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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DBBFC it is the complementary color #624403. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DBBFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DBBFC shade: #A2BBF7, #B3CDFF, #C4DFFF, #D5F1FF and #E6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DBBFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DBBFC shade: #9DBBFC, #8CA9E9, #7B97D6, #6A85C3 and #5973B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DBBFC shade: #9CBAFC, #9CA0FC, #B19CFC, #CB9CFC and #E59CFC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DBBFC shade: #9CBAFC, #9CA0FC and #9C9CFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DBBFC shade matches the following richer shades: #9CBAFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DBBFC shade: #9CBAFC, #A4BDF4, #ADC0EB, #B5C3E3 and #BDC6DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DBBFC shade: #9CEEFC, #9CD4FC, #9CBAFC, #9CA1FC and #B19CFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DBBFC shade: #4C83F9, #749FFB, #9CBAFC, #C4D6FD and #ECF2FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DBBFC shade: #9DBBFC, #F19CFC and #E1FC9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DBBFC shade: #9DBBFC, #FC9CBA and #BAFC9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DBBFC shade: #9DBBFC, #F19CFC, #FCDE9C and #A7FC9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DBBFC shade: #9DBBFC, #FC9CEA, #FCDE9C and #9CFCAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 26 / 0 / 1

HEX #9DBBFC

RGB 157 187 252

HSL 221.05, 0.94%, 0.8%

LAB 75.91, 5.43, -35.36

 

Complementary color

CMYK 0 / 31 / 97 / 62

HEX #624403

RGB 98 68 3

HSL 41.05, 0.94%, 0.2%

LAB 31.2, 7.32, 39.34

 

CMYK 34 / 24 / 0 / 3

HEX #A2BBF7

RGB 162 187 247

HSL 222.35, 0.84%, 0.8%

LAB 76.03, 5.48, -32.46

 

CMYK 30 / 20 / 0 / 0

HEX #B3CDFF

RGB 179 205 255

HSL 219.47, 1%, 0.85%

LAB 82.09, 2.44, -27.33

 

CMYK 23 / 13 / 0 / 0

HEX #C4DFFF

RGB 196 223 255

HSL 212.54, 1%, 0.88%

LAB 87.84, -2.15, -18.51

 

CMYK 16 / 5 / 0 / 0

HEX #D5F1FF

RGB 213 241 255

HSL 200, 1%, 0.92%

LAB 93.57, -6.29, -9.81

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 38 / 26 / 0 / 1

HEX #9DBBFC

RGB 157 187 252

HSL 221.05, 0.94%, 0.8%

LAB 75.91, 5.43, -35.36

 

CMYK 40 / 27 / 0 / 9

HEX #8CA9E9

RGB 140 169 233

HSL 221.29, 0.68%, 0.73%

LAB 69.35, 5.9, -35.31

 

CMYK 43 / 29 / 0 / 16

HEX #7B97D6

RGB 123 151 214

HSL 221.54, 0.53%, 0.66%

LAB 62.68, 6.43, -35.3

 

CMYK 46 / 32 / 0 / 24

HEX #6A85C3

RGB 106 133 195

HSL 221.8, 0.43%, 0.59%

LAB 55.87, 7.06, -35.32

 

CMYK 49 / 35 / 0 / 31

HEX #5973B0

RGB 89 115 176

HSL 222.07, 0.36%, 0.52%

LAB 48.91, 7.82, -35.39

 

CMYK 38 / 26 / 0 / 1

HEX #9CBAFC

RGB 156 186 252

HSL 221.25, 0.94%, 0.8%

LAB 75.58, 5.72, -35.87

 

CMYK 38 / 37 / 0 / 1

HEX #9CA0FC

RGB 156 160 252

HSL 237.5, 0.94%, 0.8%

LAB 68.92, 20.31, -46.26

 

CMYK 30 / 38 / 0 / 1

HEX #B19CFC

RGB 177 156 252

HSL 253.13, 0.94%, 0.8%

LAB 69.58, 28.17, -45.12

 

CMYK 19 / 38 / 0 / 1

HEX #CB9CFC

RGB 203 156 252

HSL 269.38, 0.94%, 0.8%

LAB 71.89, 35.49, -41.32

 

CMYK 9 / 38 / 0 / 1

HEX #E59CFC

RGB 229 156 252

HSL 285.63, 0.94%, 0.8%

LAB 74.49, 43.08, -37.09

 

CMYK 38 / 26 / 0 / 1

HEX #9CBAFC

RGB 156 186 252

HSL 221.25, 0.94%, 0.8%

LAB 75.58, 5.72, -35.87

 

CMYK 38 / 37 / 0 / 1

HEX #9CA0FC

RGB 156 160 252

HSL 237.5, 0.94%, 0.8%

LAB 68.92, 20.31, -46.26

 

CMYK 38 / 38 / 0 / 1

HEX #9C9CFC

RGB 156 156 252

HSL 240, 0.94%, 0.8%

LAB 67.93, 22.59, -47.83

 

CMYK 38 / 26 / 0 / 1

HEX #9CBAFC

RGB 156 186 252

HSL 221.25, 0.94%, 0.8%

LAB 75.58, 5.72, -35.87

 

CMYK 38 / 26 / 0 / 1

HEX #9CBAFC

RGB 156 186 252

HSL 221.25, 0.94%, 0.8%

LAB 75.58, 5.72, -35.87

 

CMYK 33 / 23 / 0 / 4

HEX #A4BDF4

RGB 164 189 244

HSL 221.25, 0.78%, 0.8%

LAB 76.57, 4.18, -30

 

