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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F5E59 it is the complementary color #60A1A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F5E59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F5E59 shade: #A45E54, #B57067, #C6827A, #D7948D and #E8A6A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F5E59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F5E59 shade: #9F5E59, #8E4C46, #7D3A33, #6C2820 and #5B160D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F5E59 shade: #A05F5A and #A05A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F5E59 shade: #A05F5A, #A0725A, #A0855A, #A0985A and #95A05A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F5E59 shade matches the following richer shades: #A05F5A, #B44E46, #C83C32, #DD2B1D and #F11A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F5E59 shade: #A05F5A, #8C706E, #788282, #639397 and #4FA4AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F5E59 shade: #A05A7B, #A05A68, #A05F5A, #A0715A and #A0845A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F5E59 shade: #6B403C, #864F4B, #A05F5A, #B07773 and #BF918D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F5E59 shade: #9F5E59, #8DA05A and #5A71A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F5E59 shade: #9F5E59, #5AA05F and #5F5AA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F5E59 shade: #9F5E59, #8DA05A, #5A9BA0 and #6D5AA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F5E59 shade: #9F5E59, #78A05A, #5A9BA0 and #825AA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 44 / 38

HEX #9F5E59

RGB 159 94 89

HSL 4.29, 0.28%, 0.49%

LAB 47.1, 25.92, 14.26

 

Complementary color

CMYK 42 / 3 / 0 / 35

HEX #60A1A6

RGB 96 161 166

HSL 184.29, 0.28%, 0.51%

LAB 62.28, -19.41, -9.13

 

CMYK 0 / 43 / 49 / 36

HEX #A45E54

RGB 164 94 84

HSL 7.5, 0.32%, 0.49%

LAB 47.67, 27.4, 18.13

 

CMYK 0 / 38 / 43 / 29

HEX #B57067

RGB 181 112 103

HSL 6.92, 0.35%, 0.56%

LAB 54.44, 26.27, 16.54

 

CMYK 0 / 34 / 38 / 22

HEX #C6827A

RGB 198 130 122

HSL 6.32, 0.4%, 0.63%

LAB 61.11, 25.26, 15.15

 

CMYK 0 / 31 / 34 / 16

HEX #D7948D

RGB 215 148 141

HSL 5.68, 0.48%, 0.7%

LAB 67.69, 24.37, 13.92

 

CMYK 0 / 28 / 31 / 9

HEX #E8A6A0

RGB 232 166 160

HSL 5, 0.61%, 0.77%

LAB 74.17, 23.56, 12.8

 

CMYK 0 / 41 / 44 / 38

HEX #9F5E59

RGB 159 94 89

HSL 4.29, 0.28%, 0.49%

LAB 47.1, 25.92, 14.26

 

CMYK 0 / 46 / 51 / 44

HEX #8E4C46

RGB 142 76 70

HSL 5, 0.34%, 0.42%

LAB 40.18, 27.1, 15.97

 

CMYK 0 / 54 / 59 / 51

HEX #7D3A33

RGB 125 58 51

HSL 5.68, 0.42%, 0.35%

LAB 33.19, 28.41, 18.07

 

CMYK 0 / 63 / 70 / 58

HEX #6C2820

RGB 108 40 32

HSL 6.32, 0.54%, 0.27%

LAB 26.19, 29.76, 20.72

 

CMYK 0 / 76 / 86 / 64

HEX #5B160D

RGB 91 22 13

HSL 6.92, 0.75%, 0.2%

LAB 19.34, 30.87, 23.61

 

CMYK 0 / 41 / 44 / 37

HEX #A05F5A

RGB 160 95 90

HSL 4.29, 0.28%, 0.49%

LAB 47.49, 25.87, 14.22

 

CMYK 0 / 44 / 44 / 37

HEX #A05A5A

RGB 160 90 90

HSL 0, 0.28%, 0.49%

LAB 46.34, 28.67, 12.64

 

