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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F42E8 it is the complementary color #60BD17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F42E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9F42E8: #A442E3, #B554F6, #C666FF, #D778FF and #E88AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F42E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9F42E8: #9F42E8, #8E30D5, #7D1EC2, #6C0CAF and #5B009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 72 / 0 / 9

HEX #9F42E8

RGB 159 66 232

HSL 273.61, 0.78%, 0.58%

LAB 48.38, 65.99, -67.97

 

Complementary color

CMYK 49 / 0 / 88 / 26

HEX #60BD17

RGB 96 189 23

HSL 93.61, 0.78%, 0.42%

LAB 68.71, -52.76, 65.53

 

CMYK 28 / 71 / 0 / 11

HEX #A442E3

RGB 164 66 227

HSL 276.52, 0.74%, 0.57%

LAB 48.68, 65.84, -64.62

 

CMYK 26 / 66 / 0 / 4

HEX #B554F6

RGB 181 84 246

HSL 275.93, 0.9%, 0.65%

LAB 54.88, 65.57, -65.17

 

CMYK 22 / 60 / 0 / 0

HEX #C666FF

RGB 198 102 255

HSL 277.65, 1%, 0.7%

LAB 60.54, 62.9, -60.95

 

CMYK 16 / 53 / 0 / 0

HEX #D778FF

RGB 215 120 255

HSL 282.22, 1%, 0.74%

LAB 65.83, 58.3, -52.41

 

CMYK 9 / 46 / 0 / 0

HEX #E88AFF

RGB 232 138 255

HSL 288.21, 1%, 0.77%

LAB 71.25, 53.83, -43.74

 

CMYK 31 / 72 / 0 / 9

HEX #9F42E8

RGB 159 66 232

HSL 273.61, 0.78%, 0.58%

LAB 48.38, 65.99, -67.97

 

CMYK 33 / 77 / 0 / 16

HEX #8E30D5

RGB 142 48 213

HSL 274.18, 0.66%, 0.51%

LAB 42.26, 65.88, -67.19

 

CMYK 36 / 85 / 0 / 24

HEX #7D1EC2

RGB 125 30 194

HSL 274.76, 0.73%, 0.44%

LAB 36.34, 65.01, -65.92

 

CMYK 38 / 93 / 0 / 31

HEX #6C0CAF

RGB 108 12 175

HSL 275.34, 0.87%, 0.37%

LAB 30.75, 62.88, -63.91

 

CMYK 42 / 100 / 0 / 39

HEX #5B009C

RGB 91 0 156

HSL 275, 1%, 0.31%

LAB 25.64, 59.03, -60.91

 

CMYK 31 / 72 / 0 / 9

HEX #9F42E8

RGB 159 66 232

HSL 273.61, 0.78%, 0.58%

LAB 48.38, 65.99, -67.97

 

CMYK 20 / 72 / 0 / 9

HEX #B840E7

RGB 184 64 231

HSL 283.11, 0.78%, 0.58%

LAB 51.41, 71.27, -62.34

 

CMYK 9 / 72 / 0 / 9

HEX #D340E7

RGB 211 64 231

HSL 292.81, 0.78%, 0.58%

LAB 55.36, 76.59, -55.78

 

CMYK 0 / 72 / 3 / 9

HEX #E740DF

RGB 231 64 223

HSL 302.87, 0.78%, 0.58%

LAB 58.02, 79.41, -46.85

 

CMYK 0 / 72 / 16 / 9

HEX #E740C3

RGB 231 64 195

HSL 312.93, 0.78%, 0.58%

LAB 56.68, 75.38, -33.02

 

CMYK 31 / 72 / 0 / 9

HEX #9F42E8

RGB 159 66 232

HSL 273.61, 0.78%, 0.58%

LAB 48.38, 65.99, -67.97

 

CMYK 32 / 71 / 0 / 89

HEX #13081C

RGB 19 8 28

HSL 273, 0.56%, 0.07%

LAB 3.58, 7.73, -10.07

 

CMYK 32 / 72 / 0 / 69

HEX #36164F

RGB 54 22 79

HSL 273.68, 0.56%, 0.2%

LAB 15.08, 27.83, -28.76

 

CMYK 32 / 72 / 0 / 49

HEX #592582

RGB 89 37 130

HSL 273.55, 0.56%, 0.33%

LAB 26.9, 41.37, -42.73

 

CMYK 31 / 72 / 0 / 29

HEX #7C33B5

RGB 124 51 181

HSL 273.69, 0.56%, 0.45%

LAB 37.82, 54.27, -55.85

 

CMYK 31 / 72 / 0 / 9

HEX #9F42E8

RGB 159 66 232

HSL 273.61, 0.78%, 0.58%

LAB 48.38, 65.99, -67.97

 

CMYK 0 / 72 / 54 / 9

HEX #E7406A

RGB 231 64 106

HSL 344.91, 0.78%, 0.58%

LAB 53.7, 65.92, 14.96

 

CMYK 72 / 0 / 61 / 9

HEX #40E759

RGB 64 231 89

HSL 128.98, 0.78%, 0.58%

LAB 81.27, -69.66, 55.71

 

CMYK 31 / 72 / 0 / 9

HEX #9F42E8

RGB 159 66 232

HSL 273.61, 0.78%, 0.58%

LAB 48.38, 65.99, -67.97

 

CMYK 0 / 32 / 72 / 9

HEX #E79C40

RGB 231 156 64

HSL 33.05, 0.78%, 0.58%

LAB 70.27, 20.05, 57.38

 

CMYK 72 / 0 / 32 / 9

HEX #40E79C

RGB 64 231 156

HSL 153.05, 0.78%, 0.58%

LAB 82.19, -59.15, 24.6

 

CMYK 31 / 72 / 0 / 9

HEX #9F42E8

RGB 159 66 232

HSL 273.61, 0.78%, 0.58%

LAB 48.38, 65.99, -67.97

 

CMYK 0 / 72 / 54 / 9

HEX #E7406A

RGB 231 64 106

HSL 344.91, 0.78%, 0.58%

LAB 53.7, 65.92, 14.96

 

CMYK 40 / 0 / 72 / 9

HEX #8BE740

RGB 139 231 64

HSL 93.05, 0.78%, 0.58%

LAB 83.45, -53.5, 68.41

 

CMYK 72 / 0 / 18 / 9

HEX #40E7BD

RGB 64 231 189

HSL 164.91, 0.78%, 0.58%

LAB 82.87, -51.85, 8.34

 

CMYK 31 / 72 / 0 / 9

HEX #9F42E8

RGB 159 66 232

HSL 273.61, 0.78%, 0.58%

LAB 48.38, 65.99, -67.97

 

CMYK 0 / 69 / 72 / 9

HEX #E74840

RGB 231 72 64

HSL 2.87, 0.78%, 0.58%

LAB 54.02, 60.61, 39.89

 

CMYK 40 / 0 / 72 / 9

HEX #8BE740

RGB 139 231 64

HSL 93.05, 0.78%, 0.58%

LAB 83.45, -53.5, 68.41

 

CMYK 72 / 3 / 0 / 9

HEX #40DFE7

RGB 64 223 231

HSL 182.87, 0.78%, 0.58%

LAB 81.64, -37.24, -15.7

 

Description

Color code: HEX #9F42E8 | qconv.com Color code: HEX #9F42E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 66 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 66 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 72 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 72% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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