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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 11 / 0 / 4 it is the complementary color CMYK 0 / 62 / 90 / 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 11 / 0 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 11 / 0 / 4: CMYK 33 / 9 / 0 / 6, CMYK 30 / 7 / 0 / 0, CMYK 23 / 0 / 0 / 0, CMYK 16 / 0 / 0 / 0 and CMYK 10 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 11 / 0 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 11 / 0 / 4: CMYK 36 / 11 / 0 / 4, CMYK 38 / 12 / 0 / 11, CMYK 41 / 12 / 0 / 19, CMYK 44 / 13 / 0 / 26 and CMYK 47 / 14 / 0 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 11 / 0 / 4

HEX #9DDAF5

RGB 157 218 245

HSL 198.41, 0.81%, 0.79%

LAB 83.92, -12.86, -19.38

 

Complementary color

CMYK 0 / 62 / 90 / 62

HEX #62250A

RGB 98 37 10

HSL 18.41, 0.81%, 0.21%

LAB 23.48, 26.16, 29.83

 

CMYK 33 / 9 / 0 / 6

HEX #A2DAF0

RGB 162 218 240

HSL 196.92, 0.72%, 0.79%

LAB 84.03, -12.73, -16.54

 

CMYK 30 / 7 / 0 / 0

HEX #B3ECFF

RGB 179 236 255

HSL 195, 1%, 0.85%

LAB 90.23, -13.69, -15.02

 

CMYK 23 / 0 / 0 / 0

HEX #C4FEFF

RGB 196 254 255

HSL 181.02, 1%, 0.88%

LAB 95.93, -17.85, -6.43

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 36 / 11 / 0 / 4

HEX #9DDAF5

RGB 157 218 245

HSL 198.41, 0.81%, 0.79%

LAB 83.92, -12.86, -19.38

 

CMYK 38 / 12 / 0 / 11

HEX #8CC8E2

RGB 140 200 226

HSL 198.14, 0.6%, 0.72%

LAB 77.5, -12.77, -19.01

 

CMYK 41 / 12 / 0 / 19

HEX #7BB6CF

RGB 123 182 207

HSL 197.86, 0.47%, 0.65%

LAB 70.99, -12.66, -18.65

 

CMYK 44 / 13 / 0 / 26

HEX #6AA4BC

RGB 106 164 188

HSL 197.56, 0.38%, 0.58%

LAB 64.36, -12.51, -18.28

 

CMYK 47 / 14 / 0 / 34

HEX #5992A9

RGB 89 146 169

HSL 197.25, 0.32%, 0.51%

LAB 57.6, -12.32, -17.91

 

CMYK 36 / 11 / 0 / 4

HEX #9DDAF5

RGB 157 218 245

HSL 198.41, 0.81%, 0.79%

LAB 83.92, -12.86, -19.38

 

CMYK 35 / 16 / 0 / 4

HEX #9ECCF4

RGB 158 204 244

HSL 207.91, 0.8%, 0.79%

LAB 80.17, -5.54, -24.52

 

CMYK 35 / 23 / 0 / 4

HEX #9EBDF4

RGB 158 189 244

HSL 218.37, 0.8%, 0.79%

LAB 76.19, 2.53, -30.62

 

CMYK 35 / 28 / 0 / 4

HEX #9EAFF4

RGB 158 175 244

HSL 228.14, 0.8%, 0.79%

LAB 72.54, 10.26, -36.26

 

CMYK 35 / 34 / 0 / 4

HEX #9EA0F4

RGB 158 160 244

HSL 238.6, 0.8%, 0.79%

LAB 68.71, 18.71, -42.23

 

CMYK 36 / 11 / 0 / 4

HEX #9DDAF5

RGB 157 218 245

HSL 198.41, 0.81%, 0.79%

LAB 83.92, -12.86, -19.38

 

CMYK 37 / 12 / 0 / 84

HEX #1A2429

RGB 26 36 41

HSL 200, 0.22%, 0.13%

LAB 13.48, -2.86, -4.76

 

CMYK 36 / 11 / 0 / 64

HEX #3B525C

RGB 59 82 92

HSL 198.18, 0.22%, 0.3%

LAB 33.43, -5.97, -8.66

 

CMYK 36 / 11 / 0 / 44

HEX #5C7F8F

RGB 92 127 143

HSL 198.82, 0.22%, 0.46%

LAB 51.19, -8.14, -12.6

 

CMYK 36 / 11 / 0 / 24

HEX #7CADC2

RGB 124 173 194

HSL 198, 0.36%, 0.62%

LAB 68.07, -10.97, -15.91

 

CMYK 36 / 11 / 0 / 4

HEX #9DDAF5

RGB 157 218 245

HSL 198.41, 0.81%, 0.79%

LAB 83.92, -12.86, -19.38

 

CMYK 18 / 35 / 0 / 4

HEX #C99EF4

RGB 201 158 244

HSL 270, 0.8%, 0.79%

LAB 71.83, 32.05, -37.09

 

CMYK 0 / 3 / 35 / 4

HEX #F4EC9E

RGB 244 236 158

HSL 54.42, 0.8%, 0.79%

LAB 92.44, -8.52, 38.83

 

CMYK 36 / 11 / 0 / 4

HEX #9DDAF5

RGB 157 218 245

HSL 198.41, 0.81%, 0.79%

LAB 83.92, -12.86, -19.38

 

CMYK 0 / 35 / 11 / 4

HEX #F49EDA

RGB 244 158 218

HSL 318.14, 0.8%, 0.79%

LAB 75.29, 40.56, -17.21

 

CMYK 11 / 0 / 35 / 4

HEX #DAF49E

RGB 218 244 158

HSL 78.14, 0.8%, 0.79%

LAB 92.61, -22.19, 38.68

 

CMYK 36 / 11 / 0 / 4

HEX #9DDAF5

RGB 157 218 245

HSL 198.41, 0.81%, 0.79%

LAB 83.92, -12.86, -19.38

 

CMYK 18 / 35 / 0 / 4

HEX #C99EF4

RGB 201 158 244

HSL 270, 0.8%, 0.79%

LAB 71.83, 32.05, -37.09

 

CMYK 0 / 25 / 35 / 4

HEX #F4B89E

RGB 244 184 158

HSL 18.14, 0.8%, 0.79%

LAB 79.6, 18.3, 21.64

 

CMYK 18 / 0 / 35 / 4

HEX #C9F49E

RGB 201 244 158

HSL 90, 0.8%, 0.79%

LAB 91.5, -28.31, 37.02

 

CMYK 36 / 11 / 0 / 4

HEX #9DDAF5

RGB 157 218 245

HSL 198.41, 0.81%, 0.79%

LAB 83.92, -12.86, -19.38

 

CMYK 7 / 35 / 0 / 4

HEX #E39EF4

RGB 227 158 244

HSL 288.14, 0.8%, 0.79%

LAB 74.39, 39.86, -32.92

 

CMYK 0 / 25 / 35 / 4

HEX #F4B89E

RGB 244 184 158

HSL 18.14, 0.8%, 0.79%

LAB 79.6, 18.3, 21.64

 

CMYK 28 / 0 / 35 / 4

HEX #AFF49E

RGB 175 244 158

HSL 108.14, 0.8%, 0.79%

LAB 89.99, -37.19, 34.76

 

Description

Color code: CMYK 36 / 11 / 0 / 4 | qconv.com Color code: CMYK 36 / 11 / 0 / 4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 218 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 218 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 11 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 11% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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