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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EF5E2 it is the complementary color #610A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EF5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EF5E2 shade: #A3F5DD, #B4FFF0, #C5FFFF, #D6FFFF and #E7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EF5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EF5E2 shade: #9EF5E2, #8DE3CF, #7CD1BC, #6BBFA9 and #5AAD96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EF5E2 shade: #9EF5E2, #9EF5CA, #9EF5B3, #A0F59E and #B8F59E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EF5E2 shade: #9EF5E2, #9EF0F5, #9ED9F5, #9EC2F5 and #9EAAF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EF5E2 shade matches the following richer shades: #9EF5E2 and #95FDE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EF5E2 shade: #9EF5E2, #A7ECDD, #AFE3D8, #B8DBD3 and #C1D2CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EF5E2 shade: #9EF5B2, #9EF5C9, #9EF5E1, #9EF2F5 and #9EDBF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EF5E2 shade: #53EDCB, #79F1D7, #9EF5E2, #C3F9ED and #E9FDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EF5E2 shade: #9EF5E2, #9EA1F5 and #F5BE9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EF5E2 shade: #9EF5E2, #E19EF5 and #F5E19E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EF5E2 shade: #9EF5E2, #9EA1F5, #F59EB2 and #F5F29E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EF5E2 shade: #9EF5E2, #B59EF5, #F59EB2 and #DEF59E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 8 / 4

HEX #9EF5E2

RGB 158 245 226

HSL 166.9, 0.81%, 0.79%

LAB 90.81, -30.33, 0.85

 

Complementary color

CMYK 0 / 90 / 70 / 62

HEX #610A1D

RGB 97 10 29

HSL 346.9, 0.81%, 0.21%

LAB 19.42, 37.86, 13.83

 

CMYK 33 / 0 / 10 / 4

HEX #A3F5DD

RGB 163 245 221

HSL 162.44, 0.8%, 0.8%

LAB 90.92, -30.04, 3.64

 

CMYK 29 / 0 / 6 / 0

HEX #B4FFF0

RGB 180 255 240

HSL 168, 1%, 0.85%

LAB 94.96, -26.06, -0.22

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 36 / 0 / 8 / 4

HEX #9EF5E2

RGB 158 245 226

HSL 166.9, 0.81%, 0.79%

LAB 90.81, -30.33, 0.85

 

CMYK 38 / 0 / 9 / 11

HEX #8DE3CF

RGB 141 227 207

HSL 166.05, 0.61%, 0.72%

LAB 84.54, -30.49, 1.57

 

CMYK 41 / 0 / 10 / 18

HEX #7CD1BC

RGB 124 209 188

HSL 165.18, 0.48%, 0.65%

LAB 78.18, -30.66, 2.34

 

CMYK 44 / 0 / 12 / 25

HEX #6BBFA9

RGB 107 191 169

HSL 164.29, 0.4%, 0.58%

LAB 71.73, -30.82, 3.16

 

CMYK 48 / 0 / 13 / 32

HEX #5AAD96

RGB 90 173 150

HSL 163.37, 0.34%, 0.52%

LAB 65.17, -30.95, 4.04

 

CMYK 36 / 0 / 8 / 4

HEX #9EF5E2

RGB 158 245 226

HSL 166.9, 0.81%, 0.79%

LAB 90.81, -30.33, 0.85

 

CMYK 36 / 0 / 18 / 4

HEX #9EF5CA

RGB 158 245 202

HSL 150.34, 0.81%, 0.79%

LAB 90.25, -35.3, 12.5

 

CMYK 36 / 0 / 27 / 4

HEX #9EF5B3

RGB 158 245 179

HSL 134.48, 0.81%, 0.79%

LAB 89.78, -39.57, 23.69

 

CMYK 35 / 0 / 36 / 4

HEX #A0F59E

RGB 160 245 158

HSL 118.62, 0.81%, 0.79%

LAB 89.51, -42.41, 33.98

 

CMYK 25 / 0 / 36 / 4

HEX #B8F59E

RGB 184 245 158

HSL 102.07, 0.81%, 0.79%

LAB 90.76, -34.65, 35.87

 

CMYK 36 / 0 / 8 / 4

HEX #9EF5E2

RGB 158 245 226

HSL 166.9, 0.81%, 0.79%

LAB 90.81, -30.33, 0.85

 

CMYK 36 / 2 / 0 / 4

HEX #9EF0F5

RGB 158 240 245

HSL 183.45, 0.81%, 0.79%

LAB 89.94, -23.62, -10.33

 

CMYK 36 / 11 / 0 / 4

HEX #9ED9F5

RGB 158 217 245

HSL 199.31, 0.81%, 0.79%

LAB 83.7, -12.08, -19.7

 

CMYK 36 / 21 / 0 / 4

HEX #9EC2F5

RGB 158 194 245

HSL 215.17, 0.81%, 0.79%

LAB 77.55, 0.07, -29.07

 

CMYK 36 / 31 / 0 / 4

HEX #9EAAF5

RGB 158 170 245

HSL 231.72, 0.81%, 0.79%

LAB 71.29, 13.32, -38.74

 

CMYK 36 / 0 / 8 / 4

HEX #9EF5E2

RGB 158 245 226

HSL 166.9, 0.81%, 0.79%

LAB 90.81, -30.33, 0.85

 

CMYK 41 / 0 / 9 / 1

HEX #95FDE7

RGB 149 253 231

HSL 167.31, 0.96%, 0.79%

LAB 92.76, -35.27, 1.04

 

CMYK 36 / 0 / 8 / 4

HEX #9EF5E2

RGB 158 245 226

HSL 166.9, 0.81%, 0.79%

LAB 90.81, -30.33, 0.85

 

