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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E1CFB it is the complementary color #61E304. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E1CFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9E1CFB: #A31CF6, #B42EFF, #C540FF, #D652FF and #E764FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E1CFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9E1CFB: #9E1CFB, #8D0AE8, #7C00D5, #6B00C2 and #5A00AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 89 / 0 / 2

HEX #9E1CFB

RGB 158 28 251

HSL 274.98, 0.97%, 0.55%

LAB 45.72, 81.53, -83

 

Complementary color

CMYK 57 / 0 / 98 / 11

HEX #61E304

RGB 97 227 4

HSL 94.98, 0.97%, 0.45%

LAB 80.45, -66.39, 77.59

 

CMYK 34 / 89 / 0 / 4

HEX #A31CF6

RGB 163 28 246

HSL 277.16, 0.92%, 0.54%

LAB 46, 81.14, -79.71

 

CMYK 29 / 82 / 0 / 0

HEX #B42EFF

RGB 180 46 255

HSL 278.47, 1%, 0.59%

LAB 50.54, 81.03, -77.22

 

CMYK 23 / 75 / 0 / 0

HEX #C540FF

RGB 197 64 255

HSL 281.78, 1%, 0.63%

LAB 54.82, 78.3, -70.16

 

CMYK 16 / 68 / 0 / 0

HEX #D652FF

RGB 214 82 255

HSL 285.78, 1%, 0.66%

LAB 59.48, 75.02, -62.54

 

CMYK 9 / 61 / 0 / 0

HEX #E764FF

RGB 231 100 255

HSL 290.71, 1%, 0.7%

LAB 64.42, 71.43, -54.52

 

CMYK 37 / 89 / 0 / 2

HEX #9E1CFB

RGB 158 28 251

HSL 274.98, 0.97%, 0.55%

LAB 45.72, 81.53, -83

 

CMYK 39 / 96 / 0 / 9

HEX #8D0AE8

RGB 141 10 232

HSL 275.41, 0.92%, 0.47%

LAB 40.74, 78.56, -80.54

 

CMYK 42 / 100 / 0 / 16

HEX #7C00D5

RGB 124 0 213

HSL 274.93, 1%, 0.42%

LAB 36.16, 74.18, -77.29

 

CMYK 45 / 100 / 0 / 24

HEX #6B00C2

RGB 107 0 194

HSL 273.09, 1%, 0.38%

LAB 31.85, 68.66, -73.38

 

CMYK 49 / 100 / 0 / 31

HEX #5A00AF

RGB 90 0 175

HSL 270.86, 1%, 0.34%

LAB 27.49, 63.07, -69.38

 

CMYK 37 / 89 / 0 / 2

HEX #9E1CFB

RGB 158 28 251

HSL 274.98, 0.97%, 0.55%

LAB 45.72, 81.53, -83

 

CMYK 24 / 89 / 0 / 2

HEX #C01CFB

RGB 192 28 251

HSL 284.13, 0.97%, 0.55%

LAB 50.69, 85.88, -74.68

 

CMYK 9 / 89 / 0 / 2

HEX #E51CFB

RGB 229 28 251

HSL 294.08, 0.97%, 0.55%

LAB 56.54, 91.34, -64.93

 

CMYK 0 / 89 / 6 / 2

HEX #FB1CEC

RGB 251 28 236

HSL 304.04, 0.97%, 0.55%

LAB 59.34, 92.77, -51.87

 

CMYK 0 / 89 / 21 / 2

HEX #FB1CC7

RGB 251 28 199

HSL 313.99, 0.97%, 0.55%

LAB 57.52, 88.07, -33.75

 

CMYK 37 / 89 / 0 / 2

HEX #9E1CFB

RGB 158 28 251

HSL 274.98, 0.97%, 0.55%

LAB 45.72, 81.53, -83

 

CMYK 36 / 89 / 0 / 82

HEX #1E052F

RGB 30 5 47

HSL 275.71, 0.81%, 0.1%

LAB 5.33, 21.26, -21.87

 

CMYK 37 / 89 / 0 / 62

HEX #3E0B62

RGB 62 11 98

HSL 275.17, 0.8%, 0.21%

LAB 16.23, 39.38, -39.62

 

CMYK 37 / 89 / 0 / 42

HEX #5E1195

RGB 94 17 149

HSL 275, 0.8%, 0.33%

LAB 26.59, 54.33, -55.02

 

CMYK 37 / 89 / 0 / 22

HEX #7E16C8

RGB 126 22 200

HSL 275.06, 0.8%, 0.44%

LAB 36.33, 68.42, -69.44

 

CMYK 37 / 89 / 0 / 2

HEX #9E1CFB

RGB 158 28 251

HSL 274.98, 0.97%, 0.55%

LAB 45.72, 81.53, -83

 

CMYK 0 / 89 / 68 / 2

HEX #FB1C50

RGB 251 28 80

HSL 346.01, 0.97%, 0.55%

LAB 53.94, 78.3, 31.49

 

CMYK 89 / 0 / 74 / 2

HEX #1CFB42

RGB 28 251 66

HSL 130.22, 0.97%, 0.55%

LAB 86.82, -81.55, 70.21

 

CMYK 37 / 89 / 0 / 2

HEX #9E1CFB

RGB 158 28 251

HSL 274.98, 0.97%, 0.55%

LAB 45.72, 81.53, -83

 

CMYK 0 / 38 / 89 / 2

HEX #FB9B1C

RGB 251 155 28

HSL 34.17, 0.97%, 0.55%

LAB 72.25, 27.79, 72.53

 

CMYK 89 / 0 / 38 / 2

HEX #1CFB9B

RGB 28 251 155

HSL 154.17, 0.97%, 0.55%

LAB 87.78, -69.86, 32.56

 

CMYK 37 / 89 / 0 / 2

HEX #9E1CFB

RGB 158 28 251

HSL 274.98, 0.97%, 0.55%

LAB 45.72, 81.53, -83

 

CMYK 0 / 89 / 68 / 2

HEX #FB1C50

RGB 251 28 80

HSL 346.01, 0.97%, 0.55%

LAB 53.94, 78.3, 31.49

 

CMYK 50 / 0 / 89 / 2

HEX #7DFB1C

RGB 125 251 28

HSL 93.9, 0.97%, 0.55%

LAB 88.66, -66.78, 81.96

 

CMYK 89 / 0 / 21 / 2

HEX #1CFBC7

RGB 28 251 199

HSL 166.01, 0.97%, 0.55%

LAB 88.62, -60.44, 11.29

 

CMYK 37 / 89 / 0 / 2

HEX #9E1CFB

RGB 158 28 251

HSL 274.98, 0.97%, 0.55%

LAB 45.72, 81.53, -83

 

CMYK 0 / 83 / 89 / 2

HEX #FB2B1C

RGB 251 43 28

HSL 4.04, 0.97%, 0.55%

LAB 54.37, 74.05, 59.26

 

CMYK 50 / 0 / 89 / 2

HEX #7DFB1C

RGB 125 251 28

HSL 93.9, 0.97%, 0.55%

LAB 88.66, -66.78, 81.96

 

CMYK 89 / 6 / 0 / 2

HEX #1CECFB

RGB 28 236 251

HSL 184.04, 0.97%, 0.55%

LAB 85.61, -40.1, -20.33

 

Description

Color code: HEX #9E1CFB | qconv.com Color code: HEX #9E1CFB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 28 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 28 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 89 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 89% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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