HSL 102.27, 0.19%, 0.54%

LAB 62.19, -19.27, 19.54

 

CMYK 21 / 0 / 32 / 45

HEX #6F8D60

RGB 111 141 96

HSL 100, 0.19%, 0.46%

LAB 55.35, -19.41, 20.66

 

CMYK 24 / 0 / 37 / 52

HEX #5E7B4D

RGB 94 123 77

HSL 97.83, 0.23%, 0.39%

LAB 48.36, -19.55, 21.86

 

CMYK 27 / 0 / 45 / 59

HEX #4D693A

RGB 77 105 58

HSL 95.74, 0.29%, 0.32%

LAB 41.19, -19.68, 23.15

 

CMYK 31 / 0 / 55 / 66

HEX #3C5727

RGB 60 87 39

HSL 93.75, 0.38%, 0.25%

LAB 33.82, -19.76, 24.49

 

CMYK 19 / 0 / 28 / 38

HEX #809F73

RGB 128 159 115

HSL 102.27, 0.19%, 0.54%

LAB 62.19, -19.27, 19.54

 

CMYK 24 / 0 / 28 / 38

HEX #799F73

RGB 121 159 115

HSL 111.82, 0.19%, 0.54%

LAB 61.74, -21.81, 18.85

 

CMYK 28 / 0 / 27 / 38

HEX #739F74

RGB 115 159 116

HSL 121.36, 0.19%, 0.54%

LAB 61.4, -23.75, 17.77

 

CMYK 28 / 0 / 22 / 38

HEX #739F7C

RGB 115 159 124

HSL 132.27, 0.19%, 0.54%

LAB 61.56, -22.27, 13.56

 

CMYK 28 / 0 / 18 / 38

HEX #739F83

RGB 115 159 131

HSL 141.82, 0.19%, 0.54%

LAB 61.72, -20.9, 9.87

 

CMYK 19 / 0 / 28 / 38

HEX #809F73

RGB 128 159 115

HSL 102.27, 0.19%, 0.54%

LAB 62.19, -19.27, 19.54

 

CMYK 20 / 0 / 28 / 18

HEX #A9D298

RGB 169 210 152

HSL 102.41, 0.39%, 0.71%

LAB 80.06, -24.15, 24.46

 

CMYK 17 / 0 / 33 / 98

HEX #050604

RGB 5 6 4

HSL 90, 0.2%, 0.02%

LAB 1.55, -0.54, 0.66

 

CMYK 19 / 0 / 28 / 78

HEX #2E3929

RGB 46 57 41

HSL 101.25, 0.16%, 0.19%

LAB 22.54, -8.28, 8.5

 

CMYK 19 / 0 / 28 / 58

HEX #576C4E

RGB 87 108 78

HSL 102, 0.16%, 0.36%

LAB 43.21, -14.05, 14.29

 

CMYK 19 / 0 / 28 / 38

HEX #809F73

RGB 128 159 115

HSL 102.27, 0.19%, 0.54%

LAB 62.19, -19.27, 19.54

 

CMYK 28 / 0 / 3 / 38

HEX #739F9B

RGB 115 159 155

HSL 174.55, 0.19%, 0.54%

LAB 62.34, -15.7, -2.73

 

CMYK 0 / 28 / 8 / 38

HEX #9F7392

RGB 159 115 146

HSL 317.73, 0.19%, 0.54%

LAB 53.72, 22.48, -9.99

 

CMYK 19 / 0 / 28 / 38

HEX #809F73

RGB 128 159 115

HSL 102.27, 0.19%, 0.54%

LAB 62.19, -19.27, 19.54

 

CMYK 28 / 19 / 0 / 38

HEX #73809F

RGB 115 128 159

HSL 222.27, 0.19%, 0.54%

LAB 53.59, 2.56, -18.14

 

CMYK 0 / 28 / 19 / 38

HEX #9F7380

RGB 159 115 128

HSL 342.27, 0.19%, 0.54%

LAB 53.16, 19.36, -0.27

 

CMYK 19 / 0 / 28 / 38

HEX #809F73

RGB 128 159 115

HSL 102.27, 0.19%, 0.54%

LAB 62.19, -19.27, 19.54

 

CMYK 28 / 0 / 3 / 38

HEX #739F9B

RGB 115 159 155

HSL 174.55, 0.19%, 0.54%

LAB 62.34, -15.7, -2.73

 

CMYK 8 / 28 / 0 / 38

HEX #92739F

RGB 146 115 159

HSL 282.27, 0.19%, 0.54%

LAB 52.81, 20.48, -19.08

 

CMYK 0 / 28 / 25 / 38

HEX #9F7377

RGB 159 115 119

HSL 354.55, 0.19%, 0.54%

LAB 52.91, 17.94, 4.66

 

CMYK 19 / 0 / 28 / 38

HEX #809F73

RGB 128 159 115

HSL 102.27, 0.19%, 0.54%

LAB 62.19, -19.27, 19.54

 

CMYK 28 / 5 / 0 / 38

HEX #73979F

RGB 115 151 159

HSL 190.91, 0.19%, 0.54%

LAB 60.14, -10.45, -8.25

 

CMYK 8 / 28 / 0 / 38

HEX #92739F

RGB 146 115 159

HSL 282.27, 0.19%, 0.54%

LAB 52.81, 20.48, -19.08

 

CMYK 0 / 22 / 28 / 38

HEX #9F7C73

RGB 159 124 115

HSL 12.27, 0.19%, 0.54%

LAB 55.1, 12.19, 10.1

 

Description

Color code: HEX #809F73 | qconv.com Color code: HEX #809F73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 159 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 159 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 28 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 28% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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