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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2167 it is the complementary color #60DE98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9F2167: #A42162, #B53375, #C64588, #D7579B and #E869AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9F2167: #9F2167, #8E0F54, #7D0041, #6C002E and #5B001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 35 / 38

HEX #9F2167

RGB 159 33 103

HSL 326.67, 0.66%, 0.38%

LAB 36.81, 55.66, -9.26

 

Complementary color

CMYK 57 / 0 / 32 / 13

HEX #60DE98

RGB 96 222 152

HSL 146.67, 0.66%, 0.62%

LAB 80.18, -50.75, 24.06

 

CMYK 0 / 80 / 40 / 36

HEX #A42162

RGB 164 33 98

HSL 330.23, 0.66%, 0.39%

LAB 37.59, 56.43, -4.82

 

CMYK 0 / 72 / 35 / 29

HEX #B53375

RGB 181 51 117

HSL 329.54, 0.56%, 0.45%

LAB 43.47, 57.26, -7.62

 

CMYK 0 / 65 / 31 / 22

HEX #C64588

RGB 198 69 136

HSL 328.84, 0.53%, 0.52%

LAB 49.54, 57.39, -9.79

 

CMYK 0 / 60 / 28 / 16

HEX #D7579B

RGB 215 87 155

HSL 328.13, 0.62%, 0.59%

LAB 55.72, 57.11, -11.51

 

CMYK 0 / 55 / 25 / 9

HEX #E869AE

RGB 232 105 174

HSL 327.4, 0.73%, 0.66%

LAB 61.93, 56.6, -12.92

 

CMYK 0 / 79 / 35 / 38

HEX #9F2167

RGB 159 33 103

HSL 326.67, 0.66%, 0.38%

LAB 36.81, 55.66, -9.26

 

CMYK 0 / 89 / 41 / 44

HEX #8E0F54

RGB 142 15 84

HSL 327.4, 0.81%, 0.31%

LAB 31.19, 53.72, -5.78

 

CMYK 0 / 100 / 48 / 51

HEX #7D0041

RGB 125 0 65

HSL 328.8, 1%, 0.25%

LAB 25.99, 50.35, -1.18

 

CMYK 0 / 100 / 57 / 58

HEX #6C002E

RGB 108 0 46

HSL 334.44, 1%, 0.21%

LAB 21.53, 44.57, 5.07

 

CMYK 0 / 100 / 70 / 64

HEX #5B001B

RGB 91 0 27

HSL 342.2, 1%, 0.18%

LAB 17, 38.78, 11.86

 

CMYK 0 / 79 / 35 / 38

HEX #9F2167

RGB 159 33 103

HSL 326.67, 0.66%, 0.38%

LAB 36.81, 55.66, -9.26

 

CMYK 0 / 80 / 48 / 37

HEX #A02054

RGB 160 32 84

HSL 335.63, 0.67%, 0.38%

LAB 36.27, 54.28, 2.11

 

CMYK 0 / 80 / 61 / 37

HEX #A0203E

RGB 160 32 62

HSL 345.94, 0.67%, 0.38%

LAB 35.7, 52.55, 15.53

 

CMYK 0 / 80 / 74 / 37

HEX #A02029

RGB 160 32 41

HSL 355.78, 0.67%, 0.38%

LAB 35.33, 51.4, 28.38

 

CMYK 0 / 72 / 80 / 37

HEX #A02D20

RGB 160 45 32

HSL 6.09, 0.67%, 0.38%

LAB 36.85, 46.54, 35.32

 

CMYK 0 / 79 / 35 / 38

HEX #9F2167

RGB 159 33 103

HSL 326.67, 0.66%, 0.38%

LAB 36.81, 55.66, -9.26

 

CMYK 0 / 79 / 35 / 18

HEX #D22C88

RGB 210 44 136

HSL 326.75, 0.65%, 0.5%

LAB 48.61, 69.06, -10.98

 

CMYK 0 / 83 / 33 / 98

HEX #060104

RGB 6 1 4

HSL 324, 0.71%, 0.01%

LAB 0.63, 1.72, -0.68

 

CMYK 0 / 79 / 35 / 78

HEX #390C25

RGB 57 12 37

HSL 326.67, 0.65%, 0.14%

LAB 11.04, 24.92, -5.09

 

CMYK 0 / 80 / 35 / 58

HEX #6C1646

RGB 108 22 70

HSL 326.51, 0.66%, 0.25%

LAB 24.34, 41.33, -7.43

 

CMYK 0 / 79 / 35 / 38

HEX #9F2167

RGB 159 33 103

HSL 326.67, 0.66%, 0.38%

LAB 36.81, 55.66, -9.26

 

CMYK 0 / 29 / 80 / 37

HEX #A07120

RGB 160 113 32

HSL 37.97, 0.67%, 0.38%

LAB 51.14, 11.26, 49.16

 

CMYK 80 / 2 / 0 / 37

HEX #209CA0

RGB 32 156 160

HSL 181.88, 0.67%, 0.38%

LAB 58.62, -30.17, -11.41

 

CMYK 0 / 79 / 35 / 38

HEX #9F2167

RGB 159 33 103

HSL 326.67, 0.66%, 0.38%

LAB 36.81, 55.66, -9.26

 

CMYK 34 / 0 / 80 / 37

HEX #69A020

RGB 105 160 32

HSL 85.78, 0.67%, 0.38%

LAB 60.11, -37.49, 55.82

 

CMYK 80 / 34 / 0 / 37

HEX #2069A0

RGB 32 105 160

HSL 205.78, 0.67%, 0.38%

LAB 42.69, -2.17, -35.99

 

CMYK 0 / 79 / 35 / 38

HEX #9F2167

RGB 159 33 103

HSL 326.67, 0.66%, 0.38%

LAB 36.81, 55.66, -9.26

 

CMYK 0 / 29 / 80 / 37

HEX #A07120

RGB 160 113 32

HSL 37.97, 0.67%, 0.38%

LAB 51.14, 11.26, 49.16

 

CMYK 80 / 0 / 45 / 37

HEX #20A058

RGB 32 160 88

HSL 146.25, 0.67%, 0.38%

LAB 58.18, -49.98, 28.19

 

CMYK 80 / 51 / 0 / 37

HEX #204FA0

RGB 32 79 160

HSL 217.97, 0.67%, 0.38%

LAB 34.88, 14.66, -48.46

 

CMYK 0 / 79 / 35 / 38

HEX #9F2167

RGB 159 33 103

HSL 326.67, 0.66%, 0.38%

LAB 36.81, 55.66, -9.26

 

CMYK 0 / 5 / 80 / 37

HEX #A09820

RGB 160 152 32

HSL 56.25, 0.67%, 0.38%

LAB 61.68, -10.33, 58.71

 

CMYK 80 / 0 / 45 / 37

HEX #20A058

RGB 32 160 88

HSL 146.25, 0.67%, 0.38%

LAB 58.18, -49.98, 28.19

 

CMYK 80 / 74 / 0 / 37

HEX #2029A0

RGB 32 41 160

HSL 235.78, 0.67%, 0.38%

LAB 25.05, 39.73, -64.52

 

Description

Color code: HEX #9F2167 | qconv.com Color code: HEX #9F2167 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 33 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 33 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 35 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 35% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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