CMYK 29 / 0 / 6 / 7

HEX #A7ECDD

RGB 167 236 221

HSL 166.96, 0.64%, 0.79%

LAB 88.65, -24.6, 0.36

 

CMYK 23 / 0 / 5 / 11

HEX #AFE3D8

RGB 175 227 216

HSL 167.31, 0.48%, 0.79%

LAB 86.51, -18.87, -0.09

 

CMYK 16 / 0 / 4 / 14

HEX #B8DBD3

RGB 184 219 211

HSL 166.29, 0.33%, 0.79%

LAB 84.77, -13.06, 0.08

 

CMYK 8 / 0 / 2 / 18

HEX #C1D2CE

RGB 193 210 206

HSL 165.88, 0.16%, 0.79%

LAB 82.85, -6.48, 0.01

 

CMYK 36 / 0 / 27 / 4

HEX #9EF5B2

RGB 158 245 178

HSL 133.79, 0.81%, 0.79%

LAB 89.76, -39.74, 24.17

 

CMYK 36 / 0 / 18 / 4

HEX #9EF5C9

RGB 158 245 201

HSL 149.66, 0.81%, 0.79%

LAB 90.23, -35.49, 12.98

 

CMYK 36 / 0 / 8 / 4

HEX #9EF5E1

RGB 158 245 225

HSL 166.21, 0.81%, 0.79%

LAB 90.78, -30.54, 1.33

 

CMYK 36 / 1 / 0 / 4

HEX #9EF2F5

RGB 158 242 245

HSL 182.07, 0.81%, 0.79%

LAB 90.49, -24.6, -9.52

 

CMYK 36 / 11 / 0 / 4

HEX #9EDBF5

RGB 158 219 245

HSL 197.93, 0.81%, 0.79%

LAB 84.24, -13.11, -18.88

 

CMYK 65 / 0 / 14 / 7

HEX #53EDCB

RGB 83 237 203

HSL 166.75, 0.81%, 0.63%

LAB 85.36, -48.28, 4.63

 

CMYK 50 / 0 / 11 / 5

HEX #79F1D7

RGB 121 241 215

HSL 167, 0.81%, 0.71%

LAB 87.91, -39.99, 2.18

 

CMYK 36 / 0 / 8 / 4

HEX #9EF5E2

RGB 158 245 226

HSL 166.9, 0.81%, 0.79%

LAB 90.81, -30.33, 0.85

 

CMYK 22 / 0 / 5 / 2

HEX #C3F9ED

RGB 195 249 237

HSL 166.67, 0.82%, 0.87%

LAB 94.08, -19.41, 0.15

 

CMYK 8 / 0 / 2 / 1

HEX #E9FDF8

RGB 233 253 248

HSL 165, 0.83%, 0.95%

LAB 97.77, -7.41, 0.15

 

CMYK 36 / 0 / 8 / 4

HEX #9EF5E2

RGB 158 245 226

HSL 166.9, 0.81%, 0.79%

LAB 90.81, -30.33, 0.85

 

CMYK 36 / 34 / 0 / 4

HEX #9EA1F5

RGB 158 161 245

HSL 237.93, 0.81%, 0.79%

LAB 69.01, 18.41, -42.31

 

CMYK 0 / 22 / 36 / 4

HEX #F5BE9E

RGB 245 190 158

HSL 22.07, 0.81%, 0.79%

LAB 81.13, 15.53, 23.75

 

CMYK 36 / 0 / 8 / 4

HEX #9EF5E2

RGB 158 245 226

HSL 166.9, 0.81%, 0.79%

LAB 90.81, -30.33, 0.85

 

CMYK 8 / 36 / 0 / 4

HEX #E19EF5

RGB 225 158 245

HSL 286.21, 0.81%, 0.79%

LAB 74.22, 39.45, -33.74

 

CMYK 0 / 8 / 36 / 4

HEX #F5E19E

RGB 245 225 158

HSL 46.21, 0.81%, 0.79%

LAB 89.73, -2.61, 35.3

 

CMYK 36 / 0 / 8 / 4

HEX #9EF5E2

RGB 158 245 226

HSL 166.9, 0.81%, 0.79%

LAB 90.81, -30.33, 0.85

 

CMYK 36 / 34 / 0 / 4

HEX #9EA1F5

RGB 158 161 245

HSL 237.93, 0.81%, 0.79%

LAB 69.01, 18.41, -42.31

 

CMYK 0 / 36 / 27 / 4

HEX #F59EB2

RGB 245 158 178

HSL 346.21, 0.81%, 0.79%

LAB 74.24, 34.93, 3.21

 

CMYK 0 / 1 / 36 / 4

HEX #F5F29E

RGB 245 242 158

HSL 57.93, 0.81%, 0.79%

LAB 94.05, -11.12, 40.94

 

CMYK 36 / 0 / 8 / 4

HEX #9EF5E2

RGB 158 245 226

HSL 166.9, 0.81%, 0.79%

LAB 90.81, -30.33, 0.85

 

CMYK 26 / 36 / 0 / 4

HEX #B59EF5

RGB 181 158 245

HSL 255.86, 0.81%, 0.79%

LAB 70.08, 26.46, -40.49

 

CMYK 0 / 36 / 27 / 4

HEX #F59EB2

RGB 245 158 178

HSL 346.21, 0.81%, 0.79%

LAB 74.24, 34.93, 3.21

 

CMYK 9 / 0 / 36 / 4

HEX #DEF59E

RGB 222 245 158

HSL 75.86, 0.81%, 0.79%

LAB 93.15, -21.2, 39.44

 

Description

Color code: HEX #9EF5E2 | qconv.com Color code: HEX #9EF5E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 245 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 245 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 8 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 8% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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