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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DA7A3 it is the complementary color #62585C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DA7A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DA7A3 shade: #A2A79E, #B3B9B1, #C4CBC4, #D5DDD7 and #E6EFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DA7A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DA7A3 shade: #9DA7A3, #8C9590, #7B837D, #6A716A and #595F57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DA7A3 shade: #9FA8A4, #9FA8A2, #9FA89F, #A1A89F and #A3A89F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DA7A3 shade: #9FA8A4, #9FA8A7, #9FA7A8, #9FA4A8 and #9FA2A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DA7A3 shade matches the following richer shades: #9FA8A4, #90B7A7, #81C5AA, #72D4AD and #63E3B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DA7A3 shade: #9FA8A4, #AD99A1, #BC8A9E, #CB7B9B and #DA6C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DA7A3 shade: #9FA89F, #9FA8A2, #9FA8A4, #9FA8A7 and #9FA7A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DA7A3 shade: #74807B, #899490, #9FA8A4, #B4BBB9 and #CACFCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DA7A3 shade: #9DA7A3, #9FA0A8 and #A8A09F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DA7A3 shade: #9DA7A3, #A49FA8 and #A8A49F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DA7A3 shade: #9DA7A3, #9FA0A8, #A89FA2 and #A8A69F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DA7A3 shade: #9DA7A3, #A09FA8, #A89FA2 and #A7A89F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 2 / 35

HEX #9DA7A3

RGB 157 167 163

HSL 156, 0.05%, 0.64%

LAB 67.61, -4.31, 0.84

 

Complementary color

CMYK 0 / 10 / 6 / 62

HEX #62585C

RGB 98 88 92

HSL 336, 0.05%, 0.36%

LAB 38.46, 4.85, -0.84

 

CMYK 3 / 0 / 5 / 35

HEX #A2A79E

RGB 162 167 158

HSL 93.33, 0.05%, 0.64%

LAB 67.86, -3.47, 4.03

 

CMYK 3 / 0 / 4 / 27

HEX #B3B9B1

RGB 179 185 177

HSL 105, 0.05%, 0.71%

LAB 74.48, -3.58, 3.32

 

CMYK 3 / 0 / 3 / 20

HEX #C4CBC4

RGB 196 203 196

HSL 120, 0.06%, 0.78%

LAB 80.98, -3.68, 2.64

 

CMYK 4 / 0 / 3 / 13

HEX #D5DDD7

RGB 213 221 215

HSL 135, 0.11%, 0.85%

LAB 87.37, -3.78, 1.99

 

CMYK 4 / 0 / 2 / 6

HEX #E6EFEA

RGB 230 239 234

HSL 146.67, 0.22%, 0.92%

LAB 93.67, -3.88, 1.37

 

CMYK 6 / 0 / 2 / 35

HEX #9DA7A3

RGB 157 167 163

HSL 156, 0.05%, 0.64%

LAB 67.61, -4.31, 0.84

 

CMYK 6 / 0 / 3 / 42

HEX #8C9590

RGB 140 149 144

HSL 146.67, 0.04%, 0.57%

LAB 60.86, -4.24, 1.51

 

CMYK 6 / 0 / 5 / 49

HEX #7B837D

RGB 123 131 125

HSL 135, 0.03%, 0.5%

LAB 53.95, -4.17, 2.21

 

CMYK 6 / 0 / 6 / 56

HEX #6A716A

RGB 106 113 106

HSL 120, 0.03%, 0.43%

LAB 46.86, -4.1, 2.96

 

CMYK 6 / 0 / 8 / 63

HEX #595F57

RGB 89 95 87

HSL 105, 0.04%, 0.36%

LAB 39.57, -4.04, 3.77

 

CMYK 5 / 0 / 2 / 34

HEX #9FA8A4

RGB 159 168 164

HSL 153.33, 0.05%, 0.64%

LAB 68.06, -3.95, 0.96

 

CMYK 5 / 0 / 4 / 34

HEX #9FA8A2

RGB 159 168 162

HSL 140, 0.05%, 0.64%

LAB 68.01, -4.33, 1.99

 

