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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2B6C it is the complementary color #60D493. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2B6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9F2B6C: #A42B67, #B53D7A, #C64F8D, #D761A0 and #E873B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2B6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9F2B6C: #9F2B6C, #8E1959, #7D0746, #6C0033 and #5B0020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 32 / 38

HEX #9F2B6C

RGB 159 43 108

HSL 326.38, 0.57%, 0.4%

LAB 38.17, 52.96, -10.39

 

Complementary color

CMYK 55 / 0 / 31 / 17

HEX #60D493

RGB 96 212 147

HSL 146.38, 0.57%, 0.6%

LAB 77.09, -47.59, 22.45

 

CMYK 0 / 74 / 37 / 36

HEX #A42B67

RGB 164 43 103

HSL 330.25, 0.58%, 0.41%

LAB 38.9, 53.77, -6.04

 

CMYK 0 / 66 / 33 / 29

HEX #B53D7A

RGB 181 61 122

HSL 329.5, 0.5%, 0.47%

LAB 45.03, 53.99, -8.36

 

CMYK 0 / 60 / 29 / 22

HEX #C64F8D

RGB 198 79 141

HSL 328.74, 0.51%, 0.54%

LAB 51.29, 53.73, -10.16

 

CMYK 0 / 55 / 26 / 16

HEX #D761A0

RGB 215 97 160

HSL 327.97, 0.6%, 0.61%

LAB 57.59, 53.2, -11.6

 

CMYK 0 / 50 / 23 / 9

HEX #E873B3

RGB 232 115 179

HSL 327.18, 0.72%, 0.68%

LAB 63.89, 52.54, -12.81

 

CMYK 0 / 73 / 32 / 38

HEX #9F2B6C

RGB 159 43 108

HSL 326.38, 0.57%, 0.4%

LAB 38.17, 52.96, -10.39

 

CMYK 0 / 82 / 37 / 44

HEX #8E1959

RGB 142 25 89

HSL 327.18, 0.7%, 0.33%

LAB 32.18, 51.93, -7.56

 

CMYK 0 / 94 / 44 / 51

HEX #7D0746

RGB 125 7 70

HSL 327.97, 0.89%, 0.26%

LAB 26.6, 49.53, -3.66

 

CMYK 0 / 100 / 53 / 58

HEX #6C0033

RGB 108 0 51

HSL 331.67, 1%, 0.21%

LAB 21.68, 44.97, 1.76

 

CMYK 0 / 100 / 65 / 64

HEX #5B0020

RGB 91 0 32

HSL 338.9, 1%, 0.18%

LAB 17.12, 39.11, 8.38

 

CMYK 0 / 73 / 32 / 38

HEX #9F2B6C

RGB 159 43 108

HSL 326.38, 0.57%, 0.4%

LAB 38.17, 52.96, -10.39

 

CMYK 0 / 73 / 44 / 37

HEX #A02B5A

RGB 160 43 90

HSL 335.9, 0.58%, 0.4%

LAB 37.73, 51.24, 0.4

 

CMYK 0 / 73 / 56 / 37

HEX #A02B46

RGB 160 43 70

HSL 346.15, 0.58%, 0.4%

LAB 37.19, 49.45, 12.41

 

CMYK 0 / 73 / 68 / 37

HEX #A02B33

RGB 160 43 51

HSL 355.9, 0.58%, 0.4%

LAB 36.82, 48.17, 23.96

 

CMYK 0 / 66 / 73 / 37

HEX #A0372B

RGB 160 55 43

HSL 6.15, 0.58%, 0.4%

LAB 38.52, 42.8, 30.83

 

CMYK 0 / 73 / 32 / 38

HEX #9F2B6C

RGB 159 43 108

HSL 326.38, 0.57%, 0.4%

LAB 38.17, 52.96, -10.39

 

CMYK 0 / 73 / 32 / 18

HEX #D2398F

RGB 210 57 143

HSL 326.27, 0.63%, 0.52%

LAB 50.23, 65.95, -12.75

 

CMYK 0 / 67 / 33 / 98

HEX #060204

RGB 6 2 4

HSL 330, 0.5%, 0.02%

LAB 0.82, 1.32, -0.39

 

CMYK 0 / 74 / 32 / 78

HEX #390F27

RGB 57 15 39

HSL 325.71, 0.58%, 0.14%

LAB 11.68, 23.73, -5.61

 

CMYK 0 / 73 / 32 / 58

HEX #6C1D49

RGB 108 29 73

HSL 326.58, 0.58%, 0.27%

LAB 25.41, 39.05, -7.84

 

CMYK 0 / 73 / 32 / 38

HEX #9F2B6C

RGB 159 43 108

HSL 326.38, 0.57%, 0.4%

LAB 38.17, 52.96, -10.39

 

CMYK 0 / 27 / 73 / 37

HEX #A0752B

RGB 160 117 43

HSL 37.95, 0.58%, 0.4%

LAB 52.25, 9.48, 45.61

 

CMYK 73 / 2 / 0 / 37

HEX #2B9CA0

RGB 43 156 160

HSL 182.05, 0.58%, 0.4%

LAB 58.82, -28.95, -11.1

 

CMYK 0 / 73 / 32 / 38

HEX #9F2B6C

RGB 159 43 108

HSL 326.38, 0.57%, 0.4%

LAB 38.17, 52.96, -10.39

 

CMYK 32 / 0 / 73 / 37

HEX #6DA02B

RGB 109 160 43

HSL 86.15, 0.58%, 0.4%

LAB 60.4, -35.35, 52.44

 

CMYK 73 / 32 / 0 / 37

HEX #2B6DA0

RGB 43 109 160

HSL 206.15, 0.58%, 0.4%

LAB 44.22, -3.2, -33.55

 

CMYK 0 / 73 / 32 / 38

HEX #9F2B6C

RGB 159 43 108

HSL 326.38, 0.57%, 0.4%

LAB 38.17, 52.96, -10.39

 

CMYK 0 / 27 / 73 / 37

HEX #A0752B

RGB 160 117 43

HSL 37.95, 0.58%, 0.4%

LAB 52.25, 9.48, 45.61

 

CMYK 73 / 0 / 41 / 37

HEX #2BA05E

RGB 43 160 94

HSL 146.15, 0.58%, 0.4%

LAB 58.47, -47.33, 25.4

 

CMYK 73 / 46 / 0 / 37

HEX #2B56A0

RGB 43 86 160

HSL 217.95, 0.58%, 0.4%

LAB 37.31, 11.4, -44.52

 

CMYK 0 / 73 / 32 / 38

HEX #9F2B6C

RGB 159 43 108

HSL 326.38, 0.57%, 0.4%

LAB 38.17, 52.96, -10.39

 

CMYK 0 / 5 / 73 / 37

HEX #A0982B

RGB 160 152 43

HSL 55.9, 0.58%, 0.4%

LAB 61.74, -9.86, 55.01

 

CMYK 73 / 0 / 41 / 37

HEX #2BA05E

RGB 43 160 94

HSL 146.15, 0.58%, 0.4%

LAB 58.47, -47.33, 25.4

 

CMYK 73 / 68 / 0 / 37

HEX #2B33A0

RGB 43 51 160

HSL 235.9, 0.58%, 0.4%

LAB 27.9, 34.6, -59.81

 

Description

Color code: HEX #9F2B6C | qconv.com Color code: HEX #9F2B6C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 43 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 43 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 32 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 32% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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