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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F0CD1 it is the complementary color #60F32E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F0CD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F0CD1 shade: #A40CCC, #B51EDF, #C630F2, #D742FF and #E854FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F0CD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F0CD1 shade: #9F0CD1, #8E00BE, #7D00AB, #6C0098 and #5B0085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F0CD1 shade: #9E0CCF, #CF0CCC, #CF0C98, #CF0C63 and #CF0C2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F0CD1 shade: #9E0CCF, #690CCF, #340CCF and #0C0CCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F0CD1 shade matches the following richer shades: #9E0CCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F0CD1 shade: #9E0CCF, #951EBD, #8C30AC, #83419A and #7B5388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F0CD1 shade: #330CCF, #670CCF, #9B0CCF, #CF0CCF and #CF0C9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F0CD1 shade: #620881, #800AA8, #9E0CCF, #B913F1 and #C53AF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F0CD1 shade: #9F0CD1, #CF0C19 and #0CCF4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F0CD1 shade: #9F0CD1, #CF9B0C and #0CCF9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F0CD1 shade: #9F0CD1, #CF0C19, #40CF0C and #0CCFC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F0CD1 shade: #9F0CD1, #CF3A0C, #40CF0C and #0CA2CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 94 / 0 / 18

HEX #9F0CD1

RGB 159 12 209

HSL 284.77, 0.89%, 0.43%

LAB 41.59, 76.08, -65.86

 

Complementary color

CMYK 60 / 0 / 81 / 5

HEX #60F32E

RGB 96 243 46

HSL 104.77, 0.89%, 0.57%

LAB 85.4, -70.76, 75.08

 

CMYK 20 / 94 / 0 / 20

HEX #A40CCC

RGB 164 12 204

HSL 287.5, 0.89%, 0.42%

LAB 42.02, 75.88, -62.23

 

CMYK 19 / 87 / 0 / 13

HEX #B51EDF

RGB 181 30 223

HSL 286.94, 0.76%, 0.5%

LAB 47.08, 78.96, -64.83

 

CMYK 18 / 80 / 0 / 5

HEX #C630F2

RGB 198 48 242

HSL 286.39, 0.88%, 0.57%

LAB 52.43, 80.89, -66.77

 

CMYK 16 / 74 / 0 / 0

HEX #D742FF

RGB 215 66 255

HSL 287.3, 1%, 0.63%

LAB 57.62, 80.91, -65.52

 

CMYK 9 / 67 / 0 / 0

HEX #E854FF

RGB 232 84 255

HSL 291.93, 1%, 0.66%

LAB 62.27, 78.03, -57.94

 

CMYK 24 / 94 / 0 / 18

HEX #9F0CD1

RGB 159 12 209

HSL 284.77, 0.89%, 0.43%

LAB 41.59, 76.08, -65.86

 

CMYK 25 / 100 / 0 / 25

HEX #8E00BE

RGB 142 0 190

HSL 284.84, 1%, 0.37%

LAB 36.87, 71.71, -62.59

 

CMYK 27 / 100 / 0 / 33

HEX #7D00AB

RGB 125 0 171

HSL 283.86, 1%, 0.34%

LAB 32.48, 66, -58.57

 

CMYK 29 / 100 / 0 / 40

HEX #6C0098

RGB 108 0 152

HSL 282.63, 1%, 0.3%

LAB 27.99, 60.17, -54.48

 

CMYK 32 / 100 / 0 / 48

HEX #5B0085

RGB 91 0 133

HSL 281.05, 1%, 0.26%

LAB 23.4, 54.2, -50.31

 

CMYK 24 / 94 / 0 / 19

HEX #9E0CCF

RGB 158 12 207

HSL 284.92, 0.89%, 0.43%

LAB 41.27, 75.58, -65.23

 

CMYK 0 / 94 / 1 / 19

HEX #CF0CCC

RGB 207 12 204

HSL 300.92, 0.89%, 0.43%

LAB 49.36, 82.58, -50.03

 

CMYK 0 / 94 / 27 / 19

HEX #CF0C98

RGB 207 12 152

HSL 316.92, 0.89%, 0.43%

LAB 46.7, 75.85, -23.59

 

CMYK 0 / 94 / 52 / 19

HEX #CF0C63

RGB 207 12 99

HSL 333.23, 0.89%, 0.43%

LAB 44.84, 70.9, 6.15

 

CMYK 0 / 94 / 78 / 19

HEX #CF0C2E

RGB 207 12 46

HSL 349.54, 0.89%, 0.43%

LAB 43.84, 68.14, 37.55

 

CMYK 24 / 94 / 0 / 19

HEX #9E0CCF

RGB 158 12 207

HSL 284.92, 0.89%, 0.43%

LAB 41.27, 75.58, -65.23

 

CMYK 49 / 94 / 0 / 19

HEX #690CCF

RGB 105 12 207

HSL 268.62, 0.89%, 0.43%

LAB 33.5, 69.55, -78.28

 

CMYK 75 / 94 / 0 / 19

HEX #340CCF

RGB 52 12 207

HSL 252.31, 0.89%, 0.43%

LAB 28.11, 66.23, -87.39

 

CMYK 94 / 94 / 0 / 19

HEX #0C0CCF

RGB 12 12 207

HSL 240, 0.89%, 0.43%

LAB 26.29, 65.33, -90.47

 

CMYK 24 / 94 / 0 / 19

HEX #9E0CCF

RGB 158 12 207

HSL 284.92, 0.89%, 0.43%

LAB 41.27, 75.58, -65.23

 

CMYK 24 / 94 / 0 / 19

HEX #9E0CCF

RGB 158 12 207

HSL 284.92, 0.89%, 0.43%

LAB 41.27, 75.58, -65.23

 

