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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 117 195 it is the complementary color RGB 149 138 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 117 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 106 117 195: RGB 111 117 190, RGB 128 135 209, RGB 145 153 228, RGB 162 171 247 and RGB 179 189 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 117 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 106 117 195: RGB 106 117 195, RGB 89 99 176, RGB 72 81 157, RGB 55 63 138 and RGB 38 45 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 40 / 0 / 24

HEX #6A75C3

RGB 106 117 195

HSL 232.58, 0.43%, 0.59%

LAB 51.53, 16.65, -42.15

 

Complementary color

CMYK 0 / 7 / 60 / 42

HEX #958A3C

RGB 149 138 60

HSL 52.58, 0.43%, 0.41%

LAB 56.97, -6.15, 42.38

 

CMYK 42 / 38 / 0 / 25

HEX #6F75BE

RGB 111 117 190

HSL 235.44, 0.38%, 0.59%

LAB 51.63, 16.45, -39.09

 

CMYK 39 / 35 / 0 / 18

HEX #8087D1

RGB 128 135 209

HSL 234.81, 0.47%, 0.66%

LAB 58.53, 15.65, -38.96

 

CMYK 36 / 33 / 0 / 11

HEX #9199E4

RGB 145 153 228

HSL 234.22, 0.61%, 0.73%

LAB 65.28, 14.97, -38.88

 

CMYK 34 / 31 / 0 / 3

HEX #A2ABF7

RGB 162 171 247

HSL 233.65, 0.84%, 0.8%

LAB 71.91, 14.36, -38.84

 

CMYK 30 / 26 / 0 / 0

HEX #B3BDFF

RGB 179 189 255

HSL 232.11, 1%, 0.85%

LAB 77.99, 11.11, -33.63

 

CMYK 46 / 40 / 0 / 24

HEX #6A75C3

RGB 106 117 195

HSL 232.58, 0.43%, 0.59%

LAB 51.53, 16.65, -42.15

 

CMYK 49 / 44 / 0 / 31

HEX #5963B0

RGB 89 99 176

HSL 233.1, 0.36%, 0.52%

LAB 44.49, 17.72, -42.38

 

CMYK 54 / 48 / 0 / 38

HEX #48519D

RGB 72 81 157

HSL 233.65, 0.37%, 0.45%

LAB 37.29, 19.02, -42.67

 

CMYK 60 / 54 / 0 / 46

HEX #373F8A

RGB 55 63 138

HSL 234.22, 0.43%, 0.38%

LAB 29.92, 20.66, -43.01

 

CMYK 68 / 62 / 0 / 53

HEX #262D77

RGB 38 45 119

HSL 234.81, 0.52%, 0.31%

LAB 22.38, 22.77, -43.37

 

CMYK 46 / 40 / 0 / 24

HEX #6A75C3

RGB 106 117 195

HSL 232.58, 0.43%, 0.59%

LAB 51.53, 16.65, -42.15

 

CMYK 45 / 46 / 0 / 24

HEX #6C69C3

RGB 108 105 195

HSL 242, 0.43%, 0.59%

LAB 48.55, 24.45, -46.86

 

CMYK 37 / 46 / 0 / 24

HEX #7B69C3

RGB 123 105 195

HSL 252, 0.43%, 0.59%

LAB 49.8, 28.26, -44.79

 

CMYK 29 / 46 / 0 / 24

HEX #8A69C3

RGB 138 105 195

HSL 262, 0.43%, 0.59%

LAB 51.21, 32.31, -42.48

 

CMYK 22 / 46 / 0 / 24

HEX #9969C3

RGB 153 105 195

HSL 272, 0.43%, 0.59%

LAB 52.75, 36.52, -39.95

 

CMYK 46 / 40 / 0 / 24

HEX #6A75C3

RGB 106 117 195

HSL 232.58, 0.43%, 0.59%

LAB 51.53, 16.65, -42.15

 

CMYK 46 / 40 / 0 / 4

HEX #8694F6

RGB 134 148 246

HSL 232.5, 0.86%, 0.75%

LAB 64.08, 20.09, -50.72

 

CMYK 45 / 40 / 0 / 84

HEX #17192A

RGB 23 25 42

HSL 233.68, 0.29%, 0.13%

LAB 9.36, 4.44, -11.83

 

CMYK 45 / 40 / 0 / 64

HEX #33385D

RGB 51 56 93

HSL 232.86, 0.29%, 0.28%

LAB 24.71, 8.76, -22.79

 

CMYK 46 / 40 / 0 / 44

HEX #4E5690

RGB 78 86 144

HSL 232.73, 0.3%, 0.44%

LAB 38.36, 13.03, -33.11

 

CMYK 46 / 40 / 0 / 24

HEX #6A75C3

RGB 106 117 195

HSL 232.58, 0.43%, 0.59%

LAB 51.53, 16.65, -42.15

 

CMYK 0 / 46 / 3 / 24

HEX #C369BD

RGB 195 105 189

HSL 304, 0.43%, 0.59%

LAB 57.44, 47.67, -28.8

 

CMYK 22 / 0 / 46 / 24

HEX #99C369

RGB 153 195 105

HSL 88, 0.43%, 0.59%

LAB 74.08, -29.19, 40.59

 

CMYK 46 / 40 / 0 / 24

HEX #6A75C3

RGB 106 117 195

HSL 232.58, 0.43%, 0.59%

LAB 51.53, 16.65, -42.15

 

CMYK 0 / 46 / 40 / 24

HEX #C36975

RGB 195 105 117

HSL 352, 0.43%, 0.59%

LAB 55.06, 37.01, 9.51

 

CMYK 40 / 0 / 46 / 24

HEX #75C369

RGB 117 195 105

HSL 112, 0.43%, 0.59%

LAB 72.12, -41.66, 37.72

 

CMYK 46 / 40 / 0 / 24

HEX #6A75C3

RGB 106 117 195

HSL 232.58, 0.43%, 0.59%

LAB 51.53, 16.65, -42.15

 

CMYK 0 / 46 / 3 / 24

HEX #C369BD

RGB 195 105 189

HSL 304, 0.43%, 0.59%

LAB 57.44, 47.67, -28.8

 

CMYK 0 / 6 / 46 / 24

HEX #C3B769

RGB 195 183 105

HSL 52, 0.43%, 0.59%

LAB 73.86, -6.53, 41.01

 

CMYK 46 / 0 / 43 / 24

HEX #69C36F

RGB 105 195 111

HSL 124, 0.43%, 0.59%

LAB 71.68, -44.4, 34.01

 

CMYK 46 / 40 / 0 / 24

HEX #6A75C3

RGB 106 117 195

HSL 232.58, 0.43%, 0.59%

LAB 51.53, 16.65, -42.15

 

CMYK 0 / 46 / 17 / 24

HEX #C369A2

RGB 195 105 162

HSL 322, 0.43%, 0.59%

LAB 56.4, 43.14, -14.84

 

CMYK 0 / 6 / 46 / 24

HEX #C3B769

RGB 195 183 105

HSL 52, 0.43%, 0.59%

LAB 73.86, -6.53, 41.01

 

CMYK 46 / 0 / 29 / 24

HEX #69C38A

RGB 105 195 138

HSL 142, 0.43%, 0.59%

LAB 72.14, -39.76, 20.49

 

Description

Color code: RGB 106 117 195 | qconv.com Color code: RGB 106 117 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 117 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 117 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 40 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 40% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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