CMYK 26 / 18 / 0 / 8

HEX #ADC0EB

RGB 173 192 235

HSL 221.61, 0.61%, 0.8%

LAB 77.63, 2.94, -23.49

 

CMYK 20 / 14 / 0 / 11

HEX #B5C3E3

RGB 181 195 227

HSL 221.74, 0.45%, 0.8%

LAB 78.69, 1.91, -17.51

 

CMYK 14 / 10 / 0 / 14

HEX #BDC6DB

RGB 189 198 219

HSL 222, 0.29%, 0.8%

LAB 79.8, 1.11, -11.5

 

CMYK 38 / 6 / 0 / 1

HEX #9CEEFC

RGB 156 238 252

HSL 188.75, 0.94%, 0.8%

LAB 89.51, -21.48, -14.65

 

CMYK 38 / 16 / 0 / 1

HEX #9CD4FC

RGB 156 212 252

HSL 205, 0.94%, 0.8%

LAB 82.48, -8.26, -25.27

 

CMYK 38 / 26 / 0 / 1

HEX #9CBAFC

RGB 156 186 252

HSL 221.25, 0.94%, 0.8%

LAB 75.58, 5.72, -35.87

 

CMYK 38 / 36 / 0 / 1

HEX #9CA1FC

RGB 156 161 252

HSL 236.88, 0.94%, 0.8%

LAB 69.17, 19.74, -45.87

 

CMYK 30 / 38 / 0 / 1

HEX #B19CFC

RGB 177 156 252

HSL 253.13, 0.94%, 0.8%

LAB 69.58, 28.17, -45.12

 

CMYK 69 / 47 / 0 / 2

HEX #4C83F9

RGB 76 131 249

HSL 220.92, 0.94%, 0.64%

LAB 56.69, 20.14, -64.35

 

CMYK 54 / 37 / 0 / 2

HEX #749FFB

RGB 116 159 251

HSL 220.89, 0.94%, 0.72%

LAB 66.12, 11.18, -50.31

 

CMYK 38 / 26 / 0 / 1

HEX #9CBAFC

RGB 156 186 252

HSL 221.25, 0.94%, 0.8%

LAB 75.58, 5.72, -35.87

 

CMYK 23 / 15 / 0 / 1

HEX #C4D6FD

RGB 196 214 253

HSL 221.05, 0.93%, 0.88%

LAB 85.46, 2.13, -21.04

 

CMYK 7 / 5 / 0 / 0

HEX #ECF2FE

RGB 236 242 254

HSL 220, 0.9%, 0.96%

LAB 95.37, 0.24, -6.46

 

CMYK 38 / 26 / 0 / 1

HEX #9DBBFC

RGB 157 187 252

HSL 221.05, 0.94%, 0.8%

LAB 75.91, 5.43, -35.36

 

CMYK 4 / 38 / 0 / 1

HEX #F19CFC

RGB 241 156 252

HSL 293.13, 0.94%, 0.8%

LAB 75.77, 46.63, -35.01

 

CMYK 11 / 0 / 38 / 1

HEX #E1FC9C

RGB 225 252 156

HSL 76.88, 0.94%, 0.8%

LAB 95.17, -23.69, 43.08

 

CMYK 38 / 26 / 0 / 1

HEX #9DBBFC

RGB 157 187 252

HSL 221.05, 0.94%, 0.8%

LAB 75.91, 5.43, -35.36

 

CMYK 0 / 38 / 26 / 1

HEX #FC9CBA

RGB 252 156 186

HSL 341.25, 0.94%, 0.8%

LAB 74.84, 39.51, -0.23

 

CMYK 26 / 0 / 38 / 1

HEX #BAFC9C

RGB 186 252 156

HSL 101.25, 0.94%, 0.8%

LAB 92.78, -37.44, 39.52

 

CMYK 38 / 26 / 0 / 1

HEX #9DBBFC

RGB 157 187 252

HSL 221.05, 0.94%, 0.8%

LAB 75.91, 5.43, -35.36

 

CMYK 4 / 38 / 0 / 1

HEX #F19CFC

RGB 241 156 252

HSL 293.13, 0.94%, 0.8%

LAB 75.77, 46.63, -35.01

 

CMYK 0 / 12 / 38 / 1

HEX #FCDE9C

RGB 252 222 156

HSL 41.25, 0.94%, 0.8%

LAB 89.55, 1.39, 36.18

 

CMYK 34 / 0 / 38 / 1

HEX #A7FC9C

RGB 167 252 156

HSL 113.13, 0.94%, 0.8%

LAB 91.79, -43.59, 38.04

 

CMYK 38 / 26 / 0 / 1

HEX #9DBBFC

RGB 157 187 252

HSL 221.05, 0.94%, 0.8%

LAB 75.91, 5.43, -35.36

 

CMYK 0 / 38 / 7 / 1

HEX #FC9CEA

RGB 252 156 234

HSL 311.25, 0.94%, 0.8%

LAB 76.32, 46.79, -24.29

 

CMYK 0 / 12 / 38 / 1

HEX #FCDE9C

RGB 252 222 156

HSL 41.25, 0.94%, 0.8%

LAB 89.55, 1.39, 36.18

 

CMYK 38 / 0 / 31 / 1

HEX #9CFCAE

RGB 156 252 174

HSL 131.25, 0.94%, 0.8%

LAB 91.57, -44.1, 28.66

 

Description

Color code: HEX #9DBBFC | qconv.com Color code: HEX #9DBBFC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 187 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 187 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 26 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 26% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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