CMYK 21 / 84 / 0 / 26

HEX #951EBD

RGB 149 30 189

HSL 284.91, 0.73%, 0.43%

LAB 39.57, 67.69, -57.57

 

CMYK 19 / 72 / 0 / 33

HEX #8C30AC

RGB 140 48 172

HSL 284.52, 0.56%, 0.43%

LAB 39.02, 56.84, -48.47

 

CMYK 15 / 58 / 0 / 40

HEX #83419A

RGB 131 65 154

HSL 284.49, 0.41%, 0.43%

LAB 39.48, 43.04, -37.02

 

CMYK 10 / 39 / 0 / 47

HEX #7B5388

RGB 123 83 136

HSL 285.28, 0.24%, 0.43%

LAB 41.49, 26.56, -23.04

 

CMYK 75 / 94 / 0 / 19

HEX #330CCF

RGB 51 12 207

HSL 252, 0.89%, 0.43%

LAB 28.04, 66.19, -87.51

 

CMYK 50 / 94 / 0 / 19

HEX #670CCF

RGB 103 12 207

HSL 268, 0.89%, 0.43%

LAB 33.25, 69.38, -78.71

 

CMYK 25 / 94 / 0 / 19

HEX #9B0CCF

RGB 155 12 207

HSL 284, 0.89%, 0.43%

LAB 40.79, 75.18, -66.03

 

CMYK 0 / 94 / 0 / 19

HEX #CF0CCF

RGB 207 12 207

HSL 300, 0.89%, 0.43%

LAB 49.54, 83.01, -51.48

 

CMYK 0 / 94 / 25 / 19

HEX #CF0C9B

RGB 207 12 155

HSL 316, 0.89%, 0.43%

LAB 46.84, 76.19, -25.19

 

CMYK 24 / 94 / 0 / 49

HEX #620881

RGB 98 8 129

HSL 284.63, 0.88%, 0.27%

LAB 24.81, 52.7, -45.43

 

CMYK 24 / 94 / 0 / 34

HEX #800AA8

RGB 128 10 168

HSL 284.81, 0.89%, 0.35%

LAB 33.21, 64.43, -55.56

 

CMYK 24 / 94 / 0 / 19

HEX #9E0CCF

RGB 158 12 207

HSL 284.92, 0.89%, 0.43%

LAB 41.27, 75.58, -65.23

 

CMYK 23 / 92 / 0 / 5

HEX #B913F1

RGB 185 19 241

HSL 284.86, 0.89%, 0.51%

LAB 48.42, 84.47, -72.8

 

CMYK 19 / 76 / 0 / 4

HEX #C53AF4

RGB 197 58 244

HSL 284.84, 0.89%, 0.59%

LAB 53.41, 78.18, -66.31

 

CMYK 24 / 94 / 0 / 18

HEX #9F0CD1

RGB 159 12 209

HSL 284.77, 0.89%, 0.43%

LAB 41.59, 76.08, -65.86

 

CMYK 0 / 94 / 88 / 19

HEX #CF0C19

RGB 207 12 25

HSL 356, 0.89%, 0.43%

LAB 43.65, 67.62, 48.61

 

CMYK 94 / 0 / 63 / 19

HEX #0CCF4D

RGB 12 207 77

HSL 140, 0.89%, 0.43%

LAB 73.05, -68.67, 51.4

 

CMYK 24 / 94 / 0 / 18

HEX #9F0CD1

RGB 159 12 209

HSL 284.77, 0.89%, 0.43%

LAB 41.59, 76.08, -65.86

 

CMYK 0 / 25 / 94 / 19

HEX #CF9B0C

RGB 207 155 12

HSL 44, 0.89%, 0.43%

LAB 67.08, 8.69, 69.48

 

CMYK 94 / 0 / 25 / 19

HEX #0CCF9B

RGB 12 207 155

HSL 164, 0.89%, 0.43%

LAB 74.23, -54.75, 14.03

 

CMYK 24 / 94 / 0 / 18

HEX #9F0CD1

RGB 159 12 209

HSL 284.77, 0.89%, 0.43%

LAB 41.59, 76.08, -65.86

 

CMYK 0 / 94 / 88 / 19

HEX #CF0C19

RGB 207 12 25

HSL 356, 0.89%, 0.43%

LAB 43.65, 67.62, 48.61

 

CMYK 69 / 0 / 94 / 19

HEX #40CF0C

RGB 64 207 12

HSL 104, 0.89%, 0.43%

LAB 73.38, -67.07, 70.73

 

CMYK 94 / 0 / 6 / 19

HEX #0CCFC2

RGB 12 207 194

HSL 176, 0.89%, 0.43%

LAB 75.2, -44.54, -5.55

 

CMYK 24 / 94 / 0 / 18

HEX #9F0CD1

RGB 159 12 209

HSL 284.77, 0.89%, 0.43%

LAB 41.59, 76.08, -65.86

 

CMYK 0 / 72 / 94 / 19

HEX #CF3A0C

RGB 207 58 12

HSL 14.15, 0.89%, 0.43%

LAB 47.39, 56.71, 56.02

 

CMYK 69 / 0 / 94 / 19

HEX #40CF0C

RGB 64 207 12

HSL 104, 0.89%, 0.43%

LAB 73.38, -67.07, 70.73

 

CMYK 94 / 22 / 0 / 19

HEX #0CA2CF

RGB 12 162 207

HSL 193.85, 0.89%, 0.43%

LAB 62.02, -18.79, -32.69

 

Description

Color code: HEX #9F0CD1 | qconv.com Color code: HEX #9F0CD1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 12 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 12 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 94 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 94% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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