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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DABFC it is the complementary color #625403. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DABFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DABFC shade: #A2ABF7, #B3BDFF, #C4CFFF, #D5E1FF and #E6F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DABFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DABFC shade: #9DABFC, #8C99E9, #7B87D6, #6A75C3 and #5963B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DABFC shade: #9CAAFC, #A89CFC, #C29CFC, #DC9CFC and #F59CFC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DABFC shade: #9CAAFC and #9C9CFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DABFC shade matches the following richer shades: #9CAAFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DABFC shade: #9CAAFC, #A4B0F4, #ADB6EB, #B5BCE3 and #BDC1DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DABFC shade: #9CDEFC, #9CC4FC, #9CAAFC, #A79CFC and #C19CFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DABFC shade: #4C66F9, #7488FB, #9CAAFC, #C4CCFD and #ECEFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DABFC shade: #9DABFC, #FC9CF7 and #D1FC9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DABFC shade: #9DABFC, #FC9CAA and #AAFC9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DABFC shade: #9DABFC, #FC9CF7, #FCEE9C and #9CFCA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DABFC shade: #9DABFC, #FC9CDA, #FCEE9C and #9CFCBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 32 / 0 / 1

HEX #9DABFC

RGB 157 171 252

HSL 231.16, 0.94%, 0.8%

LAB 71.77, 14.34, -41.79

 

Complementary color

CMYK 0 / 14 / 97 / 62

HEX #625403

RGB 98 84 3

HSL 51.16, 0.94%, 0.2%

LAB 35.88, -2.46, 42.82

 

CMYK 34 / 31 / 0 / 3

HEX #A2ABF7

RGB 162 171 247

HSL 233.65, 0.84%, 0.8%

LAB 71.91, 14.36, -38.84

 

CMYK 30 / 26 / 0 / 0

HEX #B3BDFF

RGB 179 189 255

HSL 232.11, 1%, 0.85%

LAB 77.99, 11.11, -33.63

 

CMYK 23 / 19 / 0 / 0

HEX #C4CFFF

RGB 196 207 255

HSL 228.81, 1%, 0.88%

LAB 83.75, 6.3, -24.7

 

CMYK 16 / 12 / 0 / 0

HEX #D5E1FF

RGB 213 225 255

HSL 222.86, 1%, 0.92%

LAB 89.49, 1.95, -15.9

 

CMYK 10 / 5 / 0 / 0

HEX #E6F3FF

RGB 230 243 255

HSL 208.8, 1%, 0.95%

LAB 95.22, -2, -7.24

 

CMYK 38 / 32 / 0 / 1

HEX #9DABFC

RGB 157 171 252

HSL 231.16, 0.94%, 0.8%

LAB 71.77, 14.34, -41.79

 

CMYK 40 / 34 / 0 / 9

HEX #8C99E9

RGB 140 153 233

HSL 231.61, 0.68%, 0.73%

LAB 65.15, 15, -41.86

 

CMYK 43 / 37 / 0 / 16

HEX #7B87D6

RGB 123 135 214

HSL 232.09, 0.53%, 0.66%

LAB 58.41, 15.76, -41.98

 

CMYK 46 / 40 / 0 / 24

HEX #6A75C3

RGB 106 117 195

HSL 232.58, 0.43%, 0.59%

LAB 51.53, 16.65, -42.15

 

CMYK 49 / 44 / 0 / 31

HEX #5963B0

RGB 89 99 176

HSL 233.1, 0.36%, 0.52%

LAB 44.49, 17.72, -42.38

 

CMYK 38 / 33 / 0 / 1

HEX #9CAAFC

RGB 156 170 252

HSL 231.25, 0.94%, 0.8%

LAB 71.45, 14.64, -42.3

 

CMYK 33 / 38 / 0 / 1

HEX #A89CFC

RGB 168 156 252

HSL 247.5, 0.94%, 0.8%

LAB 68.85, 25.73, -46.32

 

CMYK 23 / 38 / 0 / 1

HEX #C29CFC

RGB 194 156 252

HSL 263.75, 0.94%, 0.8%

LAB 71.06, 32.91, -42.69

 

CMYK 13 / 38 / 0 / 1

HEX #DC9CFC

RGB 220 156 252

HSL 280, 0.94%, 0.8%

LAB 73.56, 40.43, -38.6

 

CMYK 3 / 38 / 0 / 1

HEX #F59CFC

RGB 245 156 252

HSL 295.63, 0.94%, 0.8%

LAB 76.2, 47.82, -34.3

 

CMYK 38 / 33 / 0 / 1

HEX #9CAAFC

RGB 156 170 252

HSL 231.25, 0.94%, 0.8%

LAB 71.45, 14.64, -42.3

 

CMYK 38 / 38 / 0 / 1

HEX #9C9CFC

RGB 156 156 252

HSL 240, 0.94%, 0.8%

LAB 67.93, 22.59, -47.83

 

CMYK 38 / 33 / 0 / 1

HEX #9CAAFC

RGB 156 170 252

HSL 231.25, 0.94%, 0.8%

LAB 71.45, 14.64, -42.3

 

CMYK 38 / 33 / 0 / 1

HEX #9CAAFC

RGB 156 170 252

HSL 231.25, 0.94%, 0.8%

LAB 71.45, 14.64, -42.3

 

CMYK 33 / 28 / 0 / 4

HEX #A4B0F4

RGB 164 176 244

HSL 231, 0.78%, 0.8%

LAB 73.2, 11.35, -35.2

 

