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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F5E5A it is the complementary color #60A1A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F5E5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F5E5A shade: #A45E55, #B57068, #C6827B, #D7948E and #E8A6A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F5E5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F5E5A shade: #9F5E5A, #8E4C47, #7D3A34, #6C2821 and #5B160E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F5E5A shade: #A05E5A and #A05A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F5E5A shade: #A05E5A, #A0715A, #A0845A, #A0975A and #96A05A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F5E5A shade matches the following richer shades: #A05E5A, #B44C46, #C83A32, #DD281D and #F11709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F5E5A shade: #A05E5A, #8C706E, #788282, #639497 and #4FA6AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F5E5A shade: #A05A7C, #A05A69, #A05D5A, #A0705A and #A0835A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F5E5A shade: #6B3F3C, #864E4B, #A05E5A, #B07673 and #BF908D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F5E5A shade: #9F5E5A, #8EA05A and #5A72A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F5E5A shade: #9F5E5A, #5AA05D and #5D5AA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F5E5A shade: #9F5E5A, #8EA05A, #5A9CA0 and #6B5AA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F5E5A shade: #9F5E5A, #79A05A, #5A9CA0 and #805AA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 43 / 38

HEX #9F5E5A

RGB 159 94 90

HSL 3.48, 0.28%, 0.49%

LAB 47.12, 26.03, 13.69

 

Complementary color

CMYK 42 / 2 / 0 / 35

HEX #60A1A5

RGB 96 161 165

HSL 183.48, 0.28%, 0.51%

LAB 62.25, -19.67, -8.61

 

CMYK 0 / 43 / 48 / 36

HEX #A45E55

RGB 164 94 85

HSL 6.84, 0.32%, 0.49%

LAB 47.69, 27.5, 17.56

 

CMYK 0 / 38 / 43 / 29

HEX #B57068

RGB 181 112 104

HSL 6.23, 0.34%, 0.56%

LAB 54.46, 26.38, 15.99

 

CMYK 0 / 34 / 38 / 22

HEX #C6827B

RGB 198 130 123

HSL 5.6, 0.4%, 0.63%

LAB 61.13, 25.38, 14.61

 

CMYK 0 / 31 / 34 / 16

HEX #D7948E

RGB 215 148 142

HSL 4.93, 0.48%, 0.7%

LAB 67.71, 24.49, 13.39

 

CMYK 0 / 28 / 31 / 9

HEX #E8A6A1

RGB 232 166 161

HSL 4.23, 0.61%, 0.77%

LAB 74.19, 23.69, 12.29

 

CMYK 0 / 41 / 43 / 38

HEX #9F5E5A

RGB 159 94 90

HSL 3.48, 0.28%, 0.49%

LAB 47.12, 26.03, 13.69

 

CMYK 0 / 46 / 50 / 44

HEX #8E4C47

RGB 142 76 71

HSL 4.23, 0.33%, 0.42%

LAB 40.2, 27.2, 15.39

 

CMYK 0 / 54 / 58 / 51

HEX #7D3A34

RGB 125 58 52

HSL 4.93, 0.41%, 0.35%

LAB 33.21, 28.49, 17.46

 

CMYK 0 / 63 / 69 / 58

HEX #6C2821

RGB 108 40 33

HSL 5.6, 0.53%, 0.28%

LAB 26.2, 29.83, 20.1

 

CMYK 0 / 76 / 85 / 64

HEX #5B160E

RGB 91 22 14

HSL 6.23, 0.73%, 0.21%

LAB 19.35, 30.91, 23.13

 

CMYK 0 / 41 / 44 / 37

HEX #A05E5A

RGB 160 94 90

HSL 3.43, 0.28%, 0.49%

LAB 47.26, 26.43, 13.9

 

CMYK 0 / 44 / 44 / 37

HEX #A05A5A

RGB 160 90 90

HSL 0, 0.28%, 0.49%

LAB 46.34, 28.67, 12.64

 

