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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DAC6C it is the complementary color #625393. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DAC6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9DAC6C: #A2AC67, #B3BE7A, #C4D08D, #D5E2A0 and #E6F4B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DAC6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9DAC6C: #9DAC6C, #8C9A59, #7B8846, #6A7633 and #596420

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 37 / 33

HEX #9DAC6C

RGB 157 172 108

HSL 74.06, 0.28%, 0.55%

LAB 67.84, -15.87, 31.2

 

Complementary color

CMYK 33 / 44 / 0 / 42

HEX #625393

RGB 98 83 147

HSL 254.06, 0.28%, 0.45%

LAB 39.39, 21.44, -33.17

 

CMYK 6 / 0 / 40 / 33

HEX #A2AC67

RGB 162 172 103

HSL 68.7, 0.29%, 0.54%

LAB 68.14, -14.48, 34.29

 

CMYK 6 / 0 / 36 / 25

HEX #B3BE7A

RGB 179 190 122

HSL 69.71, 0.34%, 0.61%

LAB 74.71, -14.68, 33.1

 

CMYK 6 / 0 / 32 / 18

HEX #C4D08D

RGB 196 208 141

HSL 70.75, 0.42%, 0.68%

LAB 81.17, -14.84, 31.97

 

CMYK 6 / 0 / 29 / 11

HEX #D5E2A0

RGB 213 226 160

HSL 71.82, 0.53%, 0.76%

LAB 87.52, -14.97, 30.89

 

CMYK 6 / 0 / 27 / 4

HEX #E6F4B3

RGB 230 244 179

HSL 72.92, 0.75%, 0.83%

LAB 93.79, -15.08, 29.86

 

CMYK 9 / 0 / 37 / 33

HEX #9DAC6C

RGB 157 172 108

HSL 74.06, 0.28%, 0.55%

LAB 67.84, -15.87, 31.2

 

CMYK 9 / 0 / 42 / 40

HEX #8C9A59

RGB 140 154 89

HSL 72.92, 0.27%, 0.48%

LAB 61.14, -15.71, 32.41

 

CMYK 10 / 0 / 49 / 47

HEX #7B8846

RGB 123 136 70

HSL 71.82, 0.32%, 0.4%

LAB 54.3, -15.49, 33.65

 

CMYK 10 / 0 / 57 / 54

HEX #6A7633

RGB 106 118 51

HSL 70.75, 0.4%, 0.33%

LAB 47.31, -15.16, 34.85

 

CMYK 11 / 0 / 68 / 61

HEX #596420

RGB 89 100 32

HSL 69.71, 0.52%, 0.26%

LAB 40.15, -14.66, 35.84

 

CMYK 9 / 0 / 37 / 33

HEX #9DAC6C

RGB 157 172 108

HSL 74.06, 0.28%, 0.55%

LAB 67.84, -15.87, 31.2

 

CMYK 15 / 0 / 37 / 33

HEX #92AC6C

RGB 146 172 108

HSL 84.38, 0.28%, 0.55%

LAB 67.05, -20.16, 30.02

 

CMYK 22 / 0 / 37 / 33

HEX #87AC6C

RGB 135 172 108

HSL 94.69, 0.28%, 0.55%

LAB 66.32, -24.32, 28.93

 

CMYK 27 / 0 / 37 / 33

HEX #7DAC6C

RGB 125 172 108

HSL 104.06, 0.28%, 0.55%

LAB 65.71, -27.96, 28.01

 

CMYK 34 / 0 / 37 / 33

HEX #72AC6C

RGB 114 172 108

HSL 114.38, 0.28%, 0.55%

LAB 65.09, -31.77, 27.09

 

CMYK 9 / 0 / 37 / 33

HEX #9DAC6C

RGB 157 172 108

HSL 74.06, 0.28%, 0.55%

LAB 67.84, -15.87, 31.2

 

CMYK 9 / 0 / 37 / 13

HEX #CCDF8C

RGB 204 223 140

HSL 73.73, 0.56%, 0.71%

LAB 85.76, -19.39, 38.59

 

CMYK 11 / 0 / 37 / 93

HEX #11130C

RGB 17 19 12

HSL 77.14, 0.23%, 0.06%

LAB 5.52, -2.08, 3.26

 

CMYK 9 / 0 / 37 / 73

HEX #40462C

RGB 64 70 44

HSL 73.85, 0.23%, 0.22%

LAB 28.52, -7.6, 14.89

 

CMYK 9 / 0 / 37 / 53

HEX #6E794C

RGB 110 121 76

HSL 74.67, 0.23%, 0.39%

LAB 48.9, -12.13, 23.35

 

CMYK 9 / 0 / 37 / 33

HEX #9DAC6C

RGB 157 172 108

HSL 74.06, 0.28%, 0.55%

LAB 67.84, -15.87, 31.2

 

CMYK 37 / 0 / 22 / 33

HEX #6CAC87

RGB 108 172 135

HSL 145.31, 0.28%, 0.55%

LAB 65.31, -28.81, 12.65

 

CMYK 6 / 37 / 0 / 33

HEX #A16CAC

RGB 161 108 172

HSL 289.69, 0.28%, 0.55%

LAB 53.26, 32.21, -25.82

 

CMYK 9 / 0 / 37 / 33

HEX #9DAC6C

RGB 157 172 108

HSL 74.06, 0.28%, 0.55%

LAB 67.84, -15.87, 31.2

 

CMYK 37 / 9 / 0 / 33

HEX #6C9DAC

RGB 108 157 172

HSL 194.06, 0.28%, 0.55%

LAB 61.9, -12.49, -13.02

 

CMYK 0 / 37 / 9 / 33

HEX #AC6C9D

RGB 172 108 157

HSL 314.06, 0.28%, 0.55%

LAB 53.95, 32.99, -15.91

 

CMYK 9 / 0 / 37 / 33

HEX #9DAC6C

RGB 157 172 108

HSL 74.06, 0.28%, 0.55%

LAB 67.84, -15.87, 31.2

 

CMYK 37 / 0 / 22 / 33

HEX #6CAC87

RGB 108 172 135

HSL 145.31, 0.28%, 0.55%

LAB 65.31, -28.81, 12.65

 

CMYK 28 / 37 / 0 / 33

HEX #7B6CAC

RGB 123 108 172

HSL 254.06, 0.28%, 0.55%

LAB 49.39, 20.3, -32.13

 

CMYK 0 / 37 / 16 / 33

HEX #AC6C90

RGB 172 108 144

HSL 326.25, 0.28%, 0.55%

LAB 53.5, 30.76, -8.98

 

CMYK 9 / 0 / 37 / 33

HEX #9DAC6C

RGB 157 172 108

HSL 74.06, 0.28%, 0.55%

LAB 67.84, -15.87, 31.2

 

CMYK 37 / 0 / 10 / 33

HEX #6CAC9B

RGB 108 172 155

HSL 164.06, 0.28%, 0.55%

LAB 65.8, -24.48, 2.27

 

CMYK 28 / 37 / 0 / 33

HEX #7B6CAC

RGB 123 108 172

HSL 254.06, 0.28%, 0.55%

LAB 49.39, 20.3, -32.13

 

CMYK 0 / 37 / 27 / 33

HEX #AC6C7D

RGB 172 108 125

HSL 344.06, 0.28%, 0.55%

LAB 52.92, 27.81, 1.34

 

Description

Color code: HEX #9DAC6C | qconv.com Color code: HEX #9DAC6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 172 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 172 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 37 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 37% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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