CMYK 26 / 23 / 0 / 8

HEX #ADB6EB

RGB 173 182 235

HSL 231.29, 0.61%, 0.8%

LAB 75.04, 8.4, -27.44

 

CMYK 20 / 17 / 0 / 11

HEX #B5BCE3

RGB 181 188 227

HSL 230.87, 0.45%, 0.8%

LAB 76.88, 5.69, -20.25

 

CMYK 14 / 12 / 0 / 14

HEX #BDC1DB

RGB 189 193 219

HSL 232, 0.29%, 0.8%

LAB 78.5, 3.79, -13.43

 

CMYK 38 / 12 / 0 / 1

HEX #9CDEFC

RGB 156 222 252

HSL 198.75, 0.94%, 0.8%

LAB 85.17, -13.44, -21.18

 

CMYK 38 / 22 / 0 / 1

HEX #9CC4FC

RGB 156 196 252

HSL 215, 0.94%, 0.8%

LAB 78.21, 0.26, -31.8

 

CMYK 38 / 33 / 0 / 1

HEX #9CAAFC

RGB 156 170 252

HSL 231.25, 0.94%, 0.8%

LAB 71.45, 14.64, -42.3

 

CMYK 34 / 38 / 0 / 1

HEX #A79CFC

RGB 167 156 252

HSL 246.88, 0.94%, 0.8%

LAB 68.77, 25.46, -46.45

 

CMYK 23 / 38 / 0 / 1

HEX #C19CFC

RGB 193 156 252

HSL 263.13, 0.94%, 0.8%

LAB 70.97, 32.63, -42.84

 

CMYK 69 / 59 / 0 / 2

HEX #4C66F9

RGB 76 102 249

HSL 230.98, 0.94%, 0.64%

LAB 49.35, 37.96, -76.25

 

CMYK 54 / 46 / 0 / 2

HEX #7488FB

RGB 116 136 251

HSL 231.11, 0.94%, 0.72%

LAB 60.15, 24.69, -59.8

 

CMYK 38 / 33 / 0 / 1

HEX #9CAAFC

RGB 156 170 252

HSL 231.25, 0.94%, 0.8%

LAB 71.45, 14.64, -42.3

 

CMYK 23 / 19 / 0 / 1

HEX #C4CCFD

RGB 196 204 253

HSL 231.58, 0.93%, 0.88%

LAB 82.92, 7.45, -24.9

 

CMYK 7 / 6 / 0 / 0

HEX #ECEFFE

RGB 236 239 254

HSL 230, 0.9%, 0.96%

LAB 94.62, 1.77, -7.56

 

CMYK 38 / 32 / 0 / 1

HEX #9DABFC

RGB 157 171 252

HSL 231.16, 0.94%, 0.8%

LAB 71.77, 14.34, -41.79

 

CMYK 0 / 38 / 2 / 1

HEX #FC9CF7

RGB 252 156 247

HSL 303.13, 0.94%, 0.8%

LAB 76.79, 49.02, -30.62

 

CMYK 17 / 0 / 38 / 1

HEX #D1FC9C

RGB 209 252 156

HSL 86.88, 0.94%, 0.8%

LAB 94.13, -29.48, 41.53

 

CMYK 38 / 32 / 0 / 1

HEX #9DABFC

RGB 157 171 252

HSL 231.16, 0.94%, 0.8%

LAB 71.77, 14.34, -41.79

 

CMYK 0 / 38 / 33 / 1

HEX #FC9CAA

RGB 252 156 170

HSL 351.25, 0.94%, 0.8%

LAB 74.43, 37.44, 7.99

 

CMYK 33 / 0 / 38 / 1

HEX #AAFC9C

RGB 170 252 156

HSL 111.25, 0.94%, 0.8%

LAB 91.94, -42.65, 38.26

 

CMYK 38 / 32 / 0 / 1

HEX #9DABFC

RGB 157 171 252

HSL 231.16, 0.94%, 0.8%

LAB 71.77, 14.34, -41.79

 

CMYK 0 / 38 / 2 / 1

HEX #FC9CF7

RGB 252 156 247

HSL 303.13, 0.94%, 0.8%

LAB 76.79, 49.02, -30.62

 

CMYK 0 / 6 / 38 / 1

HEX #FCEE9C

RGB 252 238 156

HSL 51.25, 0.94%, 0.8%

LAB 93.56, -6.68, 41.4

 

CMYK 38 / 0 / 36 / 1

HEX #9CFCA1

RGB 156 252 161

HSL 123.13, 0.94%, 0.8%

LAB 91.35, -46.19, 34.89

 

CMYK 38 / 32 / 0 / 1

HEX #9DABFC

RGB 157 171 252

HSL 231.16, 0.94%, 0.8%

LAB 71.77, 14.34, -41.79

 

CMYK 0 / 38 / 13 / 1

HEX #FC9CDA

RGB 252 156 218

HSL 321.25, 0.94%, 0.8%

LAB 75.78, 44.2, -16.38

 

CMYK 0 / 6 / 38 / 1

HEX #FCEE9C

RGB 252 238 156

HSL 51.25, 0.94%, 0.8%

LAB 93.56, -6.68, 41.4

 

CMYK 38 / 0 / 25 / 1

HEX #9CFCBE

RGB 156 252 190

HSL 141.25, 0.94%, 0.8%

LAB 91.87, -41.3, 20.93

 

Description

Color code: HEX #9DABFC | qconv.com Color code: HEX #9DABFC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 171 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 171 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 32 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 32% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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