CMYK 0 / 41 / 44 / 37

HEX #A05F5A

RGB 160 95 90

HSL 4.29, 0.28%, 0.49%

LAB 47.49, 25.87, 14.22

 

CMYK 0 / 29 / 44 / 37

HEX #A0725A

RGB 160 114 90

HSL 20.57, 0.28%, 0.49%

LAB 52.11, 15.06, 20.49

 

CMYK 0 / 17 / 44 / 37

HEX #A0855A

RGB 160 133 90

HSL 36.86, 0.28%, 0.49%

LAB 57.06, 4.28, 27

 

CMYK 0 / 5 / 44 / 37

HEX #A0985A

RGB 160 152 90

HSL 53.14, 0.28%, 0.49%

LAB 62.23, -6.2, 33.59

 

CMYK 7 / 0 / 44 / 37

HEX #95A05A

RGB 149 160 90

HSL 69.43, 0.28%, 0.49%

LAB 63.56, -15.04, 35.08

 

CMYK 0 / 41 / 44 / 37

HEX #A05F5A

RGB 160 95 90

HSL 4.29, 0.28%, 0.49%

LAB 47.49, 25.87, 14.22

 

CMYK 0 / 57 / 61 / 29

HEX #B44E46

RGB 180 78 70

HSL 4.36, 0.44%, 0.49%

LAB 46.44, 40.87, 25.27

 

CMYK 0 / 70 / 75 / 22

HEX #C83C32

RGB 200 60 50

HSL 4, 0.6%, 0.49%

LAB 46.63, 54.65, 37.91

 

CMYK 0 / 81 / 87 / 13

HEX #DD2B1D

RGB 221 43 29

HSL 4.38, 0.77%, 0.49%

LAB 48.5, 65.82, 51.81

 

CMYK 0 / 89 / 96 / 5

HEX #F11A09

RGB 241 26 9

HSL 4.4, 0.93%, 0.49%

LAB 51.22, 74.33, 62.43

 

CMYK 0 / 41 / 44 / 37

HEX #A05F5A

RGB 160 95 90

HSL 4.29, 0.28%, 0.49%

LAB 47.49, 25.87, 14.22

 

CMYK 0 / 20 / 21 / 45

HEX #8C706E

RGB 140 112 110

HSL 4, 0.12%, 0.49%

LAB 49.85, 10.69, 5.29

 

CMYK 8 / 0 / 0 / 49

HEX #788282

RGB 120 130 130

HSL 180, 0.04%, 0.49%

LAB 53.57, -3.67, -1.27

 

CMYK 34 / 3 / 0 / 41

HEX #639397

RGB 99 147 151

HSL 184.62, 0.21%, 0.49%

LAB 57.8, -15.06, -7.28

 

CMYK 54 / 4 / 0 / 33

HEX #4FA4AB

RGB 79 164 171

HSL 184.57, 0.37%, 0.49%

LAB 62.64, -23.58, -11.48

 

CMYK 0 / 44 / 23 / 37

HEX #A05A7B

RGB 160 90 123

HSL 331.71, 0.28%, 0.49%

LAB 47.26, 33.07, -5.98

 

CMYK 0 / 44 / 35 / 37

HEX #A05A68

RGB 160 90 104

HSL 348, 0.28%, 0.49%

LAB 46.69, 30.37, 4.67

 

CMYK 0 / 41 / 44 / 37

HEX #A05F5A

RGB 160 95 90

HSL 4.29, 0.28%, 0.49%

LAB 47.49, 25.87, 14.22

 

CMYK 0 / 29 / 44 / 37

HEX #A0715A

RGB 160 113 90

HSL 19.71, 0.28%, 0.49%

LAB 51.86, 15.63, 20.15

 

CMYK 0 / 18 / 44 / 37

HEX #A0845A

RGB 160 132 90

HSL 36, 0.28%, 0.49%

LAB 56.8, 4.84, 26.66

 