CMYK 5 / 0 / 5 / 34

HEX #9FA89F

RGB 159 168 159

HSL 120, 0.05%, 0.64%

LAB 67.93, -4.9, 3.54

 

CMYK 4 / 0 / 5 / 34

HEX #A1A89F

RGB 161 168 159

HSL 106.67, 0.05%, 0.64%

LAB 68.08, -4.19, 3.78

 

CMYK 3 / 0 / 5 / 34

HEX #A3A89F

RGB 163 168 159

HSL 93.33, 0.05%, 0.64%

LAB 68.24, -3.47, 4.02

 

CMYK 5 / 0 / 2 / 34

HEX #9FA8A4

RGB 159 168 164

HSL 153.33, 0.05%, 0.64%

LAB 68.06, -3.95, 0.96

 

CMYK 5 / 0 / 1 / 34

HEX #9FA8A7

RGB 159 168 167

HSL 173.33, 0.05%, 0.64%

LAB 68.14, -3.36, -0.59

 

CMYK 5 / 1 / 0 / 34

HEX #9FA7A8

RGB 159 167 168

HSL 186.67, 0.05%, 0.64%

LAB 67.9, -2.62, -1.5

 

CMYK 5 / 2 / 0 / 34

HEX #9FA4A8

RGB 159 164 168

HSL 206.67, 0.05%, 0.64%

LAB 67.09, -0.98, -2.69

 

CMYK 5 / 4 / 0 / 34

HEX #9FA2A8

RGB 159 162 168

HSL 220, 0.05%, 0.64%

LAB 66.55, 0.11, -3.49

 

CMYK 5 / 0 / 2 / 34

HEX #9FA8A4

RGB 159 168 164

HSL 153.33, 0.05%, 0.64%

LAB 68.06, -3.95, 0.96

 

CMYK 21 / 0 / 9 / 28

HEX #90B7A7

RGB 144 183 167

HSL 155.38, 0.21%, 0.64%

LAB 71.27, -16.4, 3.84

 

CMYK 35 / 0 / 14 / 23

HEX #81C5AA

RGB 129 197 170

HSL 156.18, 0.37%, 0.64%

LAB 74.51, -27.44, 6.76

 

CMYK 46 / 0 / 18 / 17

HEX #72D4AD

RGB 114 212 173

HSL 156.12, 0.53%, 0.64%

LAB 78.28, -37.94, 10.44

 

CMYK 56 / 0 / 22 / 11

HEX #63E3B0

RGB 99 227 176

HSL 156.09, 0.7%, 0.64%

LAB 82.23, -47.31, 14.38

 

CMYK 5 / 0 / 2 / 34

HEX #9FA8A4

RGB 159 168 164

HSL 153.33, 0.05%, 0.64%

LAB 68.06, -3.95, 0.96

 

CMYK 0 / 12 / 7 / 32

HEX #AD99A1

RGB 173 153 161

HSL 336, 0.11%, 0.64%

LAB 65.15, 8.78, -1.48

 

CMYK 0 / 27 / 16 / 26

HEX #BC8A9E

RGB 188 138 158

HSL 336, 0.27%, 0.64%

LAB 62.79, 22.14, -3.09

 

CMYK 0 / 39 / 24 / 20

HEX #CB7B9B

RGB 203 123 155

HSL 336, 0.43%, 0.64%

LAB 60.98, 35.31, -3.84

 

CMYK 0 / 50 / 30 / 15

HEX #DA6C98

RGB 218 108 152

HSL 336, 0.6%, 0.64%

LAB 59.8, 47.81, -3.64

 

CMYK 5 / 0 / 5 / 34

HEX #9FA89F

RGB 159 168 159

HSL 120, 0.05%, 0.64%

LAB 67.93, -4.9, 3.54

 

CMYK 5 / 0 / 4 / 34

HEX #9FA8A2

RGB 159 168 162

HSL 140, 0.05%, 0.64%

LAB 68.01, -4.33, 1.99

 

CMYK 5 / 0 / 2 / 34

HEX #9FA8A4

RGB 159 168 164

HSL 153.33, 0.05%, 0.64%

LAB 68.06, -3.95, 0.96

 

CMYK 5 / 0 / 1 / 34

HEX #9FA8A7

RGB 159 168 167

HSL 173.33, 0.05%, 0.64%

LAB 68.14, -3.36, -0.59

 