CMYK 0 / 41 / 44 / 37

HEX #A05E5A

RGB 160 94 90

HSL 3.43, 0.28%, 0.49%

LAB 47.26, 26.43, 13.9

 

CMYK 0 / 29 / 44 / 37

HEX #A0715A

RGB 160 113 90

HSL 19.71, 0.28%, 0.49%

LAB 51.86, 15.63, 20.15

 

CMYK 0 / 18 / 44 / 37

HEX #A0845A

RGB 160 132 90

HSL 36, 0.28%, 0.49%

LAB 56.8, 4.84, 26.66

 

CMYK 0 / 6 / 44 / 37

HEX #A0975A

RGB 160 151 90

HSL 52.29, 0.28%, 0.49%

LAB 61.95, -5.66, 33.25

 

CMYK 6 / 0 / 44 / 37

HEX #96A05A

RGB 150 160 90

HSL 68.57, 0.28%, 0.49%

LAB 63.64, -14.63, 35.19

 

CMYK 0 / 41 / 44 / 37

HEX #A05E5A

RGB 160 94 90

HSL 3.43, 0.28%, 0.49%

LAB 47.26, 26.43, 13.9

 

CMYK 0 / 58 / 61 / 29

HEX #B44C46

RGB 180 76 70

HSL 3.27, 0.44%, 0.49%

LAB 46.06, 41.85, 24.79

 

CMYK 0 / 71 / 75 / 22

HEX #C83A32

RGB 200 58 50

HSL 3.2, 0.6%, 0.49%

LAB 46.36, 55.4, 37.6

 

CMYK 0 / 82 / 87 / 13

HEX #DD281D

RGB 221 40 29

HSL 3.44, 0.77%, 0.49%

LAB 48.23, 66.56, 51.6

 

CMYK 0 / 90 / 96 / 5

HEX #F11709

RGB 241 23 9

HSL 3.62, 0.93%, 0.49%

LAB 51.07, 74.75, 62.36

 

CMYK 0 / 41 / 44 / 37

HEX #A05E5A

RGB 160 94 90

HSL 3.43, 0.28%, 0.49%

LAB 47.26, 26.43, 13.9

 

CMYK 0 / 20 / 21 / 45

HEX #8C706E

RGB 140 112 110

HSL 4, 0.12%, 0.49%

LAB 49.85, 10.69, 5.29

 

CMYK 8 / 0 / 0 / 49

HEX #788282

RGB 120 130 130

HSL 180, 0.04%, 0.49%

LAB 53.57, -3.67, -1.27

 

CMYK 34 / 2 / 0 / 41

HEX #639497

RGB 99 148 151

HSL 183.46, 0.21%, 0.49%

LAB 58.1, -15.59, -6.84

 

CMYK 54 / 3 / 0 / 33

HEX #4FA6AB

RGB 79 166 171

HSL 183.26, 0.37%, 0.49%

LAB 63.24, -24.59, -10.57

 

CMYK 0 / 44 / 23 / 37

HEX #A05A7C

RGB 160 90 124

HSL 330.86, 0.28%, 0.49%

LAB 47.29, 33.22, -6.54

 

CMYK 0 / 44 / 34 / 37

HEX #A05A69

RGB 160 90 105

HSL 347.14, 0.28%, 0.49%

LAB 46.72, 30.5, 4.1

 

CMYK 0 / 42 / 44 / 37

HEX #A05D5A

RGB 160 93 90

HSL 2.57, 0.28%, 0.49%

LAB 47.03, 26.99, 13.58

 

CMYK 0 / 30 / 44 / 37

HEX #A0705A

RGB 160 112 90

HSL 18.86, 0.28%, 0.49%

LAB 51.61, 16.21, 19.81

 

CMYK 0 / 18 / 44 / 37

HEX #A0835A

RGB 160 131 90

HSL 35.14, 0.28%, 0.49%

LAB 56.53, 5.4, 26.31

 