CMYK 0 / 40 / 44 / 58

HEX #6B403C

RGB 107 64 60

HSL 5.11, 0.28%, 0.33%

LAB 32.08, 18.22, 10.37

 

CMYK 0 / 41 / 44 / 47

HEX #864F4B

RGB 134 79 75

HSL 4.07, 0.28%, 0.41%

LAB 39.86, 22.63, 12.27

 

CMYK 0 / 41 / 44 / 37

HEX #A05F5A

RGB 160 95 90

HSL 4.29, 0.28%, 0.49%

LAB 47.49, 25.87, 14.22

 

CMYK 0 / 32 / 35 / 31

HEX #B07773

RGB 176 119 115

HSL 3.93, 0.28%, 0.57%

LAB 55.75, 21.83, 11.29

 

CMYK 0 / 24 / 26 / 25

HEX #BF918D

RGB 191 145 141

HSL 4.8, 0.28%, 0.65%

LAB 64.36, 16.77, 8.85

 

CMYK 0 / 41 / 44 / 38

HEX #9F5E59

RGB 159 94 89

HSL 4.29, 0.28%, 0.49%

LAB 47.1, 25.92, 14.26

 

CMYK 12 / 0 / 44 / 37

HEX #8DA05A

RGB 141 160 90

HSL 76.29, 0.28%, 0.49%

LAB 62.96, -18.3, 34.19

 

CMYK 44 / 29 / 0 / 37

HEX #5A71A0

RGB 90 113 160

HSL 220.29, 0.28%, 0.49%

LAB 47.65, 4.37, -28.01

 

CMYK 0 / 41 / 44 / 38

HEX #9F5E59

RGB 159 94 89

HSL 4.29, 0.28%, 0.49%

LAB 47.1, 25.92, 14.26

 

CMYK 44 / 0 / 41 / 37

HEX #5AA05F

RGB 90 160 95

HSL 124.29, 0.28%, 0.49%

LAB 60.02, -36.06, 27.17

 

CMYK 41 / 44 / 0 / 37

HEX #5F5AA0

RGB 95 90 160

HSL 244.29, 0.28%, 0.49%

LAB 41.66, 19.97, -37.39

 

CMYK 0 / 41 / 44 / 38

HEX #9F5E59

RGB 159 94 89

HSL 4.29, 0.28%, 0.49%

LAB 47.1, 25.92, 14.26

 

CMYK 12 / 0 / 44 / 37

HEX #8DA05A

RGB 141 160 90

HSL 76.29, 0.28%, 0.49%

LAB 62.96, -18.3, 34.19

 

CMYK 44 / 3 / 0 / 37

HEX #5A9BA0

RGB 90 155 160

HSL 184.29, 0.28%, 0.49%

LAB 60.03, -19.4, -9.13

 

CMYK 32 / 44 / 0 / 37

HEX #6D5AA0

RGB 109 90 160

HSL 256.29, 0.28%, 0.49%

LAB 42.92, 23.89, -35.33

 

CMYK 0 / 41 / 44 / 38

HEX #9F5E59

RGB 159 94 89

HSL 4.29, 0.28%, 0.49%

LAB 47.1, 25.92, 14.26

 

CMYK 25 / 0 / 44 / 37

HEX #78A05A

RGB 120 160 90

HSL 94.29, 0.28%, 0.49%

LAB 61.54, -26.5, 32.11

 

CMYK 44 / 3 / 0 / 37

HEX #5A9BA0

RGB 90 155 160

HSL 184.29, 0.28%, 0.49%

LAB 60.03, -19.4, -9.13

 

CMYK 19 / 44 / 0 / 37

HEX #825AA0

RGB 130 90 160

HSL 274.29, 0.28%, 0.49%

LAB 45.08, 30.15, -31.78

 

Description

Color code: HEX #9F5E59 | qconv.com Color code: HEX #9F5E59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 94 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 94 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 44 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 44% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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