CMYK 5 / 1 / 0 / 34

HEX #9FA7A8

RGB 159 167 168

HSL 186.67, 0.05%, 0.64%

LAB 67.9, -2.62, -1.5

 

CMYK 9 / 0 / 4 / 50

HEX #74807B

RGB 116 128 123

HSL 155, 0.05%, 0.48%

LAB 52.49, -5.46, 1.19

 

CMYK 7 / 0 / 3 / 42

HEX #899490

RGB 137 148 144

HSL 158.18, 0.05%, 0.56%

LAB 60.35, -4.76, 0.74

 

CMYK 5 / 0 / 2 / 34

HEX #9FA8A4

RGB 159 168 164

HSL 153.33, 0.05%, 0.64%

LAB 68.06, -3.95, 0.96

 

CMYK 4 / 0 / 1 / 27

HEX #B4BBB9

RGB 180 187 185

HSL 162.86, 0.05%, 0.72%

LAB 75.29, -2.8, 0.16

 

CMYK 2 / 0 / 1 / 19

HEX #CACFCD

RGB 202 207 205

HSL 156, 0.05%, 0.8%

LAB 82.69, -2.07, 0.39

 

CMYK 6 / 0 / 2 / 35

HEX #9DA7A3

RGB 157 167 163

HSL 156, 0.05%, 0.64%

LAB 67.61, -4.31, 0.84

 

CMYK 5 / 5 / 0 / 34

HEX #9FA0A8

RGB 159 160 168

HSL 233.33, 0.05%, 0.64%

LAB 66.01, 1.21, -4.28

 

CMYK 0 / 5 / 5 / 34

HEX #A8A09F

RGB 168 160 159

HSL 6.67, 0.05%, 0.64%

LAB 66.5, 2.72, 1.55

 

CMYK 6 / 0 / 2 / 35

HEX #9DA7A3

RGB 157 167 163

HSL 156, 0.05%, 0.64%

LAB 67.61, -4.31, 0.84

 

CMYK 2 / 5 / 0 / 34

HEX #A49FA8

RGB 164 159 168

HSL 273.33, 0.05%, 0.64%

LAB 66.15, 3.53, -4.03

 

CMYK 0 / 2 / 5 / 34

HEX #A8A49F

RGB 168 164 159

HSL 33.33, 0.05%, 0.64%

LAB 67.56, 0.52, 3.09

 

CMYK 6 / 0 / 2 / 35

HEX #9DA7A3

RGB 157 167 163

HSL 156, 0.05%, 0.64%

LAB 67.61, -4.31, 0.84

 

CMYK 5 / 5 / 0 / 34

HEX #9FA0A8

RGB 159 160 168

HSL 233.33, 0.05%, 0.64%

LAB 66.01, 1.21, -4.28

 

CMYK 0 / 5 / 4 / 34

HEX #A89FA2

RGB 168 159 162

HSL 340, 0.05%, 0.64%

LAB 66.31, 3.82, -0.4

 

CMYK 0 / 1 / 5 / 34

HEX #A8A69F

RGB 168 166 159

HSL 46.67, 0.05%, 0.64%

LAB 68.09, -0.57, 3.86

 

CMYK 6 / 0 / 2 / 35

HEX #9DA7A3

RGB 157 167 163

HSL 156, 0.05%, 0.64%

LAB 67.61, -4.31, 0.84

 

CMYK 5 / 5 / 0 / 34

HEX #A09FA8

RGB 160 159 168

HSL 246.67, 0.05%, 0.64%

LAB 65.82, 2.12, -4.55

 

CMYK 0 / 5 / 4 / 34

HEX #A89FA2

RGB 168 159 162

HSL 340, 0.05%, 0.64%

LAB 66.31, 3.82, -0.4

 

CMYK 1 / 0 / 5 / 34

HEX #A7A89F

RGB 167 168 159

HSL 66.67, 0.05%, 0.64%

LAB 68.55, -2.02, 4.51

 

Description

Color code: HEX #9DA7A3 | qconv.com Color code: HEX #9DA7A3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 167 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 167 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 2 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 2% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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