CMYK 0 / 41 / 44 / 58

HEX #6B3F3C

RGB 107 63 60

HSL 3.83, 0.28%, 0.33%

LAB 31.82, 18.83, 10.03

 

CMYK 0 / 42 / 44 / 47

HEX #864E4B

RGB 134 78 75

HSL 3.05, 0.28%, 0.41%

LAB 39.62, 23.21, 11.94

 

CMYK 0 / 41 / 44 / 37

HEX #A05E5A

RGB 160 94 90

HSL 3.43, 0.28%, 0.49%

LAB 47.26, 26.43, 13.9

 

CMYK 0 / 33 / 35 / 31

HEX #B07673

RGB 176 118 115

HSL 2.95, 0.28%, 0.57%

LAB 55.51, 22.39, 10.95

 

CMYK 0 / 25 / 26 / 25

HEX #BF908D

RGB 191 144 141

HSL 3.6, 0.28%, 0.65%

LAB 64.12, 17.32, 8.5

 

CMYK 0 / 41 / 43 / 38

HEX #9F5E5A

RGB 159 94 90

HSL 3.48, 0.28%, 0.49%

LAB 47.12, 26.03, 13.69

 

CMYK 11 / 0 / 44 / 37

HEX #8EA05A

RGB 142 160 90

HSL 75.43, 0.28%, 0.49%

LAB 63.04, -17.89, 34.3

 

CMYK 44 / 29 / 0 / 37

HEX #5A72A0

RGB 90 114 160

HSL 219.43, 0.28%, 0.49%

LAB 47.94, 3.77, -27.56

 

CMYK 0 / 41 / 43 / 38

HEX #9F5E5A

RGB 159 94 90

HSL 3.48, 0.28%, 0.49%

LAB 47.12, 26.03, 13.69

 

CMYK 44 / 0 / 42 / 37

HEX #5AA05D

RGB 90 160 93

HSL 122.57, 0.28%, 0.49%

LAB 59.98, -36.38, 28.19

 

CMYK 42 / 44 / 0 / 37

HEX #5D5AA0

RGB 93 90 160

HSL 242.57, 0.28%, 0.49%

LAB 41.5, 19.43, -37.67

 

CMYK 0 / 41 / 43 / 38

HEX #9F5E5A

RGB 159 94 90

HSL 3.48, 0.28%, 0.49%

LAB 47.12, 26.03, 13.69

 

CMYK 11 / 0 / 44 / 37

HEX #8EA05A

RGB 142 160 90

HSL 75.43, 0.28%, 0.49%

LAB 63.04, -17.89, 34.3

 

CMYK 44 / 2 / 0 / 37

HEX #5A9CA0

RGB 90 156 160

HSL 183.43, 0.28%, 0.49%

LAB 60.33, -19.92, -8.68

 

CMYK 33 / 44 / 0 / 37

HEX #6B5AA0

RGB 107 90 160

HSL 254.57, 0.28%, 0.49%

LAB 42.73, 23.31, -35.64

 

CMYK 0 / 41 / 43 / 38

HEX #9F5E5A

RGB 159 94 90

HSL 3.48, 0.28%, 0.49%

LAB 47.12, 26.03, 13.69

 

CMYK 24 / 0 / 44 / 37

HEX #79A05A

RGB 121 160 90

HSL 93.43, 0.28%, 0.49%

LAB 61.61, -26.12, 32.2

 

CMYK 44 / 2 / 0 / 37

HEX #5A9CA0

RGB 90 156 160

HSL 183.43, 0.28%, 0.49%

LAB 60.33, -19.92, -8.68

 

CMYK 20 / 44 / 0 / 37

HEX #805AA0

RGB 128 90 160

HSL 272.57, 0.28%, 0.49%

LAB 44.86, 29.54, -32.14

 

Description

Color code: HEX #9F5E5A | qconv.com Color code: HEX #9F5E5A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 94 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 94 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 43 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 43% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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